Ballistic: Ecks vs. Sever Page #2

Synopsis: Jonathan Ecks, an FBI agent, realizes that he must join with his lifelong enemy, Agent Sever, a rogue DIA agent with whom he is in mortal combat, in order to defeat a common enemy. That enemy has developed a "micro-device" that can be injected into victims in order to kill them at will.
Genre: Action, Crime, Sci-Fi
Director(s): Wych Kaosayananda
Production: Warner Bros. Pictures
  5 nominations.
 
IMDB:
3.6
Metacritic:
19
Rotten Tomatoes:
0%
R
Year:
2002
91 min
$14,235,059
Website
287 Views


Drop your weapon!

You kill me, you kill Gant's son.

I don't work for Gant.

I just want my wife.

Sh*t!

I'm okay.

The bullet hit my vest.

Ross, do you have my son yet?

We've sighted our target.

No word on the package.

We may have another problem.

Where is my wife?

Where is she?

What's your hurry?

Chase One,

we have your hot target locked.

Our new player might do the job

for us. Advise.

Don't let them cancel each other.

Roger that.

Going green for a quarantine.

Target's on the move,

over north side of building.

It's not polite to stare.

I see you've met Mali.

Come here, sweetie.

How you doing? What's up?

Go find Mom.

So my daughter wanted to know

why you look so sad.

I told her it's because

you just got beat up by a girl.

You know, Ecks,

Martin didn't want to do it.

Use your wife as bait to get you back

in the game. But he had no choice.

How is he?

Not bad, considering. Bullet missed

his heart by about a centimeter.

She doesn't miss.

What are you saying?

Nothing.

Could you give me a laptop...

- ... and Julio's notes on this case?

- I thought you might say that.

Let me see your hand.

Who's running the task force now?

Nobody. We're suspended

pending an inquiry.

Which means I probably

shouldn't watch you do this.

- You're not even here.

- Right.

Sever.

Freeze! Get your hands

above your head!

Oh, man.

You're under arrest for the shooting

of Agent Julio Martin.

We have her online, sir.

Put her through.

- Where's my son, Sever?

- Maybe the same place my son is.

Don't blame me. You broke profile.

Is that what you call having a child?

They weren't supposed

to be there.

Sever?

Sever?

- How's Michael?

- Fine.

He's a good boy.

But he misses his mother.

- I want him back.

- You mean you want what he's carrying.

He could die

if we don't get it out.

I didn't put it in him. You did.

Tell that to your wife.

What do you want?

Your life for Michael's.

- It didn't have to come to this, Sever.

- Well, now it has.

You pulled his file?

Yes, sir. Here's the printout.

Sever still has Gant's kid.

I don't know what

you're talking about.

You better pay attention because

she won't stop until she gets him.

I can find her...

...bring back the kid.

Sever is DIA.

She knows all your tricks.

She doesn't know mine.

We can handle this.

You're certainly doing a great job of it.

Why do you care?

That's my business.

- Yes.

- The local P.D. has our man.

- ID?

- Former FBI agent named Jeremiah Ecks.

Get rid of him.

Sorry, Ecks, you're a local matter.

- We're done here.

- You're making a mistake.

She's gonna kill you.

Captain, this isn't my jurisdiction...

...but I suggest you take him away

before I make it my jurisdiction.

Good luck.

- Is he alive?

- Yes, I'm sure of it.

- Why do they want Michael?

- I don't know.

- You're lying.

- I swear.

- Do they want money?

- I don't know.

This should have never happened.

Michael should have been home with me.

I'm doing everything I can to find him.

- What are you doing exactly?

- You know I can't divulge details.

- Of course.

- I'm sorry.

You promised me

this wouldn't happen.

You think I haven't tried

to keep that promise?

Just find him.

Mobile Two has visual of target.

Sh*t!

You wanted your wife?

You'll find her with Gant.

We need to talk.

- We're running out of options.

- Ecks is mobile. Sever helped him escape.

What the hell does she want with him?

Can I ask why this man

is so dangerous?

No.

