Bates Motel Page #7
- TV-MA
- Year:
- 2013
- 45 min
- 1,715 Views
RICHARD (O.S.)
Hey Brad - who’s doing the
(f***ing) recycling in here?
INCLUDE RICHARD SYLMORE (17), good looking in a cool way,
pony tail, artsy. Tall and muscular. Confident. And worst of
all, Bradley’s boyfriend...
BRADLEY:
Oh, hey, Richard. Did you get your
diorama finished?
(then; to Norman)
Richard had to do a diorama of the
Globe Theater for his Drama Lit
class. Seriously, what grade are
we in?
RICHARD:
Yeah I got it done and it actually
kills.
(looking at the trash)
I mean look at this sh*t.
A**holes. They’ve got the trash
with the plastic with the bottles.
(F***ing) a**holes.
Richard starts organizing some of it. Norman helps him.
NORMAN:
We could put the bottles in this
bag -
RICHARD:
Thanks Dude.
35.
BRADLEY:
Oh Richard, this is Norman. He’s
new at our school.
Something in the way that Bradley tried to make that sound so
“offhand” makes Richard stop and actually look at Norman for
a minute. Checking him out. That sort of primal thing that
guys do. Norman just looks back at him, a weird combination
of a blank stare and also not-backing-down.
RICHARD:
Hey.
NORMAN:
Hey.
They finish with the trash.
RICHARD:
There. Whatever. Morons.
(turns to Bradley)
Jones just got here. Let’s go say
hi -
BRADLEY:
Oh, okay.
(to Norman)
Want to come?
Richard takes Bradley around her waist. Norman sees this.
Gets it.
NORMAN:
No, I’m good.
Bradley nods and smiles and disappears into he party with
Richard. STAY ON NORMAN. Watching her walk away. Deflated.
She has a boyfriend. I’m an idiot. We HEAR HIS HEART START
THUMPING (OVER). He starts breathing hard. Trying to hide
it.
NORMAN’S POV - looking around room. Everything looks f***ed
up and “dark” all of a sudden - dancing, hooking up, inhaling
smoke from a bong...
RESUME NORMAN:
His heart thumping LOUDER AND LOUDER...filling with
anxiety...Why am I here? Where am I? How do I get home?
SMASH TO:
36.
EXT. PARTY HOUSE - MINUTES LATER
Norman sneaks out a back door. Just wants to get the f***
out of there. He finds the car he came in. Reaches through
an open window to get his history book. Gets it. Starts
walking. Trotting. Running. It’s emotional. He’s
overwhelmed. Anxious. Heart pounding. Why did I come? Why
did I come? Running faster and faster. Just wants to get
home -
Then he stops at a crossroad, realizes he recognizes nothing.
He has no idea where he is. He spins around in all
directions -- totally lost. And he’s in the middle of
nowhere. F***! F***! F***!
Norman wants his mother.
INT. BATES HOUSE/KITCHEN - LATER
Norma is finishing cleaning out a cupboard. Several huge
trash bags filled with old crap sit on the floor. She’s
finishing scrubbing them. And she scrubs like she’s gong to
do surgery in there. It’s microscopically clean.
Finally done, Norma stands back and admires it all for a
moment. Proud of herself. Then she HEARS SOMETHING outside.
Like something got knocked over. Weird. She looks out the
glass-pained kitchen door...
NORMA’S POV - OUTSIDE
Nothing unusual. The wind stirs the trees a bit. A wind
chime blows...
Norma feels a little unsettled. Trying to convince herself
she’s just scaring herself. Turns to look out the glass door
one more time, just to reassure herself when --
KEITH SUMMER’S FACE APPEARS RIGHT THERE, about twelve inches
away from her. Sheer horror. She SCREAMS.
NOW -- SMASH! KEITH’S HAND WRAPPED IN A RAG PUNCHES THROUGH
A GLASS PANE.
