Arrowhead Page #2

Synopsis: Chief of Scouts Ed Bannon narrowly avoids an Apache ambush while working with the cavalry stationed at Fort Clark, Texas. The US Army is trying to talk peace with the Apaches and move them to reservations in Florida, and they take Bannon's efforts as detrimental to their new policies, so they fire him. When the Apache chief's son Torinada returns from an Eastern education, Bannon becomes highly suspicious of his motives based run-ins with Torinada in the past. Bannon continues shadowing the proceedings to the chagrin of both the US Army and the Apache warrior.
Production: Paramount Pictures
 
IMDB:
6.2
PASSED
Year:
1953
105 min
159 Views


video featuring general Tobias Hatch.

Shortly after his capture in Alander,

before his brief incarceration.

-State your name.

-Tobias Johans Hatch

-State your crime.

-Multiple accounts of

anti-government aggression,

and instigation of revolt.

-Please state specifically

your most recent crime.

-Planting of powerful materials

inside government ships.

Sabotaging four terrorist operations.

-No, the record states

that your original confession

refer to the sabotage

of scientific voyages.

Do you reconfirm this amendment?

-I confirm the amendment.

-Do you confirm or deny

that you have formed

an underground movement

codenamed "Redheads"

to rally against General Lane?

-I confirm.

-And do you confirm

or deny your public

accusation that General Lane

plans to orchestrate

an experimental prison that

allegedly code named Carshera Tempest?

-I confirm.

-Do you now confirm or deny

this concept as a complete

falsehood fabricated by yourself?

-I confirm.

-Please state specifically.

-I confirm Carshera Tempest

as a falsehood.

-Wait, take that back.

There.

-I confirm.

-You got any more

on this Carshera Tempest?

-I'm sorry, that is classified.

-You were just starting

to get interesting.

-Attention, any survivors come in.

Please make contact.

Evac in 30 minutes.

-You Okay?

-I heard from the ship.

They're leaving.

Now.

-So are you coming?

-Yeah.

Are you?

Not leaving without Datas.

-I meant what I

said back there.

About your clothes?

They see you like that

they shoot you in the spot.

-What happened to ???

Let's go.

???

-This is the final call

from Arrowhead.

The escape pods are ready for launch.

If there is anybody out

there, we are leaving.

-They can't hear us?

-Arrowhead, do not leave!

-Hey! Wait!

Kye?

Hurry!

No, no, no,

no, no!

Whoa!

-I have knowledge!

Are you listening, Tarren Hollis?

-I'm listening.

Kye?

Symbiosis

-You mentioned Symbiosis.

Would you like to explore?

-No.

You know what? Don't prompt

me. If I want to know something I'll ask.

-Yes, that makes sense.

Welcome, guest!

-So how did it feel?

-Like I was asleep.

Nightmare.

-How does it feel now?

-Like I'm awake.

-So you mean you...you feel fine?

-I feel cold.

I feel heavier.

But I feel good, I...

can't explain it.

-I kept going.

After you were taken.

Made it to the Arrowhead.

-And?

Any food?

Medicine?

-No.

-Any escape pods left?

How long was I gone?

-Almost four days.

Still got time.

-For what?

-That thing

you had to do.

-Time yeah.

Options no.

Unless you figured out

a way to get this shuttle in the air.

-We can't fly it.

But we aren't the

only ones still here.

Are we?

Oleander.

-You wait here.

-Scan error.

Welcome, Norman Oleander.

-Son of a b*tch!

REEF ?

How long to Liberation Day?

-76 days until Liberation Day.

-You hear that?

We're getting out of here.

-What about Oleander?

-Can't come with us.

What?

-I remember you.

You were in the early

guard protecting my father.

-Yeah.

I know.

-You weren't gonna say anything?

-What's the point?

I don't know you.

You don't know me.

Not really.

You're not a kid anymore.

You're old enough

to protect yourself.

-I'm not asking you

to protect me.

I'm just saying.

The man I remember wouldn't

just leave somebody to die.

-You don't know anything about me.

-But I do remember

that you used to be funny.

You used to smile

at us just to see us laugh.