What did you find out?

They're still looking.

You needed to lock

yourself in the study for that?

You know how it works.

- I'll take care of it.

- Why is this person trying to hurt us?

- What did you do to him?

- Her.

- She used to work for me.

- Oh, God. God, no.

She won't hurt Michael.

- How can you be so sure?

- Trust me.

I need you to be strong.

Then leave.

- Where are you going?

- Out.

How much time do we have?

Less than 12 hours.

Thank you.

Hello, Vinn.

Jeremy?

What's going on, Jeremy?

I am taking a deep cover assignment.

Baby...

...please don't take this one.

I wish I didn't have to.

Then don't.

Quit.

This is my job.

This is what I do.

Why did this have to happen to us?

It's a means to an end.

Gant had an agenda.

Me, he had to get rid of, and you...

Well, you he wanted.

And so he took you.

I know, I know. I'm late.

I know he loved me...

...but I only became his wife...

...in name.

You're the one that I love.

I never stopped loving you.

You had a son with him.

No. Not with him.

Michael?

I knew that day in the restaurant.

I wanted to tell you.

I wanted you to stay, but I didn't

want you to worry about me...

...about us.

He's our son. Yours and mine.

He was the only piece of you

I had left.

Oh, God, no!

Jeremy!

I thought that staying with Gant...

...was the only way to protect Michael.

But I was wrong.

Michael.

Hey, listen to me.

I found you.

We'll find him.

What do we do now?

Run.

- Is that the b*tch who stole our son?

- I see you found your wife.

- Where is Michael?

- Your son?

Yes, my son.

Get in.

And by the way...

...I'm the b*tch protecting him.

Air One to Command,

we have target in sight.

How do you know about Michael?

Prison bus. I could have been killed.

But you weren't.

- You do know we have company.

- Of course.

Of course.

Air One to Command.

Target's destination is the south end

of victoria Park.

He's up there.

Michael?

Mommy!

Sweetie.

Where were you, Mom?

Are you okay?

Thank God.

I was so worried about you.

I missed you so much.

I missed you too, Mommy.

I wasn't even scared.

You weren't?

Who's that man?

Come on.

Hello.

I am Jeremy.

You're Michael, right?

Go.

You'll be safer up there until this is over.

Where do you get all this ordnance?

Some women buy shoes.

Sweet.

- All teams are in position.

- They move on my order.

- What about your wife and son?

- Ecks will protect them.

And Sever?

She's been mourning her family

long enough. Let's reunite them.

Sir, with all due respect, that's

an unacceptable level of exposure.

Let's see. You lost my son.

You just lost my wife.

You think I've lost my mind too?

I didn't set this in play.

You did. I warned you of the risks.

Your job is to fix my messes.

It should never have gotten this far.

Let's get this over with.

Gant.

Sever.

This doesn't have to get messy.

I just want you.

I make you the same offer.

Send out what belongs to me.

Then we can discuss your reinsertion.

It's a little late for that.

- It's never too late.

- Tell that to Vinn.

I can upgrade your status.

Allow you the luxury of a family.

I had a family.

You know who we are, Sever.

Targets and objectives come first.

This is the way our world is.

They were innocent.

There are no innocent people.

You know that. Only killers and victims.

- Take her out.

- Yes, sir.

Go.

My turn.

Get down!

Go.

Move out! Go!

- Moving in!

- Go, go, go!

Give me that.

Let's finish this.

Rate this script:0.0 / 0 votes

Alan B. McElroy

Alan B. McElroy is an American screenwriter, producer, and director of film, television, comic books, and video games. He is best known for his collaborations with Todd McFarlane on the Spawn franchise, and for penning horror films such as Halloween 4: The Return of Michael Myers and Wrong Turn. more…

All Alan B. McElroy scripts | Alan B. McElroy Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Ballistic: Ecks vs. Sever" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/ballistic:_ecks_vs._sever_3513>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Ballistic: Ecks vs. Sever

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The highest point of tension in the story
    B The introduction of characters
    C The opening scene
    D The final scene