Avatar Page #4
GRACE:
The last thing I need is another trigger
happy a**hole out there!
SELFRIDGE:
Look, you're supposed to be winning the
hearts and minds of the natives. Isn't
that the whole point of your little
puppet show? If you look like them, if
you talk like them, they'll trust you?
Selfridge crosses to his office, behind a glass wall nearby.
Grace follows.
SELFRIDGE:
But after -- how many years? -- relations
with the indigenous are only getting
worse.
GRACE:
That tends to happen when you use machine
guns on them.
On Selfridge's desk is a magnetic base, and hovering in mid-
air, in the invisible field, is a lump of METALLIC ROCK.
Pure UNOBTANIUM. He grabs it and holds it up between thumb
and forefinger, in front of Grace's eyes.
SELFRIDGE:
This is why we're here. Unobtanium.
Because this little gray rock sells for
twenty million a kilo. No other reason.
This is what pays for the party. And
it's what pays for your science.
Comprendo?
He places it back in the magnetic field.
SELFRIDGE:
Those savages are threatening our whole
operation. We're on the brink of war and
you're supposed to be finding a
diplomatic solution. So use what you've
got and get me some results.
CUT TO:
17.
NEXT MORNING, GRACE, NORM and JAKE approach their link units.
Jake glances through a PRESSURE WINDOW. In an adjoining
chamber (the AMBIENT ROOM) JAKE'S AVATAR lies on a gurney,
breathing slowly in PANDORAN AIR. NORM'S AVATAR is on a
second gurney. Both are attended by med techs in exo-masks.
Norm slips into his LINK CHAIR, expertly donning biometric
sensors.
GRACE:
How much link time have you logged?
NORM:
Five hundred and twenty hours.
Grace looks pointedly at Jake.
JAKE:
Like -- an hour.
GRACE:
Tell me you're joking.
Grace opens the hood of Jake's link unit. Jake starts
hauling himself across from his wheelchair. She reaches to
help him but --
JAKE:
Don't! I got this.
Grace steps back, hands raised. He drags himself into the
unit.
GRACE:
So you just figured you'd come out here
to the most hostile environment known to
man, with no training of any kind, and
see how it went? What was going through
your head?
He meets her eyes with a defiant glare.
JAKE:
Maybe I was just tired of doctors telling
me what I couldn't do.
Grace watches him laboriously pull his inert legs into the
link chair by hand.
18.
Jake settles into the warm fluid gel packs lining the unit.
It seems to enfold him. Grace adjusts his biometric sensors,
then lowers the UPPER CLAMSHELL --
GRACE:
Relax and let your mind go blank. That
shouldn't be hard for you.
JAKE:
Kiss the darkest part of my lily white --
But the SLAMMING HOOD muffles the rest.
MAX:
Initiate link.
The LINK TECH touches some controls.
ON A LARGE MONITOR a 3D SCAN of Jake's brain appears.
Regions of activity flow with complex shifting colors.
MAX:
That's a gorgeous brain. Nice activity.
GRACE:
Go figure.
(walking away)
Alright, I'm going in.
TECH:
Phase-lock at forty percent. He's in
transition.
Max watches a display showing the avatar's nervous system
aligning with Jake's -- two ghostly networks of light
merging.
MAX:
That's it. Find your way home.
ECU JAKE, inside the link unit. His eyes move under the
lids, like a dreamer in REM sleep as --
INSIDE JAKE'S MIND -- radiant streamers coalesce into a
pulsing TUNNEL OF LIGHT and --
THE SCREEN FLARES WHITE -- ZZZWHAP! -- resolving into an
overexposed, out-of-focus image -- two BLURRY FACES wearing
masks, looking down.
ECU JAKE'S AVATAR -- two very intense eyes FILL FRAME, the
pupils contracting. Golden irises pulse with life.
19.
MAX:
He's in.
TECH:
Phase-lock ninety nine percent. The link
is stable.
Blinking, Jake slowly sits up on the gurney. He looks down
at his AVATAR BODY, touching his chest with one hand.
MAX:
Take it slow, Jake. We need to check
your motor control. Try touching your
fingertips together --
But Jake isn't listening. He's staring at his legs. He
eases them off the gurney and --
HIS BLUE FEET touch the concrete floor, taking his weight.
JAKE STANDS, feeling the strength in his legs. His
expression is child-like with wonder.
HIS POV -- looking down at the med techs, who seem the size
of children next to his 9' tall frame.
He sees something like a blue tentacle curl across his arm
and he JERKS AROUND in alarm. HIS TAIL.
As he turns to see it, the tail sweeps instruments off a
table with a crash. Jake laughs and grins at Max.
MED TECH:
Easy, Jake, I need you to sit down --
But Jake takes a step, then another. The wires to the bio-
monitors pull taut, and he yanks them off his chest.
MAX:
Jake! Wait, we have to run some tests --
But Jake pushes past the protesting med techs, toward the
door and --
Jake emerges, blinking in the morning sun. He finds himself
in the AVATAR COMPOUND -- a living and training area.
Nearby, a couple of AVATARS are playing one-on-one in front
of a (non-regulation height) basketball net. Others go about
their daily activities around the compound.
20.
Jake flexes his legs -- JUMPS -- and lands a little
unsteadily, but his expression is joyful.
He takes a few steps and breaks into a RUN. People are
calling to him, somehwere, but he doesn't hear them -- he's
running. RUNNING!
He finds himself in the COMPOUND GARDEN, and stops amid
neatly tended rows of ALIEN PLANTS. He looks down, wiggling
his toes in the warm soil. Then inhales deeply -- revelling
in the alien smells -- earth, plants, the nearby forest. He
looks at his bare footprint in the soil of an alien world.
GRACE (O.S.)
Hey Marine!
Jake turns at the familiar voice to see --
A statuesque FEMALE AVATAR walking toward him. AVATAR GRACE
is magnificent, with panther thighs, flat muscular stomach
and firm athlete's breasts. She wears shorts and a T-shirt.
In human years she would be about 35.
JAKE:
Grace?
GRACE:
Well who'd you expect, numbnuts? Think
fast!
She throws him a piece of Pandoran fruit, which he catches.
GRACE:
Motor control is looking good.
Jake bites into the fruit, the juice running down his chin.
NORM (O.S.)
Hey, check it out.
Jake turns to see NORM'S AVATAR posing like a bodybuilder --
chest shot, back shot, bi's.
NORM:
I am a living god.
CUT TO:
A WIDE SHOT of the terraced crater of the UNOBTANIUM MINE. A
quiet beat, then --
21.
K-WHOOOOM! The entire face of one terrace is blown skyward
in a chain of EXPLOSIONS. The "shot" blasts hundreds of tons
of rock loose.
LONG LENS ANGLES of enormous WHEEL-LOADERS shovelling up ore-
rich rock and dropping it into DUMP TRUCKS.
EXT. RAINFOREST - DAY
A wall of steel FILLS FRAME. The DOZER BLADE crushes
everything in its path, reducing trees to kindling.
WIDER, showing the CLEAR-CUTTING operation near the mine, as
a road is cut through the jungle. Remotely operated DOZERS
three stories tall rip into the tree-line.
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"Avatar" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/avatar_138>.
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