At First Sight Page #5

Synopsis: First Sight is true to the title from start to finish. Val Kilmer skates in the dark appears FIRST to Mira Sorvino car headlights driving lost searching for her retreat spa motel. Kilmers FIRST visual memory links him coincidently to his last. This is a true love drama with Nathan Lane providing laughs counseling visual therapy. All stars emotional vulnerability teach the audience learning love matters in art, architecture, education, parenting, massage and trees.
Genre: Drama, Romance
Director(s): Irwin Winkler
Production: MGM
 
IMDB:
5.9
Metacritic:
40
Rotten Tomatoes:
32%
PG-13
Year:
1999
128 min
449 Views


BETSY:

(pause)

Amy? Friend to friend?

AMY:

Shoot

BETSY:

I hate to admit it but I agree

with Duncan on this one.

AMY:

(back to the computer)

Don't shoot.

BETSY:

He makes sense sometimes. My father had

a problem a few years back with severe

cataracts. Do you have any idea what

you're getting into?

Amy spins in her chair - looks to Betsy.

AMY:

You ever listened to rain -

I mean really listened?

BETSY:

This like that smell the roses thing?

AMY:

(turns to her)

I've spent the last five years of my adult

life with a man who has the emotional

content of a soap dish. The only time I

saw him cry was doing our tax return three

years ago.

(beat)

I need more than that, Betsy. For once in a

long, long time I feel like I can breathe again.

Just the way he touches me I know I found

someone I can connect with.

BETSY:

Ah, here we go.

AMY:

No, no. I can tell he's sensing everything about

me with a simple touch. He listens to my every

word as if it's the only sound on the planet -

I feel like even though he can't see me, he knows

everything about me. He just moves me - does that

sound crazy.

BETSY:

(beat)

Does he have a brother?

EXT:
PINE CREST MOUNTAINS - LATE DAY

The FROZEN POND, nestled against a strand of pine. Virgil skates

fast across the ice enjoying the speed - the wind using his hockey

stick as a guide - he nears the edge of pond - feels it with the

stick and slams to a stop.

He shuffles his body around to face in the other direction - then

starts skating again - passing AMY standing on the snow covered

bank.

ON AMY - smiling, watching Virgil - enjoying his release of energy.

HER POV - VIRGIL - skating well, a look of relaxation we've never

seen on his face. He skates in an arc coming back past Amy.

Finally she speaks.

AMY:

Wayne Gretzky, look out.

Virgil slams to a halt in surprise - nearly toppling over.

AMY:

Sorry -- sorry.

Didn't mean to scare you.

VIRGIL:

Amy?!

AMY:

I said I'd come back.

VIRGIL:

How long ... how long have you been...?

AMY:

Watching you? Just got here -

couldn't find you at the spa - took

a chance you'd be here. You're very good.

VIRGIL:

Skated since I was a kid. My dad taught me

- wanted me to play pro one day.

How do you like my pond?

AMY:

It's beautiful.

VIRGIL:

Describe it for me.

AMY:

OK. Let's see. Like cool

blue silk - you know blue?

VIRGIL:

I think so - keep going.

AMY:

Blue silk stretched tight across

a bowl - surrounded by white

jacketed sentries of trees on

the horizon, protecting it from

the outside world.

VIRGIL:

Horizon's a tough one.

AMY:

What?

VIRGIL:

Never understood horizon - if touch it -

don't know what it that's OK I liked

the rest of picture.

(he starts moving towards her)

You want to skate?

AMY:

Sorry, I didn't bring my skates.

VIRGIL:

Don't need them. Come on step hold of my stick.

AMY:

Excuse me?

VIRGIL:

(smile)

Hockey stick. Here.

He holds the stick out like a cross bar. Amy moves cautiously

forward and takes hold of it.

VIRGIL:

OK. Now hold on for balance.

I used to do this with Jennie when we were kids.

And Virgil starts skating backwards pulling Amy with him. Amy is

apprehensive at first then starts to enjoy the movement - the

sensation - both of them laughing out loud.

