Asylum Page #15
DOUG:
Okay everyone it's time for the
performance. Tonight, we have a very
special presentation of an
experimental piece titled Psychosis.
There's no cover charge but you can make
a donation in the box as you go in and
the bar will reopen afterwards. The
balcony is open but, like the auditorium,
DOUG (Cont_d)
you must stand; please don't go taking
these chairs......Take your places
now, it starts in five minutes.
People start to file out, Doug and Holly come together for a kiss and
Chris comes out from behind the bar. Doug and Holly are the last
people out through into the foyer.
INT - ASYLUM FOYER - DOUG/HOLLY/STUDENT(3) - NIGHT
People are making there way to the balcony and down into the space and
around the roped off area. Doug and Holly stand by the student who is
guarding the pay-phone box which now has a Czech/English donation sign
by it. Doug walks down towards the walkway with his arm around Holly.
INT - ASYLUM - CHRIS/PEOPLE/PERFORMING STUDENTS - NIGHT
Show some of the performance which is essentially the group represents
an "Organism_ up against the rear wall that breaks up into individuals
representing the seven sins which, one by one, fire up and express
themselves before coming back to the "Organism_ and dying. ANGLE
Chris looking on squeezed between some girls against the rope. Music
is new age and the spotlights track the action and change colour.
INT - ASYLUM - DOUG/HOLLY/PEOPLE - NIGHT
Doug and Holly sit on the lowest of the foyer steps along with some
others, they are watching intently. Foyer is in the background.
STUDENT(3) from the door has gone.
EXT - BETLEMSKA STREET - STUDENT(3)/PAVEL/POLICE - NIGHT
The Student is urinating between some parked cars and commando-style
police are moving cautiously along the street to the entrance of the
Asylum. The student is grabbed from behind and dragged away. Police
group around the side-door and one speaks into his radio. PAN to show
police vans and cars moving silently down the street. A one hundred
yard strip either side of the Asylum is cordoned off and Pavel emerges
from a car. Police everywhere.
INT - ASYLUM AUDITORIUM - OCCUPANTS/POLICE - NIGHT
The "Organism_ is firing up in rage with the music tracking. Show
Doug and Holly and the foyer area behind them, down which masked
POLICE COMMANDOS suddenly run.....Mayhem, Doug, Holly and others are
held at gun-point while Police secure the auditorium, disrupting the
performance and shoving people up against the rear wall. Curtains are
torn down music stops when stereo is kicked. Police yell in Czech and
English.
POLICEMAN:
You are all under arrest....
Stay where you are!
INT - ASYLUM ANTEROOM - PAVEL/POLICE - NIGHT
Pavel inspects the hole in the wall before entering the cafe area, he
looks around in amazement and throws chairs aside as his anger swells.
INT - ASYLUM - DOUG/HOLLY/POLICE/PEOPLE - NIGHT
Doug gets pushed back against a wall.
DOUG:
What the hell's going on?
.....You can't do this!
People stream down from the balcony area escorted by police who direct
them down to the auditorium. Doug and Holly are shoved in the
direction of the auditorium and people comply with orders and form
lines against the rear wall. Chris is a distance from where Doug and
Holly line up. A Policeman talks into his radio. ANGLE Pavel's entry
into foyer and down towards auditorium, accompanied by two senior
officers, he storms down to the auditorium.
INT - ASYLUM - OCCUPANTS/PAVEL/POLICE - NIGHT
Pavel barks some orders in Czech and the rest of the people from the
balcony are shoved to the rear wall. Guns are drawn.
PAVEL:
Silence.........Silence!
People quieten down and listen.
PAVEL:
I want those responsible to step
forward....NOW!
ANGLE Chris who looks to Doug. Doug and Holly look at each other.
PAVEL:
If those that are responsible do not
come forward, you will all be arrested.
People look at each other. Suddenly Chris steps forward and is soon
followed by some Czechs. Doug notices this and pushes his way forward
with Holly trying to hold him back. Doug gets close to Pavel but is
blocked quickly by police. Chris and some others try to grab him
back.
DOUG:
It's me you want, I'm responsible
for all this.
CHRIS:
He's lying! I am.
Jahn and some of the Czechs try and move further forward but are held
back as is Holly.
DOUG:
Shut up Chris, stay out of it.
Jahn, tell them to stay back, do it!
Holly tries to get to Doug. Pavel orders his men to bring Doug to
him.
PAVEL:
This is your doing?
DOUG:
Yes, they had nothing to do with
it.
PAVEL:
And you broke into that room?
DOUG:
That's right.
PAVEL:
You will wish you hadn't.
DOUG:
F*** you!
Pavel strikes Doug across the face.
HOLLY:
Doug!
PAVEL:
(to the restraining Officer)
(Subtitles)
Take him to the station!
Doug is hand-cuffed and dragged off. Pavel turns to one of his senior
officers.
PAVEL:
(Subtitles)
Take the details of all these people
before releasing them. Search the
building, secure it and then report
to me.
Officer stands to attention and nods, Pavel turns and exits. Show the
downcast people and Chris moving over to Holly who is crying.
EXT/INT - BETLEMSKA STREET - DOUG/POLICE - NIGHT
Doug is in the back seat of a police car and looks out at the Asylum,
the car drives off and is let through the cordon. Show PAVEL's exit
from the Asylum, he walks to his smart Western model police car. His
DRIVER opens a rear door and Pavel gets in and give order to the
driver before being driven off. ANGLE COMMANDOS winding down and
regular OFFICERS entering the Asylum.
INT - POLICE INTERROGATION ROOM - DOUG/PAVEL - NIGHT
Doug is sitting on a chair in a bare room with his hands hand-cuffed
behind him and a strong light overhead. Doug's mouth is bleeding and
his head is slumped. There is an OFFICER standing behind Doug. Pavel
is smoking a cigarette and pacing around, he acknowledges something
Doug has just said and addresses the Officer.
PAVEL:
(Subtitles)
Have someone go to Betlemska and
locate that drum.
Officer hesitates.
PAVEL:
(Subtitles)
Now!
Pavel looks at Doug.
PAVEL:
Are you quite sure you destroyed all
the files and the disks?
Doug nods slowly.
PAVEL:
Why did you break into that particular
building?
DOUG:
It was the biggest I could find.
PAVEL:
What was the real purpose behind this
venture?
DOUG:
A kind of freedom.
PAVEL:
Either you're a liar or you are a fool.
Pavel goes to Doug to offer a cigarette.
PAVEL:
Go on have one, it will be a long night.
Doug opens his swollen lips and takes the cigarette which Pavel
lights. Doug soon slumps and the cigarette falls to the floor.
DISSOLVE TO:
INT - JAIL INTERVIEW ROOM - DOUG/DIPLOMAT - DAY
A British Consular official sits at a table with vacant chair on the
other side. Bars on window and daylight outside. ANGLE door opening
and Doug being led in by a POLICE OFFICER, Doug is hand-cuffed and
walks to chair and sits down. The Officer stops a moment then exits.
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"Asylum" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/asylum_689>.
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