Attack on Darfur Page #3

Synopsis: American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
Genre: Drama, War
Director(s): Uwe Boll
Production: Phase 4 Films
 
IMDB:
5.9
R
Year:
2009
98 min
Website
68 Views


nothing's going to happen.

Salaam Alaykum.

Alaykum Salaam.

Captain Tobamke.

Why are they here?

We are from the AU.

We are an on observing mission

from the AU.

I brought some journalists

to observe,

to look at the village,

to bring supplies.

I can't.

I can't.

We are just here to observe,

to see about the welfare

of the villagers.

You know you're not

supposed to be here, right?

I understand.

You or the journalists.

I understand.

So why are you here?

We are allowed to observe.

Is that what they teach you

at the African Union?

We have been given a mandate

to observe, sir,

and we are observing.

We are making sure

that the villagers

and their health is okay.

We are here on a-

You are not allowed

to do anything.

We are allowed to observe.

There is no observation,

captain.

This is not your district.

You are not supposed to

be here.

These journalists

are not supposed to be here.

You are not supposed to be

feeding anybody.

Food does not help the dead.

You know that.

These are international

journalists.

I don't care. I don't care

about international anything.

So please take your people

and leave

if you want to protect them.

I've been

very patient with you.

Turn around, tell these people

to pack their stuff and go.

I will request

that you take your men

and move through the village.

Let us do our work here.

You think so?

Please,

let us do our work.

You think you're going to

tell me what to do?

I'm not telling you what to do.

I'm suggesting.

That's what it sounds like.

I'm just asking that maybe

you guys can move on through.

We'll be here for another five,

ten minutes. The journalists-

Captain, I'm going to

give them five minutes.

If they do not leave,

I'm going to consider them

a part of this village.

If you want to protect your

people go tell them right now.

Now, captain!

You don't believe me?

Okay.

Thank you. Thank you.

He's given us five minutes

to leave the village.

Now, I suggest

we get in the cars

because we are totally

outmanned and outnumbered.

I don't want to

inflame the situation.

So everybody in the cars.

Hello. May I?

What do you think

you're doing?

My name is Bob Jones.

I don't care who you are.

I'm with

the international press.

I'd like to know

if you have the opportunity

to grant us an interview

to the international media

whereby you agree-

You take out this village

while we're here-

Get this woman

out of my face.

Somebody has to teach you not

to speak when men are talking.

You too.

I apologize for her.

I don't want to see you.

I said you have five minutes.

Now you don't. You need to

get into your cars and leave.

Is there nothing you want to say

to the international community?

Musa! Sadiq!

Move!

Hey, hey, hey!

I can do that.

All right, how much?

We give you-

In the car! Everybody

in the car now, please!

Everybody

back in the vehicle now.

I am responsible

for your welfare.

In the car.

Back in the vehicle.

We don't want to

inflame the situation.

Adrian, come on, man.

In the car.

Let's go. Let's go.

What the f*** is that?

Let's go. Let's go.

You can't have

this baby here.

It's not safe.

Dude,

he's right there.

Make him

stop crying, quick.

Christ.

Get back in

so that we can pull out.

It is an AU vehicle.

Come, come, come, come.

Come on.

Just don't hurt it.

We made a mistake,

all right.

In the car. In the car.

In the car.

Come.

Stop the car.

Stop the car.

Stop the car.

What's going on?

I'm going back.

No, you can't.

Get back in the car.

At least

give me a weapon.

I can't.

I have orders.

Get in the car.

Give me a weapon.

A weapon?

I have orders.

I don't care.

I have to go back.

What are you

talking about, man?

Come on.

Give me your weapon.

Give me a weapon.

Slow down, man.

What's going on?

I can't.

In the car.

What are you doing?

Come.

Come on.

What's happening here?

You know what?

I'll use my own weapon.

Sorry, but I have to do this.

Freddie.

What's going on?

I'll use my own weapon.

Will you just slow down

for a minute?

Freddie, you don't have to

do this.

That's my camera.

Freddie,

what are you doing, man?

That's my f***ing camera.

Come on.

