Around the Block Page #4
Anything else?
Smile.
Right.
Next.
Very nice,
thank you.
Next.
Wait, one more.
Thank you.
All right, next.
Action!
That you're half
of the flesh
And blood that makes
me whole
Whoa
I need you so
Yeah
And learn to fly again
Learn to live so free
And when we hear
The voices sing
The book of
love will open up
And let us in
And learn to fly again
So for Hamlet,
who's still dealing
With the death
of the father...
(Bell ringing)
There's a full
read-through tomorrow.
We'll pick it up then.
Hey.
Hey.
Are you doing anything
this afternoon?
Uh, no.
Why?
Got a read-through tomorrow.
Just wondering if,
I don't know,
we could go over some stuff?
Fortinbrass
has my dying voice.
So tell him, with the occurrents
more and less.
Which have solicited,
The rest is silence.
Good night, sweet prince.
And flights of angels
sing thee to thy rest.
What happens now?
You're dead.
You know your lines
all right.
You're a freak.
It's weird, eh,
how much you remember
from when you're little.
What do you mean?
Oh, I used to listen
Over and over
when he did Hamlet.
They rehearsed just
across the water.
All that
for his dad, hey?
Oh, he didn't have
much choice, but.
What do you mean?
You know,
duty and stuff.
Don't know if I'd do
the same for my dad.
I reckon you would.
What?
Dying for him?
It's not like it's going
to bring him back.
Besides,
he wouldn't want me to.
How do you know?
Because I know
he loves me.
I found out
where Barry Griffen's living.
Yeah?
Eastern suburbs.
I'm gonna pay him
a little visit,
and I need you there.
There's talk of another
riot coming up.
That's our chance.
While the cops have
their hands full here...
Bang.
What about Dad?
This is for Dad,
you d*ckhead.
Dad and Uncle Charlie.
We gotta show 'em...
we're still in charge.
Then what do
you need me for?
To drive.
You won't even be
in the house.
I don't have a license.
We're gonna go
shoot this f***er,
And you're worried about
not having a license?
Jase might come too,
But I don't what no one else
knowing nothin', okay?
You can't trust anyone.
Don't have a license.
You got a blackfella's
license, don't ya?
Take up the bodies.
Such a sight as this
becomes the field,
But here shows much amiss.
Go, bid the soldiers shoot.
Okay, what do we think
of the end of the play?
CASEY:
It sucks.It totally sucks,
but that's what
makes it a tragedy.
And what about
Hamlet's state of mind?
Do you guys think he was
really mad, or insane?
He... he pretends to be mad
so no one suspects him.
Maybe.
Or maybe so he doesn't have
to take action at all.
Wasn't it only when Laertes
wanted to fight Hamlet
That he was forced
to respond?
Liam?
In Act 3, the King says,
"Madness in great ones
should not unwatched go."
What does he mean
by this?
There's a reason
for him being mad.
And the king knows it.
That's why Shakespeare has
lasted all these years,
Because he can be
interpreted in so many ways.
Like a deadly MC, Miss.
Open to interpretation.
CHALMERS:
That's exactly right.
Or any great work of art.
It's through art
that we can escape,
That we can experience
a sense of freedom.
People use art to try
to effect change.
Shakespeare
used the theater
To express his view on
Morality, beauty, politics.
Other artists use music,
Photography, painting,
Even movies.
Okay, today,
I want each of you
to write a letter
To someone important
in your life,
A special guest
that you'd like to invite
To come and see our play, okay?
It can be anyone, sports star,
a politician, your mom, dad.
I'm going to write
to the Minister for Education
as my special guest.
If you don't know
the address,
You have two days
to get them to me.
I will be sending
these letters out
with invitations on Friday.
CASEY:
Dear Prime Minister,
I am 16 years old,
Of Kamilaroi
and Wiradjuri tribes.
I am writing
to invite you
To our school's production
of Hamlet,
Which will be performed
at our NAIDOC week.
DREW:
I play footballfor the Redfern All Blacks,
And I am your biggest fan.
I am writing
to invite you
To our school's production
of Hamlet.
All right,
when you're ready.
JOSEPH:
Dear Mum,I'm not sure
where you are right now...
But I would like to invite you
as my special guest.
I miss you so much.
WILLIEMAI:
Dear Minister Johnson,
I am a descendant
of the Gadigal
and Arinda clans,
And a student
at Redfern High.
We are showcasing a Hamlet
performance at NAIDOC week,
And I want to invite you
as my special guest.
(Applause)
(Burps)
You still looking
for a house, Simo?
Mm, we are mate, yeah.
We can't afford anything
in Sydney, though.
Prices are out of control,
you know, so...
around the Block in Redfern.
All the Abos keep
the prices down.
Chris!
Dino, you'd be used to it,
teaching all the Abos at school.
Hey, how do you, ah,
keep them from sniffing
all the petrol from your car?
Stop it!
Shut up, Chris.
Baby, he's only
mucking around.
Oh, and that makes
it all right?
Yeah, I'm allowed to.
I'm one-eighth Aboriginal.
Yeah, and seven-eighths
a**hole.
Oh.
a little eye on your missus, Si.
Think she might be
rootin' a blackfella.
Chris, I think...
Dino!
I'm so sorry, mate.
I'm...
Dino, baby!
Hey! Why are you
walking so fast?
Come on.
Forget it, Simon.
Just leave me alone.
Hey, hey hey.
He's hammered.
He's hammered.
He didn't mean it, okay?
Since when is that an excuse
It's not, but he's
my boss, so...
And you can't have
a mind of your own?
No, it's not like that.
You laughed.
You laughed.
Oh, I can't...
I can't do this.
I...
What can't you do?
What are you talking about?
Come on, what?
No, I don't...
I don't want this.
I don't...
I don't want this life.
Dino, come on, baby.
No, I can't be
your little missus,
And go to lunches
And...
I don't belong
in your world.
I'm sorry.
Wish me luck!
What's that sound?
Step up or step down
you left fronting?
You're bound
to be a letdown
You call that killer sh*t?
We call that killing time
and the Sunshyne
Dinner time
for these flesh-eating MCs
Sh*t's so tasty,
fresh and tempting
Hey, Miss?
Just wondering if the boys
can do a piece.
Huh?
Some paintings.
Help us with the sets.
Oh, yeah.
Sure, come on in.
You too, Uncle Rex.
Come on, help out.
Ah, yes, well, you got
that right
Everybody likes music
But they've got their type,
mine is good music
What about you, miss?
The type of music that
moves and uplifts?
Where you from?
Where you going?
What's that?
Where you at?
I'm right here
Where you from?
Where you going?
What's that?
Where you at?
I'm right here
Where you from?
Where you going?
What's that?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Around the Block" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/around_the_block_3108>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In