He reaches in and UNLOCKS THE DOOR. THROWS IT OPEN. He’s
inside now. Norma SCREAMS OUT --
NORMA LOUISE:
Norman!
But there is no answer. Now Keith starts across the room
toward her. He is wearing the same dirty clothes and an old
leather POLICE BELT COMPLETE WITH HANDCUFFS and FLASHLIGHT.
37.
In his hand he’s carrying a roll of DUCT TAPE and a BOX
CUTTER.
Norma spins around, looking for help, grabs a KNIFE from the
wood block on the counter. She starts SLASHING AT HIM, but
he moves surprisingly well, DODGING HER.
WHOOSH. She SLASHES again at empty air. And as the knife
swings by, Keith rears back and KICKS HER IN THE STOMACH --
sending Norma FLYING ACROSS THE FLOOR IN A HEAP.
The Knife skitters away. She’s on the ground, HURT. Keith
unpeels a strip of DUCT TAPE and advances on her as she tries
to get up -
NORMA LOUISE (CONT’D)
Norman! Norman... Norman!
But no one comes. Keith kneels over the top of her. She
punches at him, trying to fight him off. He SLICES HER with
the box cutter, causing her to retract her hand in pain. Her
hand is now bleeding badly.
Keith cuts off a piece of DUCT TAPE and covers her mouth.
Now Keith HARSHLY TURNS HER OVER. Removes the handcuffs from
his belt. Fastens them on her. He picks her up by the
waist and throws her over the kitchen table.
Norma SCREAMS and STRUGGLES to no avail. He throws up her
skirt and uses the BOX CUTTER to cuts her panties off.
He unbuckles his pants, leans over her and presses his sweaty
mouth right up into her ear --
KEITH:
This is my house. And what’s in
this house is mine.
Keith starts RAPING HER. His hand PRESSES THE SIDE OF HER
FACE FLAT INTO THE TABLE, next to a plate of cookies.
CLOSE ON NORMA as she tries to ENDURE THE RAPE, trying to
think of how she can get out of this, waiting for it to end,
helpless, angry, broken, when -
THUNK. Keith suddenly FALLS AWAY. Norma turns to see -
NORMAN:
38.
Standing there, eyes wide, holding an ANTIQUE IRON DOORSTOP.
(He is sweating. Breathing hard. This is from running home,
although Norma doesn’t know this or notice at first.)
She stands up and her skirt falls down covering her.
Norman hurries over and pulls the duct tape from her mouth.
Norma is a flood of emotions, but all she can say is -
NORMA LOUISE:
Norman! Where were you? Why
didn’t you come?
Norman doesn’t know what to say. Doesn’t want to tell her.
KEITH:
Aggnnnhhhnn...
They spin around. OH F***. Keith is GROANING, coming to --
NORMA LOUISE:
Quick! Norman, the handcuffs. He
must have a key -
Norman runs to Keith, fumbles around in the pockets of the
police belt. SH*T. SH*T... He can’t find anything.
NORMA LOUISE (CONT’D)
Hurry! Norman...
Norman is sweating, shaking. SEARCHING. Finally --
NORMAN:
Found it.
He runs back over and tries unlocking his mother’s wrists.
He’s so nervous, he can’t do it. Meanwhile, Keith is MOANING
SOME MORE and STIRRING.
CLICK. Norman finally unlocks one. Norma grabs the key and
unlocks the other one. Rushes to Keith. Norma wrenches
Keith’s arms behind his back. Norman fumbles with the
handcuffs --
NORMA LOUISE:
Jesus, Norman, hurry -
NORMAN NORMA LOUISE
I’m trying ---
Give ‘em to me!
But Norman finally gets them on Keith -- CLINKS THEM SHUT.
They catch their breaths, feeling a moment of relief. Now
Norman notices Norma’s hand is bleeding badly --
39.
NORMAN:
Mom. Your hand -
She realizes how bad it is.
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