Battlecreek Page #2

Synopsis: Henry is a loner, living with his overprotective mother in a small Southern town called Battlecreek. Henry has a rare sin disease and must avoid sunlight. He lives his life at night -- hanging out at the diner, working the night shift at the gas station and swimming in the creek under the moonlight. Henry doesn't know who he is or what he wants, until he meets Alison. When Alison's car breaks down in Battlecreek, she answers the "help wanted" sign at the diner to pay for the repair. Henry is immediately drawn to the mysterious girl. Alison shows Henry that he can live a life he thought impossible, even at the cost of losing his mom and freeing him from his past.
Genre: Drama, Romance
Director(s): Alison Eastwood
Production: Maindiner Music & Film
  1 nomination.
 
IMDB:
5.8
R
Year:
2017
97 min
110 Views


got his start playing piano in a brothel.

Fourteen years old.

Yeah.

And then we all sang

every last word of it.

Ain't nothing in those books

you can teach me.

Henry, ain't I be doing your head all

these years the things you got to know.

- Yes, you have.

- Yes, I have.

But, I mean, you wouldn't know a drive

socket from a flare nut, now would you?

[ARTHUR LAUGHING]

I believe old Jelly Roll

had him some sweet times.

There's some sweet inspiration

between those walls.

Their men need a little sweet

inspiration, you know what I mean?

Are you suggesting

I go to a brothel, Arthur?

No, I ain't saying nothing.

I ain't saying all that.

But I'll tell you what,

it sure beats the hell out of you spending

all your nights hanging around here with me.

Yeah, what about you?

Oh, come on, now.

When Martha passed,

I went into retirement, man.

I thought I'll...

just close up shop for a while.

But you...

you got no excuse.

I could think of a few.

Yeah? Like what?

Let me tell you something.

That music that

you're reading about,

was created by people who

came to this country in chains.

And that same music

can set a man's soul free.

Every man has got to learn to break free of

whatever shackles are binding him, Henry.

It don't matter if you scared to

death to do what you got to do it.

That's the truth.

That's the sure enough truth.

Drink up, man.

Damn.

Henry...

why don't you

come around here

and paint these walls. All that

stuff you got in your head, man.

Just give the place

a little life, you know?

What are you thinking?

Some tropical...

tropical island with a...

with some palm trees, and a

real nice beach and me...

laying out on that beach, being

served an ice cold beer...

by a real pretty lady.

Well, I thought you said

you were retired.

I said for a while.

I ain't said my whole life.

- Oh, for a while?

- For a while.

[BOTH LAUGHING]

All right,

I'll see what I can do.

You all right with me, Henry.

You all right with me.

Morning, Janice.

Afternoon, Henry.

Does Ms. Nelson still have

that room to rent?

Why? You going somewhere?

- It's for a friend.

- A friend?

What friend?

Never mind.

Uh, Henry, as far as I know,

it's still for rent.

Thanks.

That boy of yours

is so sweet.

Always thinking of others.

He sure is.

He's as sweet as pie.

I'm sure your car will be fine for the Fall,

but come Winter, and you'll freeze to death.

I don't plan on

being here that long.

Maybe not...

Oh, and Ms. Nelson doesn't hear that

well, so you'll have to speak up.

Thanks.

So you're a friend of Henry's?

Um, not really.

That's nice, dear.

It's just up these stairs.

Now, there's no smoking in the house

and I don't want any loud commotion.

I go to bed early,

and I'm up with the sun.

There won't be any noise.

No boys.

I won't have any funny business,

do you hear me?

I run a clean house.

I understand.

It's right through here.

You're a pretty little thing.

This is it.

[SNIFFLES]

[SIGHS]

So, um, do you have family

back in Florida?

Who said I was from Florida?

Your license plate

on your car.

It's Alison, right?

I'm Henry.

Listen, I appreciate you

finding me a room

but I'm really not looking

for friends right now.

It's nothing personal.

Nothing personal.

I told you I'd use a horn.

You don't say.

Mm-hmm.

My granddaddy and me used to sit on the

back porch listening to Dizzy Gillespie

like it was our

last dying wish.

