Aval Page #7

Year:
1972
103 Views


the kids out of here. Sarah. Where is Sarah? Sarah?

No. Sarah, hide. Sarah! Sarah! Sarah! Krish, please. Please, Krish. Listen to me. Krish. Krish, you're true but the

one inside you is not. Krish, look at me. No. Sarah. Sarah, run. Run, Sarah. She can run,

but she can't hide from me. The girl will die. Dad. -Dad!

-Sarah, run! Please, spare my child. Dad! Why did you stop? Chase us! Why are you standing

there? Come. Sarah, run! Run! She's gone from here. She's not in the house. Krish, please let my sister go. Please! Sarah? What are you up to, dear? I was waiting for you, Dad. Do you want a little

brother to play with? I do, Dad. Then, you'll have to listen to me. Okay, Dad. I'll listen to you. Come and place your

beautiful face here. Okay, Dad. Hey! Krish! Let her go, Krish. Please let her go. Let the kid go. The girl will die. -This girl should die.

-No. With her death, a boy will be born. No, Krish. Krish, listen to me. Krish, I'll kill myself. If a boy can only be born

by sacrificing a girl... then such a child

is not required. And even if it s boy,

you shall never have him. Sarah! Krish, don't do it. No! Sarah! Krish, no. Krish, no. Krish! Paul! Krish! Pin him down! Krish, listen to me. Krish! Lizzie, take Sarah away. Sarah! Come on! Sarah! Sarah! Krish, no. No, Krish. Li-Jing? Let him go. We've done what was

required of us. The eclipse is over. They'll take care of him now. Krish. This is not the end. Krish? Krish? Oh my God, Krish. Krish, can you hear me? Krish? -Lakshmi?

-Yes. -Sarah, baby.

-Yes. -Dad!

-Mom. What happened? Nothing. Nothing, dear. Shall we go home now? Morjim Beach, Goa.

4 years later. -Hi!

-Hi! Come in. -Hi.

-Hey! Welcome home. -So good to see you.

-Thank you. -Parson School of Design.

-Wow! I've heard a lot

about that college. -Yeah!

-It's in New York, right? Great news. -Yeah.

-When are you leaving? She said she won't leave

until she meets Krish. I meant both Krish and Lakshmi. In fact, the three of them. Where's our hero? -Oh, him?

-Where's he? He must be playing in his room. Hey! Rishi! You always do your thing. I need you! If a boy can only be born

by sacrificing a girl then such a child

is not required.

Rate this script:0.0 / 0 votes

Chandan Arora

All Chandan Arora scripts | Chandan Arora Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Aval" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/aval_3305>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "MacGuffin" in screenwriting?
    A An object or goal that drives the plot
    B A character's inner monologue
    C A subplot
    D A type of camera shot