Bad Boys Page #5

Synopsis: Miami-Dade detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) blow a fuse when $100 million worth of heroin they recently confiscated is heisted from station headquarters. Suspecting it was an inside job, Internal Affairs gives them five days to track down the drugs before they shut down the narcotics division. Action meets farce when Marcus is compelled to masquerade as his partner in order to gain the trust of a call girl (Tea Leoni), a key witness in their investigation.
Genre: Action, Comedy, Crime
Production: Sony Pictures Home Entertainment
  1 win & 3 nominations.
 
IMDB:
6.8
Metacritic:
41
Rotten Tomatoes:
42%
R
Year:
1995
119 min
Website
4,214 Views


BAD BOYS - Rev. 6/24/94 PM 22.

53 CONTINUED:
53

Lowrey braves the body and gingerly pokes around hispockets.

BURNETT:

Watch what you touch. That's

evidence.

BURNETT:

Not touching. Browsing... Mr. Orona.

You've got the right to remainsilent. Anything you say'llsurprise the sh*t out of us.

BURNETT:

Anything?

LOWREY:

(finds small notepad)

Jai-Alai. Dog track. Lotta

bookies. Phone numbers.

BURNETT:

Lemme guess. Guy does the airconditioning contract for the P.D.

He'd have the plans.

LOWREY:

He trades the plans for his paperand gets popped by the perps.

BURNETT:

Works for me. Now can we go?

I'm gonna puke.

54 EXT. LOIS FIELD'S MANOR - SUNSET 54

A Palm Beach styled antique.

55 INT. LOIS FIELD'S MANOR - SUNSET 55

As antique as the exterior. Well-tended. Lots of pottedferns amongst rattan and craftsman era furniture.

Enter -

LOIS:

Matronly, in her flowered dress and bare feet, shecarries a tea tray toward the kitchen. Max is following.

(CONTINUED)

BAD BOYS - Rev. 6/24/94 PM 23.

55 CONTINUED:
(A1) 55

MAX:

Please, Lois. Make some calls.

That's all. I'm looking for aparty with fresh cash.

LOIS:

I'm not doing any favors forMike Lowrey.

MAX:

Then call it a favor for me.

Please?

LOIS:

Okay, then. I'll make the calls.

But you have to talk to Julie.

MAX:

I'll talk to her but she's not

into it.

LOIS:

All you have to say is thatshe'll be getting paid for whatshe already does for free.

(CONTINUED)

BAD BOYS - Rev. 6/21/94 24.

55 CONTINUED:
55

MAX:

And she'll say, 'There's one big

difference. I do it for fun. I

don't ever have to blow anyone I

don't like.'

CUT TO:

56 FRONT DOOR 56

It swings open to reveal JULIE MOTT, 24, just asbeautiful as Max and dressed to be undressed. She dropsone of those big, model's shoulder bags to the floor andgazes curiously back at Lois and Max. Her ears are

burning.

JULIE:

Okay. So what'd I miss?

A57 EXT. BILTMORE HOTEL (MIAMI BEACH) - MAGIC HOUR A57

The hotel bustles with activity. Cabs pull up. Doormen.

Bellhops. Rich people.

57 EXT. BILTMORE HOTEL - COURTYARD - DUSK 57

As Max and Julie walk through...

MAX:

George?

JULIE:

Bad moods after a bad round of

golf... I had blonde hair, then.

MAX:

What about Ronny?

JULIE:

Sex addict. Coke addict.

Redhead.

MAX:

You were a redhead?

JULIE:

Only for two days. It wasn't

even a phase.

MAX:

Okay. Mark.

(CONTINUED)

BAD BOYS - Rev. 6/21/94 25.

57 CONTINUED:
57

JULIE:

Oooh. Bad loser and bad, bad

blonde. Farrah, frosted kinda

big bad blonde. Oooh.

Max laughs.

JULIE:

But that's my point. I remember

my hair phases more than Iremember the men.

(playful, sarcastic)

So, a party in a Biltmore Hotelsuite? Yeah, that'll really rock.

MAX:

It's a favor for a friend. If it

sucks after a half-hour, we'll

split and head to South Beach.

JULIE:

A favor?

MAX:

You know, my friend Mike Lowrey.

JULIE:

(rolls her eyes)

Mike Lowrey. Not again. Will youjust have sex with the man and getit over with.

MAX:

He's just a friend.

JULIE:

Yeah, right. You're in love.

MAX:

It's never gonna happen. I'm

great at turning lovers intofriends. But turning friendsinto lovers, I can't do.

JULIE:

Well, I don't date cops. Theynever have enough money andthey're always too tired to

screw.

