At First Sight Page #10
- PG-13
- Year:
- 1999
- 128 min
- 451 Views
AARON:
Well - we're all here - Amy,
your sister. This is new for
us all. Why don't we find out?
Aaron reaches up and plucks the two patches from his eyes - and
everyone waits.
Virgil slowly opens his eyes - he just seems to be staring blankly,
bewildered - not focusing at Aaron who stands before him, still
holding the bandages.
Amy looks to Jennie - to Aaron - what's happening? Then finally:
AARON:
Well?
And Virgil reacts - a startling look of recognition mixed with fear
crossing his face.
AMY:
What is it Virgil?
VIRGIL:
It's - it's - I don't know.
And now for the first time we see Virgil's POV:
There is light, movement, color, shadow - but somehow it is foreign
to us. There is no perception of depth -. no sense of definition of
shape or shadow - it is as confounding to us as it is to Virgil -
like an explosion of Picasso, Dali and Monet on screen.
Suddenly in the midst of this chaos of images - there is movement -
and a voice emits out of what we now for the first time recognize as
a mouth. Dr. Aaron speaks again - leaning in to Virgil, who reacts
back.
AARON:
Virgil - what do you see?
VIRGIL:
Something's wrong.
Jennie's reaction comes pouring out of her eyes in tears, first
slowly, then a dam break.
AMY:
Virgil what's wrong?
What's happening?
AARON:
Everything's fine -
it's going to take...
JENNIE:
It's not fine -
don't say it's fine.
AARON:
Tell me what you're seeing Virgil.
Virgil suddenly pulling back - his eyes dancing around in his head -
trying to take it all in - trying to focus.
VIRGIL:
(over everyone)
I don't know - it's all screwed up -
this can't be seeing - something's wrong
- too confusing - what the hell's happening??!
HIS POV - the camera crew coming toward him for a closer shot - it's
like a giant monster violently moving towards us!
VIRGIL:
What is it - Stop!
Virgil's hand lashes out towards the camera crew - even though they
are 15 feet away.
AARON:
What? The camera?
JENNIE:
(to the crew)
Stop moving!
AMY:
Virgil, it's just the camera.
The room has heightened into chaos - Virgil reacting to everything
he sees, any quick movement - Amy moves next to him - Aaron trying
to remain calm - Jennie assuring Virgil everything's OK.
AARON:
Alright - alright - they've stopped.
OK. Let's everybody just calm down
- we'll take it slowly.
Everyone settles - takes a breath.
AMY:
Virgil. What can we do?
They all look to Virgil - breathing heavy - his eyes swinging back
and forth.
VIRGIL:
gimme a second - OK, OK - get me a
coke. Somebody?
JENNIE:
He's thirsty - someone get him a drink!!
VIRGIL:
No - just a can - a bottle --
put something in my hands!
Amy reaches over - grabs an empty coke can.
AMY:
Here - how's this?
Virgil takes it in his hands - closes his eyes - feels it. Then
slowly opens his eyes - trying to focus on what is in his hand -
Aaron catching on.
AARON:
Good, Virgil - that's it - use your touch -
associate - now, tell me - what do you see
in your hand?
Long moment. Virgil holds it up - stares hard.
VIRGIL:
A can. Is it a can?
JENNIE:
What's going on?
They all look at Virgil turning the can over and over in his hand -
staring intently at it - learning it.
AARON:
(beams) He's associating - one sense to the other.
His fingers tell his brain - then his brain
tells his eyes and he recognizes the image
in front of him.
(realizing)
He's seeing!
Aaron looks to Amy and Jennie - they're still doubtful - he motions
to them to meet him outside.
AARON:
Virgil - let's rest your eyes for today and
we'll check them again tomorrow. We should
all be happy - we've got something.
Virgil:
not happy, just very confused. As Aaron leaves, Jennie takesVirgil's hand while Amy stands there upset - watching him just
staring at a Soda Can.
INT. NEW YORK EYE HOSPITAL - DAY
In the corridor, Dr. Aaron shaking hands with Dr. Goldman - people
exiting the near-by conference room all congratulating the two
doctors. As Amy exits the room - Aaron moves to her.
AMY:
What just happened in there?
AARON:
You saw it. Success.
AMY:
Success - wait a minute - then why can't
he see me, his sister, anything.
AARON:
He sees you. He just doesn't
understand that he sees you.
AMY:
But he'll overcome it - I mean -
this is temporary right?
AARON:
There's a very real possibility the
part of his brain area allocated to
vision is atrophied - given it's lack
of use, Virgil has probably used it
for some other function.
Jennie has stepped into the waiting area - has just heard Aaron.
JENNIE:
You didn't think of this?
This is as much an accusation of Amy as of Aaron.
AARON:
We had no way of knowing what his faculties
were until we gave him the operation. If you
remember - we didn't know what to expect
- though it's clear his retinal disease must
be in remission.
AMY:
So what are we supposed to do now -
you saw him - it's like he's another
person in there.
AARON:
He won't need to stay here - take him home
- let him rest. But I will need to see him
every couple of days for the next month.
AMY:
Isn't there some kind of therapy
he should be doing - someone to help him.
Aaron stares at her - hadn't thought of this.
AARON:
OK, there is a visual therapist - Ray Webster
- a little unorthodox - that's why he's probably
your best bet, especially considering the unique
aspects of Virgil's condition. I'll contact
him for you - but there's no guarantee he can help.
JENNIE:
(can't believe this)
No guarantees.
AARON:
Jennie, I told Amy here when we first talked - this is whole
new ground - for all of us.
And Jennie quietly turns and goes back into Virgil's room. Amy just
stares at Dr. Aaron - a little overwhelmed.
INT. HOSPITAL ROOM - CHANGE AREA - DAY
Virgil - starting to dress. He stares at his clothes on a hangar -
not comprehending what it is. He closes his eyes - his hand going
out to feel it - then opening his eyes - he takes the shirt turns -
and notices someone watching him.
VIRGIL:
Hello?
HIS POV - it's his own reflection in a mirror next to his clothes.
Virgil stares at himself standing stock still - waiting for a
response from the person staring at him.
VIRGIL:
Is there...?
Slowly realizing that what he sees is himself. He starts moving
towards the mirror fascinated.
Virgil's POV - Focusing on the image as it slowly takes shape -
becomes clearer to him. His hand going up to his nose - moving it
back and forth - laughs at it's absurdity - then is taken with his
own smile. He tries a smile - comes off awkward as he starts to
stare at his teeth. Touching each part of his face he investigates
his chin, ears and finally his hair.
Then he stops - and just stares - and stares at a face that is his
own - but so incredibly foreign to him. Who is this person?
INT. VIRGIL'S ROOM - DAY
Jenny starting to pack up Virgil's things. Suddenly there is a burst
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