At the Circus Page #4

Synopsis: Jeff Wilson, the owner of a small circus, owes his partner Carter $10000. Before Jeff can pay, Carter lets his accomplices steal the money, so he can take over the circus. Antonio Pirelli and Punchy, who work at the circus, together with lawyer Loophole try to find the thief and get the money back.
Genre: Comedy, Musical
Director(s): Edward Buzzell
Production: MGM Home Entertainment
 
IMDB:
6.9
Rotten Tomatoes:
100%
NOT RATED
Year:
1939
87 min
719 Views


Go ahead, it's all right.

I've carried many a torch,|but never on such a large scale.

Do you realize|if Jeff had been hit a little harder...

the charge would have been murder.|Pronounced murder?

Yes, murder.

How would you like to go to Sing Sing|and get the high chair?

You better not lay a hand on me.|You ain't the law.

You're right.|We haven't got anything on you.

Anyone can make a mistake.|No hard feelings.

- No, not at all.|- Let's shake on it.

Let's smoke on it.

Heck, I seem to be all out of cigars.

You don't happen to have a spare cheroot|on you, do you?

I find one more. Are you lucky.

I thought this cigar was in my other suit.

I wish you were in your other suit|and it was being pressed.

- No, mangled.|- I just remember. This is my other suit.

You know, these cigars are imported.|They're hard to get.

I haven't had any trouble getting them,|not with that plantation under your vest.

Boss, you're not getting any evidence.

No, but I'm getting tobacco heart.

You better tell the truth,|half the truth, and nothing but the truth.

I told you to eat corn flakes for breakfast,|not the goldenrod.

Are you guys trying to wreck my house?

Wait till the finance company|sees this furniture.

Are you gonna get it.

You fellows got no right coming here,|raising such a rumpus.

I don't raise no rumpus.

I'm gonna sue you.

If you need a good lawyer,|I'm your man. Cheever Loophole.

Hold it.

It's all right.

I stand in the rain, and he sneezes.

They can't be mine.

That's definite. They're not mine.

- Go away.|- What? Go out from under your life?

Get away.

Playing piggyback. At my age.

You're the prettiest millstone|I ever had around my neck.

You fool.

We'll be very happy together,|if my back holds out.

Put me down.

Mr. Loophole, have you met|Peerless Pauline?

No. How do you do?

- Put me down, you fool.|- Reluctantly.

All right, let her go.

Careful, you're talking|of the woman I love.

Carter loves her, too. She's his girl.

I just thought of something.

Maybe Carter knows something|about the stolen money...

and if Pauline's his girl,|maybe she knows something, too.

If she doesn't, it'll be fun teaching her.

Legal eagle.

Here it is, babe. The whole $10,000.

Why don't you quit that|while I'm talking to you?

I got to break in these new shoes.|I nearly fell today.

Break them in some other time.

Take care of this money.

I think that lawyer suspects me,|and I don't want to have it on me.

There he is. I bet he's up to something.

Go on, get out of here. I'll handle him.

Be careful,|and find out if he knows anything.

It's me, or it's I. At any rate, it's one of us.

- Come in.|- Pauline.

Are you home?

What do you want?

If this is a spirit reading...

I'd like something good in the fourth|at Belmont.

- Hello, brown eyes.|- Hello, brown...

Say, you're up early today, aren't you?

You're like a beautiful chandelier.|I'd like to be around when you get lit up.

What brings you here?

Lots of reasons. 10,000 reasons.

What are you doing?

Don't mind me.|I'm just a talent scout for Alcatraz.

Let me phrase it more delicately.

Where were you when Jeff got bopped|on the conk and clipped for his roll, babe?

Why, Mr. Loophole,|surely you don't think that l...

Egad, no.

Anyone who looks at you|can see that you're not hiding anything.

You're a lawyer, aren't you?

- They tell me you're a great lawyer.|- Who does? Not my clients.

Certainly not the ones|that were hung last week.

