At First Sight Page #22

Synopsis: First Sight is true to the title from start to finish. Val Kilmer skates in the dark appears FIRST to Mira Sorvino car headlights driving lost searching for her retreat spa motel. Kilmers FIRST visual memory links him coincidently to his last. This is a true love drama with Nathan Lane providing laughs counseling visual therapy. All stars emotional vulnerability teach the audience learning love matters in art, architecture, education, parenting, massage and trees.
Genre: Drama, Romance
Director(s): Irwin Winkler
Production: MGM
 
IMDB:
5.9
Metacritic:
40
Rotten Tomatoes:
32%
PG-13
Year:
1999
128 min
451 Views


AMY:

Are you finished?

DUNCAN:

Not even close. Let me tell you something

- you can't change people to solve you.

You tried to do it with me - you tried

to do it with Virgil. You ever think

some of the things you try to fix

- ain't broke.

And he's gone - as Amy slumps into a chair - confused, tired - then

slowly she starts to hear:

TAP - TAP - TAP...TAPTAP - TAP

The SOUND of a CANE in the stairwell! Amy's heart starts racing -

she takes a breath - jumps up quickly and moves her way over to the

door - unlocking it and swinging it open:

AMY:

(excitedly)

Virg .......

The CANE - being held by Ethan - as he taps his way down the stairs.

ETHAN:

Hey Amy.

AMY:

Hi, Ethan. Sorry - I thought...

ETHAN:

He's not coming back is he?

AMY:

No - he's not.

Ethan sees she's covered in dust - looks past her into the loft.

ETHAN:

Whatcha doin'?

He looks past her at the sculpture half repaired.

AMY:

Cleaning up a mess - going to start over.

EXT. PINECREST - SUNSET

Virgil walks the path, Sophie following close behind. By the way he

walks, counting steps, touching landmarks, we realize he is using

sight very little.

EXT. HIDDEN VALLEY - SUNSET

Coming through the clearing, to the plateau where he took Amy, the

leaves now starting to turn golden colors - he stops - stands over

top of the pond.

VIRGIL'S POV - A retinal spark. The view across the valley, with

white clouds against the bluest sky.

His hand reaches out - to touch the edge of the world - to touch the

horizon.

And as he drops his hand, we see the clouds start to race by - while

the blue sky goes golden then drifts into darkness. Virgil doesn't

move from the spot. The screen goes almost black - then slowly the

sun starts to rise in the east.

Virgil makes no movement. A long beat - then - as the sun moves

across him - he realizes it's day. He stands and unfolds his cane.

It's clear he has returned to being completely blind.

As he turns and starts his way down the hill we hear:

VIRGIL (V.O.)

Growing up blind - I had two dreams.

One was to see. The other - to play

for the New York Rangers.

INT. LECTURE HALL - N.Y. EYE INSTITUTE - DAY

Virgil stands at the podium speaking - dark glasses on, cane in

hand.

VIRGIL:

After the 'miracle' of my short period of

sight - I realize - I'd rather play for the Rangers.

(laughs from the dark)

It's not that it was so awful - I saw many

things - some good, some back some that

I'm already forgetting.

INT. WEBSTER'S LAB - NYU

VIRGIL (V.O.)

But I realized that our eyes aren't what

make us see. We only live in darkness

when we don't look - look at what is

genuine about ourselves - genuine

about others - you don't need eyes for that.

Virgil sitting with three young blind children - working through

Braille with them. Webster watches from the corner of the room.

EXT. NYU - DAY

Virgil - small brown bag in one hand - cane in the other - exits the

building and makes his way across the street to Washington Square.

EXT. WASHINGTON SQUARE - DAY

Virgil - taking in the sun - finishing off the last of his sandwich.

Balling up his paper bag - he taps his cane out - finds the garbage

can nearby - and tosses the bag - rim shot - it misses, hits the

ground. A hand reaches into frame and puts the bag in the garbage.

Virgil looks up - senses the presence.

VIRGIL:

Did I miss?

VOICE (O.S)

By a mile.

VIRGIL:

Amy?

ANGLE ON Amy:
watching Virgil - realizing his sight is gone.

AMY:

Ray told me you were living in town

- said I could find you here.

(beat)

I rushed, didn't I? Fourteen steps

to the tree and I made us smash

right into it.

VIRGIL:

We tried.

Amy sits next to him.

AMY:

I finished the sculpture.

I'd love you to see it.

VIRGIL:

Figure of speech.

AMY:

Figure of speech. Virgil - when I

first met you - you saw more than

any sighted person I've ever known.

I didn't mean to take that away from you.

VIRGIL:

Amy. I saw ... I actually saw

the horizon. You did that for me.

It's out there. You showed me you

just have to reach for it..

Amy smiles - her hand goes out - hesitates - then lands lightly on

his.

AMY:

You want to walk?

VIRGIL:

See what we see?

AMY:

Yeah. Just see what we see.

Virgil smiles, nods. As he stands - he takes her arm - and as they

walk off into the park, we slowly FADE to BLACK and just LISTEN,

listen to the SOUNDS of the day - the percussion of the city.

THE END:

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Steven Levitt

Steve Levitt is the William B. Ogden Distinguished Service Professor of Economics at the University of Chicago, where he directs the Becker Center on Chicago Price Theory. Levitt received his BA from Harvard University in 1989 and his PhD from MIT in 1994. He has taught at Chicago since 1997. In 2004, Levitt was awarded the John Bates Clark Medal, awarded to the most influential economist under the age of 40. In 2006, he was named one of Time magazine's “100 People Who Shape Our World.” more…

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