Away from Her Page #5
...must every few months learn to
compensate for new shortcomings
with makeshift remedies;must
negotiate impossible requests and
fantastic observations;must put up
sometimes with deranged but at the
same time very personal insults;
and must somehow learn to smile
through it all.
(MORE)
23.
FIONA (V.O.) (cont'd)
Caregivers must be able to diagnose
a wide variety of ordinary ailments
under extraordinary circumstances.
Imagine the person you love the
most suddenly upset about something
but completely unable to
communicate the problem or even to
understand it himself.
CUT TO:
39 INT ANDERSSON’S LIVINGROOM -NOVEMBER 2003-DAY 39
FIONA ponders this.
She smiles.
FIONA:
Sounds like a regular marriage.
40 EXT LAKE - DECEMBER 2003 - LATE AFTERNOON 40
FIONA and GRANT ski side by side. They glance at each other,
in much the same way as we saw in the first scene.
GRANT:
I think I’m done. I’m going to head
in and get supper ready.
FIONA:
You have to try to keep up. You’re
with a younger woman,
old man.
He laughs.
GRANT:
You’ll come back when you’re
hungry.
FIONA:
I might.
He skis towards the cottage. Leaving her to contemplate the
lake.
41 EXT LAKE/WOODS - DECEMBER 2003- LATE AFTERNOON 41
Fiona continues on skiing by herself. She stops at the edge
of the woods on the other side of the lake. She takes off her
skis and enters the woods. The woods are thick. The
occasional branch lightly touches her hair or her face. At a
certain point she decides to sit down. She sits in the snow.
Lies back and looks up at the trees.
23A.
Mesmerized by the pink sunset light pouring through the tops
of the pines. She smiles.
24.
42 INT ANDERSSON’S LIVINGROOM - DECEMBER 2003- MAGIC HOUR 42
The sun is down. Grant stands alone, looking out the window
and contemplating the ski tracks in the snow. A concerned
look on his face.
43 EXT BRIDGE - DECEMBER 2003 - MAGIC HOUR 43
Fiona is walking across the bridge into town. A train goes by
over the river bridge in the distance. She is in her ski
boots. It’s awkward. She looks worried, lost. Stops and looks
first one way, then the other.
44 EXT WOODS -DECEMBER 2003- EVENING 44
Grant follows the ski tracks. He follows them to the edge of
the woods on the other side of the lake. The skis lie
unattended. Grant looks around. Worried now.
44a EXT COUNTRY ROAD - DECEMBER 2003 44a
Grant drives, worried.
44A EXT PARIS ONTARIO - DECEMBER 2003 - NIGHT 44A
Grant drives across the bridge through town. He sees Fiona,
staring out at the river. He stops the truck and watches her
for a moment. Then he rolls down the window.
GRANT:
Fiona.
FIONA:
Hello. I was just thinking how nice
it is that it hasn’t changed too
much in this part of town.
Grant gets out of the truck and puts his arms around her,
keeping her warm as they look at the limestone backs of the
buildings on the river. Grant looks very concerned.
47 INT CAR - DECEMBER 2003-NIGHT 47
Grant drives Fiona home. They sit in silence for a long time.
GRANT:
Where were you going Fiona?
FIONA:
I was trying to get home by
following the fence line. I’ve
counted on fences always taking you
somewhere.
25.
She says this lightly, as a joke. Grant isn’t amused. She
looks at his furrowed brow.
FIONA:
You’re going to have to put me in
that place. Shallowlake?
Grant breathes deeply.
GRANT:
Meadowlake. We’re not at that stage
yet.
FIONA:
Shallowlake, Shillylake, Sillylake.
Sillylake it is.
He is irritated by her light manner.
48 INT ANDERSSON’S LIVINGROOM-DECEMBER 2003- NIGHT 48
They sit in silence at the dining room table.
FIONA:
We are at that stage. Grant.
She puts his hand gently on his.
FIONA:
We are at that stage.
Grant holds his head in his hands, his elbows on the table.
GRANT:
If we do think of it- If we do, it
must be as something that isn’t
permanent. A kind of experimental
treatment. A rest cure of sorts.
FIONA:
Alright. Alright. We can think of
it that way.
She strokes his hand lovingly.
49 INT MARIAN’S HOUSE - FEBRUARY 2005-MORNING 49
MARIAN leads GRANT down the front hallway and past the
Livingroom. It is very neat and organized. The house of a
truly practical person. Everything polished and organized. A
plastic runner down the hall to protect the carpet. It stands
in sharp contrast to the comfortable disorder of his house.
26.
MARIAN:
We’ll have to sit in the kitchen
where I can hear Aubrey.
50 INT MARIAN’S KITCHEN - FEBRUARY 2005 - MORNING 50
MARIAN pulls out a chair for GRANT to sit in. From a room off
the kitchen, he can hear the sounds of a television. The door
is slightly open and he can just see a man’s feet, supported
on a wheelchair.
MARIAN:
You might as well have a cup of
coffee.
GRANT:
Thanks.
MARIAN:
My son got him on the sports
channel a year ago Christmas, I
don’t know what we’d do without it.
GRANT:
It must be a struggle.
MARIAN:
Well. You know. You know what
struggle is by now. Don’t you?
She pours him a coffee.
51 INT ANDERSSON’S LIVINGROOM -DECEMBER 2003-MORNING 51
Grant is standing in his coat in front of Fiona, who is
sipping her tea while she looks out the window.
GRANT:
You’re sure.
FIONA:
I’m sure.
GRANT:
You don’t want to just get a sense
of the place? I don’t want to make
this decision alone.
Fiona furrows her brow.
FIONA:
What place?
27.
Grant sighs, goes to answer.
FIONA:
Just kidding.
She allows herself a little laugh. He shakes his head.
Smiles.
FIONA:
You’re not making this decision
alone Grant. I’ve already made up
my mind.
52 EXT MEADOWLAKE - DECEMBER 2003-MORNING 52
Grant stands in the parking lot outside the Meadowlake
Retirement Facility.
53 INT MEADOWLAKE CHECK IN AREA - DECEMBER 2003-MORNING 53
It’s a clean, bright facility. A few elderly people walk past
on walkers. Grant watches a woman look carefully at ten
walkers that are parked together. She examines each one,
trying to figure out which one is hers. Finally chooses one
and goes on her way. Grant looks at her, wondering if Fiona
is really at the point where she needs to be here. He watches
a nurse tend to one of the women, THERESA, who is also helped
along by her son, LIAM. The nurse, Betty, talks to the woman
as though she is three years old. Grant watches with concern.
BETTY:
Now, Mrs. Taylor. Are you ready for
your bath? It’s bath time
Mrs.Taylor. That’ll be nice won’t
it?
THERESA:
Yes, that’ll be fine.
LIAM:
I’ll come with you Mom.
Madeleine, the very prim looking supervisor comes out from
behind the desk to meet Grant. Shakes his hand sharply, with
a pasted on smile.
28.
MADELEINE:
Mr. Andersson. Madeleine
Montpellier. I’m the supervisor
here at Meadowlake.
GRANT:
Hi there.
MADELEINE:
Now I’m just going to take you on a
quick tour of the facility and then
we can sit down and discuss Mrs.
Andersson’s condition and the
appropriate time for admitting her.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Away from Her" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/away_from_her_995>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In