- Have you solved your case?|- What case?

Whatever case you're working on.

Let's not sit here and talk about little me.|Let's talk about little you.

Have you deposited $10,000|in the bank lately?

Whatever made you say that?

You know what the French say:|"Cherchez la femme." Find the footprints.

- Peanut brittle?|- No, thanks.

- There's no point in my staying here.|- Don't go, please.

Perhaps you'll think I'm forward...

but last night when I first saw you...

And slammed the door on my face.

...I realized that you're the man|I've been dreaming of.

What do you eat before you go to bed?

I've waited so long|to find someone like you.

Someone like me?|I'm not good enough for you?

Don't say that. I'm not good enough.

You ought to know. But I really have to go.

Don't go. No, please.

- I can't stay.|- No, stay.

- I'd love to stay, but...|- Yes, please. Really.

Your father wasn't by any chance|an octopus, was he?

No, I really have to go.

- Don't go, please.|- I'll be right back.

I'm back.

So sorry you have to go.

The thing I like about you|is money doesn't go to your head.

I hope you solve the case|you're working on.

It's out of my hands.|It's been a private investigation...

but right now I could use|the long arm of the law.

Law?

But you don't have to go right now,|do you?

There's nothing to keep me here|that I can see from this angle.

But we hardly know each other.

I can be very entertaining if I want to be.

There must be some way|of getting the money...

without getting in trouble|with the Hays Office.

Will you walk on your hands?

Silly boy, of course not.

All right, forget about it.|Will you walk on the ceiling?

And when I'm on the ceiling,|you'll run out and call...

You'll run away.

That's the farthest thought from my mind,|so help me the law of gravity.

All right, I'll walk on the ceiling|if you will, too.

No, thanks. I'll sit this one out.

I'm just an old groundhog.|I shouldn't even be out until February.

But it's so easy.

The bottom of the shoe creates a suction|that holds you up on the ceiling.

No, I'd rather not.|I have an agreement with the houseflies.

The flies don't practice law,|and I don't walk on the ceiling.

You'll love it.

Come on, Cheever.

Are you sure we're not being too hasty?|After all, I am just a boy.

- You're a trouper, an aerial star.|- You could be, too.

You're tall, you're strong.

You're nearsighted.

Hurry, Cheever.

You're not fooling, now?|You will walk on the ceiling?

Only with you.

Don't look, now. No peeky-weeky.

I'll bet you're laughing at me inside.

And to think I might have roamed|the whole world over and never found you.

Ready, darling?

I know I'm going to hate myself for this|in the morning.

- Why, you look like a million.|- I'll settle for $10,000.

- Suppose you go first.|- Why?

In case you fall, I'll be here to pick it up.

No. Let's go up together.

If that's your best offer,|but I'm not making a nickel on it.

Once you do this you'll never forget it.

The last time I stood on a ceiling|was at a lodge meeting.

The chairman had the floor.

How am I doing here?

Careful, Cheever.

You don't want to reach over|and hold this thing?

Come on. Lift your body|and clamp your foot on the ceiling.

A very good morning to you, Mrs. Murphy.

- Help.|- There. I knew you'd like it.

Say, I like this.

I never thought|we'd be hanging around together.

I can't tell you how much|I appreciate this. Shake.

I see.

Pauline, let's never lose|this thrilling moment.

Think of it.|You and I, heels over head in love.

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Irving Brecher

Irving S. Brecher (January 17, 1914 – November 17, 2008) was a screenwriter who wrote for the Marx Brothers among many others; he was the only writer to get sole credit on a Marx Brothers film, penning the screenplays for At the Circus (1939) and Go West (1940). He was also one of the numerous uncredited writers on the screenplay of The Wizard of Oz (1939). Some of his other screenplays were Shadow of the Thin Man (1941), Ziegfeld Follies (1946) and Bye Bye Birdie (1963). more…

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Submitted on August 05, 2018

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