Old guy used to make me

use scales, you know,

till my lungs burned out,

my lips burnt up.

He didn't know the meaning

of the word "suffering."

He used to say to me, "Boy, you

damn well better walk through life

"dealing with what God serves

up with a smile on your face,

"and dignity in your step."

That's what I did.

Sure.

I thought I was gonna teach

Miles Davis a thing or two.

[ARTHUR LAUGHING]

Yeah, I did.

Life happened.

Yeah, you damn straight.

Lots of things happened,

and my daddy told me,

he said,

"Boy, don't you know a Black man

don't have the luxury of dreaming?"

Henry, how long you gonna hang around

here playing with engine bars?

- Huh?

- I don't know.

I don't know. I never

really thought about it.

Well...

you better start

thinking about it.

Right now.

You living like a young man

that ain't got no choices.

They're kinda limited.

Says who?

I don't see nobody

holding you back.

Henry...

you got your whole life

ahead of you.

All you got to do is, you step out there

and you take what's yours, you hear me?

It's like your man said, you got

to grab life by the throat.

[GRAVE INSTRUMENTAL

MUSIC PLAYING]

Hey.

What are you doing here?

Hey.

It's not really safe at this time

of night for you to be down here.

You're here.

People tend to leave me alone.

Listen,

at the diner, when I said I didn't need

any friends, I didn't mean to, um...

I'm not used to...

It's fine.

Why are you being

so nice to me?

Don't you sleep?

Don't you?

It is too hot to sleep.

Mrs. Nelson doesn't like fans

cause she says they're too noisy.

Uh, come on,

I'll walk you.

Come on.

That's Mr. Hayworth.

He lost his wife

eight years ago.

Every night, he sits on that

porch till he falls asleep.

Like he's waiting

for something.

[WHISTLING]

Hi, hi, hi...

This is Benny.

- Hi.

- You want a treat, buddy?

There you go.

I always bring him treats.

He knows all

the town secrets.

He's beautiful.

[LAUGHING]

Well, this is me.

Can I walk you home?

No, I'm fine.

It's close enough.

Guess I'll see you around, then.

I guess you will.

You like fairs?

Every year the whole town puts on

a fair behind the old cider mill.

It ain't much. Trust me.

But Melinda will be defending

her apple bobbing title.

Four years running.

She trains and everything.

Jack shuts down the diner for the

night, too, so everyone can go.

Yeah.

Maybe.

Did you have a good night?

The usual.

Come sit with your mama.

"The fool"...

representing the beginning

of a new life cycle.

And the "High Priestess"...

she speaks of

hidden influences.

Usually that of a woman.

Stop taking, Tallulah.

I'm just telling you

what I see, baby.

Nothing more.

It's never "nothing"

with you.

Tell your mommy

you love her.

Oh, you know I do.

Say it.

It's late, Tallulah.

Good night.

I'll make sure to

stay on your good side.

My brother taught me

how to shoot.

BOY:
Take your pick.

The bear.

So, um, where does

your brother live?

Oh, really? I hear that's

nice this time of year.

[ALL CHEERING]

Do you want anything?

- Uh, no.

- You sure?

Yeah.

- You want to try this?

- CARL:
Five bucks to see the freaks.

We got two headed cat,

three legged dog,

and some really ugly women.

Hey, Henry, why don't you come on here.

You'll feel right at home.

He might just be

the most normal f***er in there.

That'd be a first.

Did I tell you

I was nailing his mama?

Yeah, man.

Must be one tired piece of ass.

Come on, Henry, you'd make more

money than at the gas station.

Rate this script:0.0 / 0 votes

Anthea Anka

All Anthea Anka scripts | Anthea Anka Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Battlecreek" Scripts.com. STANDS4 LLC, 2024. Web. 12 Nov. 2024. <https://www.scripts.com/script/battlecreek_3710>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Battlecreek

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "montage"?
    A A single long scene with no cuts
    B A series of short scenes that show the passage of time
    C The opening scene of a screenplay
    D A musical sequence in a film