MAX:

Well, I've told you before, myMike isn't like that. If I were

in real trouble, Mike Lowrey isthe only person I'd call.

BAD BOYS - Rev. 6/21/94 25A.

58 OMITTED 58

59 INT. BILTMORE HOTEL - AL CAPONE'S SUITE - DUSK 59

Upon arrival, the door is opened to Max and Julie byEddie Dominguez, instantly recognizeable from the heist.

Eddie's pouring champagne into a glass.

EDDIE:

Max, my little carina. It's

been a long time. And who's

your friend?

MAX:

Eddie. Julie.

Julie sizes him up. Good taste. His suit. Bad taste.

His personality.

EDDIE:

Come on, Julie. Come in, Max.

Welcome to the Al Capone suite.

Thev're stepped into a grand, opulent suite. Higharched ceilings. Magnificent antique furniture. Killer

view. No party guests.

EDDIE:

I'm not kidding. Capone had

the place fixed up with secret

passages and hidden stairways.

Can you dig it? People were

actually killed within these

walls.

He's moved behind them and reveals a concealed staircase

that rises into darkness.

CLOSE ON JULIE:

Not happy. Stuck at the Biltmore with a Scarface

wannabe. She looks over at Max. Let's get outta here.

JULIE:

Excuse me? I need to use the

bathroom.

Julie crosses to the bathroom.

EDDIE:

Wow, Maxi. I thought you dropped

off the edge of the earth and died.

Either that or you moved to

California.

(CONTINUED)

BAD BOYS - Rev. 6/21/94 25B.

59 CONTINUED:
(A1) 59

MAX:

So, Eddie. Looks like we're

way too early. How's about we

come back later?

(CONTINUED)

26.

59 CONTINUED:
59

EDDIE:

No. Don't go yet. We can

party. Just us three. Look at

what Eddie's got to play with.

From underneath the couch Eddie reveals a single key ofheroin. Max tries to hide the recognition that she justhit paydirt on the very first try.

60 INT. BATHROOM - JULIE 60

Where she's silently cursing Max for getting her intothis lame-ass party when she hears MUFFLED VOICES outsidethe bathroom. Instinctively, Julie peers through thelouvered shades.

61 JULIE'S POV - THROUGH SHADES 61

She sees Eddie opening the door to Fouchet. Casper andNoah follow him inside.

CUT BACK TO:

62 INT. AL CAPONE SUITE 62

Eddie is instantly nervous in the presence of Fouchet.

FOUCHET:

Who's the girl, Eddie?

EDDIE:

Just a hooker -

MAX:

My name's Max.

(outstretched hand)

I'm just a friend.

FOUCHET:

I could use a friend who looks

like you. Turn around. Lemme

get a good look.

Max tries to size this man, then chooses to submit. She

does her best model's turn. Slowly giving him a view ofthe rear when --

Fouchet draws a PISTOL -- BAM BAM!!

Max tumbles forward and CRASHES through a GLASS TABLE.

27.

63 INT. BATHROOM - JULIE 63

Instant horror. Julie saw Max killed and retreats to

the opposite side of the bathroom in total fright.

CUT BACK TO:

64 INT. CAPONE SUITE 64

Now, Fouchet swings the gun onto Eddie.

FOUCHET:

You're a f***ing idiot. Hookers

talk. Now, is that my dope?

EDDIE:

(freaked)

Our dope... That was the deal,

yeah? Right. Until we got the

money -BAM!

Fouchet SHOOTS Eddie in the knee. Eddie screams!

EDDIE:

You f***er... f***er f***er

f***er!!!

FOUCHET:

I have four more days until Imake the deal. When it's done

you get your money. Now, what

part don't you understand?

Hey, man.

EDDIE:

You need me.

FOUCHET:

I don't need anybody. I got threelittle angels looking over myshoulder.

REVERSE SHOT - EDDIE'S CHAIR

Fouchet UNLOADS THREE MORE SHOTS.

spatters onto Casper.

BAM BAM BAM!!! Blood

Aw, man.

new suit.

CASPER:

You got blood on my

FOUCHET:

Ever hear of dry cleaning? Now,

shut the f*** up, check for therest of my dope.

28.

65 INT. BATHROOM - JULIE 65

Half-panicked, half-trying to keep her head. There's no

way out of the bathroom. All she can do is switch off

the light. And now she sees Casper's shadow as heapproaches.

Rate this script:3.9 / 7 votes

Jim Mulholland

Jim Mulholland is an American television writer and film screenwriter. At nineteen, he was the youngest writer ever on The Tonight Show Starring Johnny Carson. more…

All Jim Mulholland scripts | Jim Mulholland Scripts

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