Bad Boys Page #18
I bet you miss your wife, kids...
I bet you miss them a whole lot.
LOWREY:
I don't worry. They're in good
hands.
211
INT. BURNETT'S LIVING ROOM - NIGHT 211
Theresa gives a peek out the window. There's another
suspicious car on the street.
212
EXT. BURNETT'S STREET - UNMARKED CAR - NIGHT 212
Sanchez and Ruiz are on protective duty in front ofBurnett's house.
SANCHEZ:
Are you kidding, man? Desi was
the brains behind the whole
operation. That's why they
Desi was first. Lucy second.
Get it? Desi-Lu?
213
INT. LOWREY AND BURNETT'S CAR - DAWN 213
Coral Gables stakeout. Julie's passed out and, onceagain, sleeping in the rear of the car. In the glow ofthe faltering streetlights and the approaching dawn,
she couldn't look more beautiful. And from his post inthe driver's seat, he's looking at her with a longingthat goes well beyond lust. Then Burnett breaks the
silence.
BURNETT:
Two o'clock. The red Civic.
214
EXT. ELLIOT'S HOUSE - BURNETT'S POV - TELEPHOTO ANGLE 214
Elliot shutting the door to his little red Civic,
jangling keys as he's hurrying up the walk to the frontdoor. He looks like he hasn't slept or showered in days.
95.
215
BURNETT:
Let's just hope he didn't come
home for a nap.
TIME CUT TO:
216
EXT. ELLIOT'S HOUSE - MORNING 216
Elliot exits the house in a hurry. Hair wet from a
shower and fresh change of clothes. He fumbles with the
keys to his Civic, gets in and drives.
217
INT. STAKEOUT CAR - MORNING 217
LOWREY:
I'm on him.
(to Julie)
Hey, buckle up back there.
JULIE:
Wha...?
Lowrey has the keys in the ignition and is stomping onthe gas.
218
EXT. MIAMI STREETS - MORNING 218
Tailing scene as Lowrey and Burnett tail Elliot throughmorning traffic.
219
Lowrey and Burnett's unmarked sedan stops about twohundred yards from the freighter.
220
EXT. BOAT YARD - DRUG FREIGHTER - TELEPHOTO POV -220
MORNING:
Elliot's out of the car in a flash and crawling aboardthe ship. But as he disappears, Casper appears with hisown pair of binoculars.
221
INT. STAKEOUT CAR (BOATYARD) - MORNING 221
BURNETT:
They've made us. Let's move.
Lowrey FLOORS it.
BAD BOYS - Rev. 6/22/94 96.
222 INT. LOWREY AND BURNETT'S CAR - EN ROUTE - MORNING 222
Lowrey's driving in his typical, pedal to the metalstyle while Burnett talks on the radio.
BURNETT:
Yeah. Tell Howard to assemble
the troops. We just made the
dope lab. We'll be at the P.D.
in one hour.
JULIE:
So what am I gonna do?
LOWREY:
You're gonna keep your sweet ass
nice and quiet back at my place.
JULIE:
What?
LOWREY:
Mike's place. I said Mike's.
Lowrey rolls his eyes. He can't wait for this to end.
223 INT. BURNETT KITCHEN - MORNING 223
Typical pandemonium. Theresa is making/serving breakfastwhile the TV BLARES. Quincy is channel surfing on theTV when he comes up with the news footage of theexplosion, followed by more footage of Lowrey, Julie, andBurnett at the scene.
QUINCY:
Hey, it's Dad and Uncle Mike.
NEWS ANCHOR (V.O.)
In our continuing report on police
violence, the most recent incident
involving two Miami P.D. officers
remains unexplained by department
spokesmen. This high-speed chase
was captured two nights ago by
our Live Copter 9 news team. And
while the driver was killed, both
police officers involved in the
incident seemed to escape without
injury.
THERESA:
Kids, you go over to the
neighbors' house. I'll be right
back.