I'm looking at you now,

Kye and

your eyes,

they're different.

And you've got this

scowl that drains the mood out of a room.

And your hands...they

shake when you think too hard.

Do you even remember

that man I'm talking about?

-If I let your

friend on board

I'd jeopardize my only

chance to get to New Holland.

And I lose the last person

who means something to me.

-And Oleander?

What happens to him?

-I don't know if

I can protect you.

-Yes, you can.

It's what you do.

-No, no, no, no

no, no, no no,

no, no, no, no

no, no, no, no....

No, no, no, no...

-Are you okay?

-No, no, we can't be here.

We can't be here.

I'm not okay, I'm not okay.

We can't be here!

You!

You think you know him,

you think you know Hatch,

you think you know him.

-Just lie down.

Okay?

-Now do something!

He'll come after you!

He'll come after you and

there would be no place for you to hide!

I can tell he's getting closer!

I mean, he won't stop!

-Oleander...

-We can't be here!

-Calm down, just calm down.

-They're gonna destroy you heart!

-What?

-They're gonna destroy you heart!

Find a heart!

Find a heart!

Rip it out!

-Hey, hey!

-Kye?

-What happened?

-The engine was left running

and eventually it burned out.

I'm sorry.

-How long was I gone?

-Would you like the

figure in hours or days?

-Days.

How long?

-Thirty-four.

-Liberation Day?

-There are 42 days until Liberation Day.

-This can't happen again.

Whatever happened,

it can't happen again.

When I lose that time.

I lose my father.

-I have knowledge.

-Go.

-I must warn you

while you were gone,

I detected the heartbeat

of Norman Oleander

approaching the shuttle.

-REEF, did you hear something?

-No, Kye.

I sense a significant

heart-rate change, Kye.

Are you troubled?

You must restrain yourself, Kye.

-REEF!

REEF!

What's happening to me?

-You will endanger the shuttle.

You cannot stay here.

Kye!

Leave.

-Fear...

Pain

You know what triggers it?

-What is your question?

-I don't have a question.

Whatever this is,

I have to get rid of it.

You have to cut it

out of me, REEF.

I can't have it inside of me.

We have to get rid of it.

We have to get rid of it.

We have...to get rid of it.

-Kye!

-We have to get

rid of it.

-Please, Kye...

-I have to get rid of it.

Before Liberation Day.

-You mentioned Liberation Day.

May I say something, Kye?

-I have to get this

shuttle started.

I have to get this

shuttle started.

I have to get this

shuttle started.

I have to get this

shuttle started!

I have to get this

shuttle started.

-Kye?

-What?

You mentioned Liberation Day.

May I say something, Kye?

Liberation day was celebrated

two days ago.

-Yes!

Yes!

It's time.

It's happening.

-Kye, your routine

should not be broken.

You must stay within

the perimeter today.

-No way I'm missing it again.

No, no, no, no,

no, no, no, no!

-I'm sorry her ID badge was taken.

I know what it means to you, Kye.

-It's just as way to pass time.

-You look quite unhealthy, Kye .

I've been wanting to

speak with you about

a theory regarding your condition.

-You just spoke.

-This is a new theory.

I believe that the creature could

in fact be a reborn Norman Oleander.

And I believe that you and

he share the same symbiotic condition.

Only his transformation

seems to be a permanent one.

If I were to obtain a tissue

sample of the Oleander creature,

perhaps by baiting and trapping it,

I believe I could help you

overcome your condition.

Or has that slipped your mind?

-No, it hasn't slipped my mind.

Rate this script:0.0 / 0 votes

Charles Marquis Warren

Charles Marquis Warren (December 16, 1912 — August 11, 1990) was an American motion picture and television writer, producer, and director who specialized in the western genre. He is notable for his involvement in creating the television series Rawhide and in adapting the radio series Gunsmoke for television. more…

All Charles Marquis Warren scripts | Charles Marquis Warren Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Arrowhead" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/arrowhead_3117>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Arrowhead

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "SFX" stand for in a screenplay?
    A Special Effects
    B Script Effects
    C Sound Effects
    D Screen Effects