At First Sight Page #3
- PG-13
- Year:
- 1999
- 128 min
- 449 Views
VIRGIL:
Anyways, I was in the neighborhood --
actually the whole town's my neighborhood
-- and since you've never been to our
illustrious village, I thought maybe we could
go into town - see what we see.
AMY:
See what we see?
VIRGIL:
Figure of speech
.
AMY:
You mean right now, tonight?
VIRGIL:
Great - I'm blind and you're deaf - what a pair.
A few store windows lit up. Some people eating dinner at a
streetside cafe. Virgil, holding Amy's arm as they walk down the
street.
VIRGIL:
... the Mechanic at the top of the street is Doug - smokes too
much - but a good guy. Three steps down is Carlson's hardware
- he's got a laugh like a donkey - we sometimes listen to games
together - he's a Devil's fan. And just up ahead should be Grady's
junk shop - he calls it "antiques"...
Smells like junk. I'd hate to see what it looks like
.
A woman bustles past, NANCY BENDER, weighed down with groceries.
VIRGIL:
(intuitively)
Hey Nancy.
NANCY:
Hey Virgil - got that book in for you.
VIRGIL:
Nancy's our librarian, brings in
any braille book I want.
NANCY:
(to Amy)
The guy's nuts about the pyramids -
anything he can get his hands on...
VIRGIL:
Thank-you Nancy - you should get your
groceries home - your ice cream's melting.
Nancy laughs - as she moves off.
AMY:
Nice place - you seem to know everyone here.
VIRGIL:
Moved here when I was eight.
My family figured it would be a
good place for me to grow up.
Tell me what you see.
AMY:
Well, there's a good structure to the
town - genuine lines, good use of space.
To be honest I'd find a better balance
to a lot of these buildings. But that's me.
VIRGIL:
What's you?
AMY:
The architect in me - can't leave well
enough alone. Art school in college -
I made the arms for the Venus DeMilo.
(realizing he probably doesn' t understand)
see, the Venus De Milo has no arms and...
VIRGIL:
(laughs)
I know the Venus De Milo has no arms, and
the Mona Lisa has this captivating smile
and David doesn't wear a fig leaf.
AMY:
How do you...
VIRGIL:
I may not have been a lot of places -
but I read about things, then make an
image up here -- (points to his head)
--that works for me.
Grazing his hand across a telephone pole - Virgil stops - turns to
Amy.
VIRGIL:
This is the end of the street.
We should turn back.
AMY:
What about past the end of the street?
What's out there?
He turns around.
VIRGIL:
(shrugs)
Nothing.
AMY:
No - there's an old run down
building off to the side...
VIRGIL:
Must be the old firehouse.
It had a fire so they shut it down. (Amy laughs)
Honest to God.
(intrigued)
What else do you see?
AMY:
A wall of shrubs -
a field with an interesting configuration of trees.
The wind has picked up a bit.
VIRGIL:
Tell me how you see it.
AMY:
(enjoying the game)
OK, sure. Let's see - long and elegant. Like --
like a woman dancing with two lovers, trying
to decide which one she loves.
Virgil stops a moment - takes in the image.
AMY:
What?
VIRGIL:
It's just - the image you just
gave me - "Dancing trees. - I like that.
Virgil stops - his head c*cks slightly.
VIRGIL:
We should go - it's starting to rain.
AMY:
(looking around)
There's a bit of a breeze but--
KABOOM - thunder - and the rain just drops.
INT. FIREHOUSE - NIGHT
They run in laughing - Amy closing the door behind them as Virgil
moves his way into the center of the room - stands where the
moonlight from a high window hits the floor. Water runs down the
outside glass, causing the light to ripple across him. The room is
empty - almost surreal.
AMY:
I can't believe how fast it happens...
(she sees Virgil - his head cocked towards the ceiling)
AMY:
Virgil?
Virgil's head turns toward her.
VIRGIL:
You like rain - I love the rain.
AMY:
(moving to him)
What were you just doing there?
Virgil slowly moves his head about, sensing the room.
VIRGIL:
Listening - the rain - it brings out the
contours of everything, gives life to
a room I can't see.
WE SEE SLOW MOVING CUTS of the building as Virgil describes what he
hears.
VIRGIL:
You hear it?...on the roof dripping down the
walls on every side. On the right, on the
drainpipe, it's drumming with a deeper,
steadier sound - - like a timpani - echoing
across the room - tells me the room is large
- open. You feel it - in your chest? On the left,
the rain says... (he listens)
...a fire escape, with it's own rhythm
- ping - ping. Then listen - there...
(he points)
--what's that - over there...?
AMY:
Looks like it's...
VIRGIL:
No, listen for it - not what it
looks like - what it becomes.
Come here.
Amy moves closer - Virgil puts his hands out on her shoulders -
turns her to the sound.
VIRGIL:
Now just listen to it - shut out
everything but that sound -
do you hear it?
Amy strains to listen - closes her eyes - her head instinctively
turning - no in unison with Virgil's
AMY:
Yes - there - it's soft - like a shimmer
VIRGIL:
The wind blowing the rain against a window.
AMY:
(smile)
Like a cymbal. It's like our own
percussive symphony, isn't it?
Amy opens her eyes - looks about the room - listening.
VIRGIL:
The world is invisible to me - with my touch it comes
alive. But only one thing at a time. But when it's raining,
I feel everything at once. Sometimes, I wish it could
rain inside rain all around us.
AMY:
(musing)
"Einfuehlung."
VIRGIL:
What?
AMY:
Einfuehlung - it's an architectural term.
Been a long time since I felt that.
And as they stand listening to the rain, playing its music - Amy
watches him - fascinated by him - then shivers slightly.
VIRGIL:
You're cold, we should go.
AMY:
No, I'm fine, really. It was just something passing
through me - can't explain it - a good thing.
Amy smiles at him - then quietly realizes
he can't see it. She moves close, her
hand reaching out and taking his.
AMY:
What you just showed me … how
I feel - makes me smile.
She takes his hand - hesitates - then puts it on the side of her
face.
VIRGIL:
I see it now. Thank-you.
We hold a beat - enjoying the symphony of rain - then cut to:
EXT. BEAR MTN. LODGE - MORNING
The sun warming the cool morning air. The school bus pulling away to
reveal Virgil making his way into work.
VIRGIL (V.O.)
you'd never get up on my table again.
Amy on the table. Virgil squirting oil in his hand - preparing.
AMY:
You kidding? today, I'm looking
for a complete nervous breakdown.
VIRGIL:
I love a challenge.
And as he places his palms carefully on her back - working her back
slowly we hear opera play quietly in the background.
DISSOLVE TO:
Virgil's hands on the small of her back - something amazingly
sensual about how he works her muscles. Amy speaks to him in low
tones - in a state of complete relaxation.
AMY:
Can I ask how long you've been blind?
VIRGIL:
Of course, most people avoid the subject. You tell them
you're blind and they act surprised. "You're blind? Reallv?
I didn't know - you hide it so well." And then they wave their
hand in front of your face just to make sure. (beat)
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"At First Sight" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/at_first_sight_690>.
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