(CONTINUED)
BAD BOYS - Rev. 6/22/94 97.
223 CONTINUED:
223JULIE:
Where you going?
THERESA:
Mommy's going to Cleveland.
224 INT. LOWREY'S CONDO - LOWREY, BURNETT, AND JULIE - DAY 224
Bang, they're through the door. Grubby and tired fromthe all-night stakeout.
Theresa enters building, ignores Chet and heads straightfor bank of elevators.
CHET:
Lady, all visitors must be
announced.
THERESA:
Announce this!
In a motherly flash, she's got Chet by the ear and she'sdragging him over to the elevator. He yowls the wholeway until he sticks his master pass-card in the elevatorlock. Theresa lets go.
226 INT. LOWREY'S CONDO - DAY 226
Julie is framed in the bedroom doorway, somewhat sadlywatching Burnett and Lowrey scramble to get ready forthe bust.
JULIE:
So, I guess when you get back, it's
gonna be over.
LOWREY:
That's the plan... So, Mike. Loan
some of those ass kicking clothes.
BURNETT:
Third drawer down.
(as doorbell rings)
Hey, Julie. Do me a favor and see
who that is.
BAD BOYS - Rev. 6/22/94 98.
227 INT. CONDO - LIVING ROOM - DAY 227
Julie looks through the peephole, then opens the door.
And there's Theresa. Julie's hip.
JULIE:
Which one do you want?
one or the short one?
The tall
THERESA:
Oh, I got plenty in me to kill 'emboth. But it's the short one I'm
gonna divorce.
She pushes past.
Thought so.
JULIE:
Julie watches Theresa charge headlong into -228
INT. CONDO - BEDROOM - DAY 228
Burnett's stripped to his pants and T-shirt. While
Lowrey's down to his white boxer shorts. He's talkingand wiping down his gun with a rag.
LOWREY:
Man, I can't wait to see the look
on Howard's face when we tell
him...
(seeing Theresa)
Holy sh*t! Hi, Theresa... honey.
THERESA:
Save your crap, Mike.
Mike what?
LOWREY:
What'd he do?
Theresa.
BURNETT:
It's not how it looks.
THERESA:
It ain't Cleveland, neither.
LOWREY:
Where's Julie?
Lowrey pushes past Theresa into -229
INT. CONDO - LIVING ROOM - DAY 229
Where Julie is gone! The front door is wide open.
BAD BOYS - Rev. 6/24/94 PM 99.
230 INT. LOWREY'S CONDO - ELEVATORS - DAY 230
Julie's inside. She hits the close door button.
But
LOWREY:
Julie. We wanted to tell you...
I especially wanted to tell you -JULIE
You think I didn't know? God, youare so stupid! And to think I let
you use me like you did, Max.
Why?
Julie -LOWREY
JULIE:
Wait. I know why.
said you needed me.
the stupid one now?
Because youJesus, who's
LOWREY:
We still need you.
He reaches for her.
F*** you!
JULIE:
Julie slams a fist into Lowrey's face. The elevator
doors shut. Then Burnett comes hauling down thecorridor with Theresa at his heels. He pounds theelevator button.
THERESA:
You stayed away from home just onenight too many, Marcus.
BURNETT:
Theresa. She's a material witness!
It was orders!
231 INT. LOWREY'S CONDO - LOBBY - DAY 231
The elevator doors open and Julie makes for exit. She
sees a cab parked outside, slips back on her spiked heeland starts to run for it when -FOUCHET
enters, with Casper and Ferguson to either side.
(CONTINUED)
BAD BOYS - Rev. 6/24/94 PM 99A.
231 CONTINUED:
(A1) 231They sweep into the lobby, stalling just inside thedoorway when they realize that their target is rightthere in front of them, frozen like a deer caught in theproberbial headlights.
To the right and left, people at the mailboxes. Chet
on the phone behind the desk. But he's looking atJulie. Then...
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