Bad Boys Page #8

Synopsis: Miami-Dade detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) blow a fuse when $100 million worth of heroin they recently confiscated is heisted from station headquarters. Suspecting it was an inside job, Internal Affairs gives them five days to track down the drugs before they shut down the narcotics division. Action meets farce when Marcus is compelled to masquerade as his partner in order to gain the trust of a call girl (Tea Leoni), a key witness in their investigation.
Genre: Action, Comedy, Crime
Production: Sony Pictures Home Entertainment
  1 win & 3 nominations.
 
IMDB:
6.8
Metacritic:
41
Rotten Tomatoes:
42%
R
Year:
1995
119 min
Website
4,214 Views


Burnett nods and crosses over to help Julie to her feet.

BURNETT:

Alright. Look here, I need to

know if you've called anybody.

Or if you told anybody else whereyou are?

JULIE:

No. Nobody.

BURNETT:

Good. You got a back door?

Julie nods, scoops up one of her dogs and grabbinganother modeling bag off the table.

JULIE:

Where are we going?

(as she stuffsthe dog intothe tote)

Duke!

(CONTINUED)

BAD BOYS - Rev. 6/23/94 PM 39.

92 CONTINUED:
(3) 92

BURNETT:

Protective custody.

JULIE:

(pulls away)

Whoa! F*** that. I'll only deal

with you. Otherwise, I'll take

my chances.

Burnett's getting a "not again" look on his face when -

KUH-BOOM!

A SHOTGUN BLAST blows the front door open. Clutching thebag, Julie races around the living room.

BURNETT:

Let's go!

JULIE:

Luke?! Where's my other dog?!

BURNETT:

F*** the dog!

Burnett sees the second dog cowering in the corner. So

he lunges over, scoops the dog up.

CUT TO:

93 OMITTED 93

94 FRONT DOOR 94

As the remaining parts are kicked in from the outside.

It's Casper, Noah and Kuni!

BURNETT AND JULIE

Racing through the apartment toward the back door,

Burnett wheels with the GUN and FIRES just as Kuni roundsa corner with the SHOTGUN. The room ERUPTS with plasterspray and NOISE. Julie shrieks, and Burnett shoves her

through the back door, then spins and FIRES. Kuni

tumbles and dies from multiple hits.

95 EXT. JULIE'S BACK DOOR - CONTINUOUS ACTION 95

Julie leads him down a metal stairway. BULLETS RICOCHET

left and right.

(CONTINUED)

A96

BAD BOYS - Rev. 6/23/94 PM 40.

EXT. ALLEY BESIDE JULIE'S APARTMENT - CONTINUOUS ACTION A96

FOLLOW Burnett and Julie as they race through the grungyalley to his station wagon -96

EXT. OUTDOOR CAFE - CONTINUOUS ACTION 96

The cafe is between Julie's front door and the Volvo.

Casper appears, FIRING his GUN. People scatter and

scream. BULLETS RIP all about.

CUT TO:

VOLVO:

Burnett STARTS the ENGINE and lurches out into the

street.

97 NOAH'S POV 97

The plates on Burnett's Volvo.

98 INT. VOLVO - IN MOTION 98

One DOG starts to BARK.

BURNETT:

Fine time to bark. Where were youwhen they were comin' up the walk?

(beat)

Sh*t. Bet they got a look at mylicense plates. If you saw himagain, would you remember the guywho shot Max?

JULIE:

All I remember is one of them had

really bad hair. Where are we

going?

BURNETT:

I told you, I'm putting you intoprotective custody...

JULIE:

(cuts him off)

No way. Listen, no offense, but I

don't trust anybody.

BURNETT:

Yeah. I noticed.

(CONTINUED)

BAD BOYS - Rev. 6/23/94 PM 40A.

98 CONTINUED:
(A1) 98

JULIE:

Believe me, it's not a new thing.

Especially when my life is atstake. I read the newspaper youknow, people disappear all thetime.

BURNETT:

(exasperated again)

Fine. So what do you want to do?

Where will you feel safe?

JULIE:

I didn't really think about it.

I guess it's your place or a planeticket. Your place is cheaper.

So you choose.

BURNETT:

My place? Okay, good. No, wait.

My place is wrong.

(CONTINUED)

42.

98 CONTINUED:
98

JULIE:

Wrong?

BURNETT:

I mean right. As in good. Myplace is good. We'll go therefirst.

(confirms)

My place.