WIDE as we see them move about the rink - Amy sliding and being

pulled by Virgil. As he picks up speed we hear Amy scream in

delight.

AMY:

Look out - we're running out of ice.

Virgil turns expertly, arcing around the edge of the ice but Amy

loses her nerve - and balance - and lets go of the stick and goes

flying into an embankment. The momentum carries Virgil off down the

ice - both of them laughing hysterically.

VIRGIL:

You OK?

AMY:

Fine. Never been dumped so fast in my life.

VIRGIL:

Me, dump you? No way. Stay where you are

- I'll come to you - just keep talking.

Amy sits up on her elbows in the embankment.

AMY:

What do I say?

Virgil starts gliding across the ice searching for Amy.

VIRGIL:

(hearing her voice, veering in her direction)

Anything - how'd you become an architect?

AMY:

God - let's see - I was in college -

art school - a little aimless - and I met

this guy -. an architect - opened up a new

world to me. I liked the structure the

control - finding problems, coming up with

solutions - when I graduated - we started

a company together - on impulse got married

- which was crazy - divorced a year ago -

but we're still partners.. which must seem

even crazier.

And Virgil's suddenly there - going a little too far - tumbling off

the pond and into her.

VIRGIL:

You'd think I meant to do that.

A patented move.

They're close - in the snow together - face to face.

AMY:

(Amy smiles, realizes)

This is tough.

VIRGIL:

What?

AMY:

I bat my eyelashes, toss my head just

right, and there's this very sexy thing

I do with my eyes - then realize none of

it matters to you.

VIRGIL:

It doesn't matter.

Tell me what you look like.

AMY:

I.. .1 don't know I'm...

VIRGIL:

Wait. Let me.

He puts his hand out, over her face -- hesitates, then slowly feels

down the contours of her cheek, her eyelids, the shape of her lips -

Amy moving with the touch, the sensuality of it - and as he

continues - Amy's hand reaches up - touching his face - Virgil

smiles.

VIRGIL:

Eyes, mouth, chin, cheek..

you are very beautiful.

AMY:

Thank-you. So are you - more than

I could describe.

Virgil's hands move down her face - closing her eyes - letting her

just experience his touch - his exploring.

And as both their hands continue, enjoying the sensation of

discovering each other - Amy leans forward, her eyes still closed,

finding his mouth - grazing his lips with her own - softly, gently,

then they fold into each other's arms locked into a warm, deep kiss.

INT. VIRGIL'S HOUSE - BEDROOM - NIGHT

It's dark - a pale moonglow highlights the two intertwined naked

bodies. A fire burns in the background. In flowing CUTS we see them

make love:

Virgil - his head tilted down - Amy - puts her hand to his chin -

lifts his head - then kisses each of his closed eyelids in rhythm

with Virgil's movements.

Amy - now astride Virgil - she closes her eyes - feels it the way

Virgil would - moving faster now - in total rhythm - shuddering in

mutual release -- and she collapses on top of him - a deep breath

and she rolls over - cuddles into his arm.

A long beat - out of breath:

AMY:

So -- that's what a blind date is.

They breathe - then both start laughing - quietly - then

hysterically together as Virgil wraps her up in his arms - holding

her tightly.

EXT. PINECREST - DAWN

The horizon. The sun cresting it - bringing a new light to the day.

INT. VIRGIL'S HOME - EARLY MORNING Sounds of a shower in the

background. Amy in Virgil's robe, pulls a juice container out of the

fridge - pours herself a glass, putting the juice on the counter as

she walks into the living room - taking in the sparseness of his

surroundings.

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Steven Levitt

Steve Levitt is the William B. Ogden Distinguished Service Professor of Economics at the University of Chicago, where he directs the Becker Center on Chicago Price Theory. Levitt received his BA from Harvard University in 1989 and his PhD from MIT in 1994. He has taught at Chicago since 1997. In 2004, Levitt was awarded the John Bates Clark Medal, awarded to the most influential economist under the age of 40. In 2006, he was named one of Time magazine's “100 People Who Shape Our World.” more…

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