You're not going to help them

by getting yourself killed.

Freddie, I've got

It's not f***ing insured.

Sorry about this.

Sorry. Listen.

Hold on, would ya?

Take it easy.

Whoa, whoa, whoa!

F*** off!

Get the f*** away from me,

motherf***er.

Are you going to do that?

Are you going to do that to me?

Captain, please,

just take it easy.

You going to

let that happen down there?

What happens

if that was you?

What happens if it was

your wife and your kids?!

I have orders.

You have orders?!

If that was

your wife and kids,

you're going to

let them be-

Shoot me!

Shoot me!

We shouldn't have gone back.

I'm sorry, man.

Now let's just

get back in the car.

You want to go back,

go back.

Go.

Go back.

What the f***

are you doing?

What are you doing?

You give him a weapon?

That is a f***ing-

Get in the car!

Do you have any idea

what you've just done?

Everybody else in the car.

Theo.

Just make sure

this story gets told.

You tell this story.

What?

Where's he going?

Don't be a f***ing idiot.

It's suicide!

Back in the cars now.

Freddie, get back here,

you f***ing idiot!

Back in the vehicles.

Come, come.

You stubborn f***ing moron.

You gave an untrained man

a weapon.

Get back here,

you f***ing idiots.

What are you doing?

You gave him a weapon.

Take the others back.

Go.

Where's he going?

Get in the f***ing car.

Where are you going?

Okay.

This is it.

I hope

god is watching over us.

Okay. Come.

Cover me.

You ever

killed anybody?

Didn't think so.

You may have to.

All right.

Cover me.

You come here

in your AU uniform

thinking you can

save those people.

You must think this badge

on your arm means something.

It means nothing.

No one will save those people,

because just like you,

they are black African monkeys

and no one cares for them.

Oh, no. Tobamke.

Watch out!

Go. Come on.

Let's go.

Go, go, go. Run.

Go now.

Stop.

Go now. Go, go.

What?

Freddie, wait.

Get off her,

you f***er!

You okay?

Freddie?

It's all right.

It's okay.

Let's go.

Come on.

We've gotta go.

Jesus Christ.

We've gotta go.

Jesus.

Can she walk?

Listen to me.

This is it.

There's nothing else

we can do.

We've gotta

get her out of here now.

To the car?

Yeah.

Honey,

can you walk?

You watch my ass.

I'll take the lead.

All right?

Okay.

Let's go.

Follow my lead.

Listen to me.

I have to make it

to those huts.

Wait there for me,

all right?

My signal.

Let's go.

Jesus. Jesus.

She's gone.

Come on. Come on.

You got her?

Let's go. Let's go.

We've gotta go now.

Here we go.

Here we go.

Oh, God.

All right.

This is it.

I can see the truck.

We've just

gotta make it there.

Ready?

Okay. It's clear.

Go.

Come on!

Come on!

Freddie, come on.

Freddie, come on.

Come on, get up.

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Uwe Boll

Uwe Boll (German: [ˈuːvə ˈbɔl]; born June 22, 1965) is a German-born Canadian restaurateur and retired filmmaker. He financed his own films through his production companies Boll KG and Event Film Productions. Many of his films were produced on low budgets and Boll himself had backed his projects financially or made use of crowdfunding platforms. Boll's filmmaking career is generally divided into two distinct phases: the first consists of big budget films with a usually renowned cast, most of which gained him a reputation as a "schlock maestro", while receiving highly negative reviews from critics, with Alone in the Dark being considered one of the worst films ever made. However his second phase is marked by films with a smaller budget or were independently made, relatively unknown actors and different approaches to filmmaking; Boll's Rampage film series, Tunnel Rats, Stoic, Amoklauf, Heart of America, Assault on Wall Street and Darfur have been better (or mildly well) received by critics. After losing financing and facing constant criticism, Boll partially retired from filmmaking in 2016 to work in the restaurant industry. He opened his Bauhaus Restaurant in Vancouver, which has earned positive reviews among food critics. more…

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    "Attack on Darfur" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/attack_on_darfur_3251>.

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