99 EXT. LOWREY'S BUILDING - NIGHT 99

Burnett's Volvo pulls into the circular driveway ofOceanview Terrace.

100 INT. VOLVO - CONTINUOUS ACTION 100

BURNETT:

Wait here.

101 INT. LOBBY - NIGHT 101

Burnett walks over to CHET, the doorman, a shifty littleguy who's always got his hand out. He's sitting on afolding chair reading Penthouse Forum.

CHET:

Detective Burnett... Mr. Lowrey is

out...

BURNETT:

He told me I could use the placetonight...

CHET:

Didn't mention it to me.

Chet holds out his hand. Burnett slips him ten. Chet

sneaks a peek over at the car, sees Julie putting onlipstick.

CHET:

Say. How's that Mrs. Burnett?

Burnett realizes this is going to cost him more. Gives

him another ten. But for Chet it's still not enough.

CHET:

Your children good? Mr. Lowreysays you got a regular babyfactory goin' over there.

(CONTINUED)

43.

101 CONTINUED:
101

BURNETT:

(all his money)

Here. And if that's not enough,

I'm gonna run you in for extortion.

CHET:

Now that I think about it, Mr.

Lowrey did mention somethingabout giving you the key.

102 INT. LOWREY'S CONDO - NIGHT 102

The door opens, Burnett gropes awkwardly in the darkfor the light switch. Finally finds it.

BURNETT:

I forgot I had those switches moved.

Welcome to Casa del Lowrey.

Julie enters, looking left and right, cautious butimpressed by the stylish digs.

JULIE:

Nice... very nice.

cop's salary?

All this on a

BURNETT:

I uh... I invest.

JULIE:

Right. What was your last pick?

A horse in the number two race at

Pimlico? Or did a bookie give youan inside tip.

CLOSE ON WINE RACK

Which Julie runs her hands across labels. All French.

BURNETT:

-- My father invests... Listen.

You must be tired -JULIE

I'll ask you this only once, Mike.

Are you on the take? And if yousay no and I discover you're lyingto me, I'll walk. Are we clear?

(CONTINUED)

44.

102 CONTINUED:
102

BURNETT:

Fair enough. I'm not on the take.

Satisfied? Good. So... why don'tyou make yourself at home? Here's

the T.V. remote. Watch yourselfsome 'Gilligan's Island' reruns orsomethin'.

Hits "ON" button. Instead of TV, the room immediatelybecomes a seduction den: lights dim, romantic music.

BURNETT:

Heh -- all these damn things lookalike.

(switches it off)

Well, gotta run... There's probablya couple of good steaks in thefridge for the dogs. Help yourselfto whatever.

(starts to go)

I'll check on you in the morning.

JULIE:

Where are you going?

BURNETT:

Uh, back to the P.D. I gotpaperwork back on my desk to gothrough that's about this high.

(to his armpits)

And now there's you, so that makesit this high.

To his neck.

JULIE:

You mean, you're going to leave mealone? In your place. With all

your stuff?

BURNETT:

Why shouldn't I? Are you a thiefor a vandal?

JULIE:

Of course not. And I'm not a call

girl, either.

BURNETT:

I didn't ask.

JULIE:

I know you didn't. I just thoughtyou should know.

(CONTINUED)

45.

102 CONTINUED:
(2) 102

BURNETT:

Okay. Important lesson. Julie's

not a call girl. Can I go now?

JULIE:

Just one more thing.

Julie steps forward and wraps her arms around Burnett.

It's a one-way hug. Uncomfortable, Burnett doesn't

reciprocate other than a palsy pat on the back.

JULIE:

Thank you. For everything.

BURNETT:

Don't mention it.

Burnett tries to break toward the door when the PHONE

RINGS. Burnett stares at the phone, not knowing whatto do.

JULIE:

Aren't you going to -

LOWREY'S MACHINE (V.O.)

Hi. You're live with Lowrey.

Leave it at the beep.

The PHONE BEEPS.

YVETTE (V.O.)

Miiike... it's Yvette... I know I

told you I don't date cops. And I

know I told you I wouldn't sleepwith a man I wasn't going to marry.

But I've been thinking -- and Iremember when you said thinking wasa dangerous thing -- so I startedfeeling... well, lonely. Remember

when you gave me that key --

Rate this script:3.9 / 7 votes

Jim Mulholland

Jim Mulholland is an American television writer and film screenwriter. At nineteen, he was the youngest writer ever on The Tonight Show Starring Johnny Carson. more…

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