Becoming Jane Page #2

Synopsis: The year is 1795 and young Jane Austen is a feisty 20-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable - marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter's future social standing. They are eyeing Mr. Wisley, nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham, as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy, sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire - then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters - family, friends and fortune.
Director(s): Julian Jarrold
Production: Miramax Films
  3 wins & 6 nominations.
 
IMDB:
7.1
Metacritic:
55
Rotten Tomatoes:
57%
PG
Year:
2007
120 min
$18,602,895
Website
4,533 Views


"Nevertheless, she was..."

And may I introduce my young nephew

Mr Thomas Lefroy?

Oh.

And he's more than welcome.

Join us, sir, join us.

Green velvet coat. Vastly fashionable.

You'll find this vastly amusing.

"His addresses were...

"The boundaries of propriety

were vigorously assaulted,

"as was only right, but not quite breached,

as was also right.

"Nevertheless, she was not pleased.

"Her taste was refined, her sentiments noble,

her person lovely, her figure elegant."

Good God, there's writing

on both sides of those pages.

Shh. Damn it, man.

"'It was only yesterday I repelled Lord Graham

and his six million,

"'which would have lasted me

almost a twelvemonth,

"'with economies... '

"'... a treasure

"'greater than all the jewels in India,

an adoring heart.'"

God!

"'A nd pray, madam,

what am I to expect in return? '

"'Expect? Well, you may expect

to have me pleased from time to time.'"

Is this who I am?

"And a sweet, gentle, pleading, innocent,

"delicate, sympathetic, loyal, untutored,

adoring female heart."

The end.

- Bravo, Jane.

Well done, Jane.

Bravo.

Well done.

She speaks so well.

Well, excessively charming, I thought.

Well, accomplished enough, perhaps,

but a metropolitan mind may be

less susceptible to extended, juvenile self-regard.

Well, thank you.

We're both very proud.

# In airy dreams

#... absent love to see

# Dear you, oh, to think

# On thee #

Careful there, old fellow.

Fine piece, Mr Lefroy.

Handled a gun before, have you, Tom?

Mmm.

- Tom!

Jesus!

- Tom.

- Uncle?

Why not try a walk?

There's some very fine country round about.

Very fine.

A walk.

Miss!

Miss! Miss!

Miss! Miss, I...

Miss?

Miss?

- Miss...

- Austen.

Mr Lefroy.

Yes, I know, but I am alone.

- Except for me.

- Exactly.

Oh, come!

What rules of conduct apply

in this rural situation?

We have been introduced, have we not?

What value is there in an introduction

when you cannot even remember my name?

Indeed, can barely stay awake in my presence.

Madam.

These scruples must seem very provincial

to a gentleman with such elevated airs,

but I do not devise these rules.

I am merely obliged to obey them.

I have been told

there is much to see upon a walk

but all I've detected so far is a general

tendency to green above and brown below.

Yes, well, others have detected more.

It is celebrated.

- There's even a book about Selborne Wood.

- Oh.

A novel, perhaps?

Novels?

Being poor, insipid things, read by mere women,

even, God forbid, written by mere women?

I see, we're talking of your reading.

As if the writing of women did not display

the greatest powers of mind,

knowledge of human nature,

the liveliest effusions of wit and humour

and the best-chosen language imaginable?

- Was I deficient in rapture?

- In consciousness.

It was...

It was accomplished.

It was ironic.

- And you're sure I've not offended you?

- Not at all.

My lords, ladies and gentlemen,

the Grand Vizier's Flight.

- May I have the honour?

- How kind, cousin.

- Miss Austen.

- Mr Wisley.

May I have the pleasure of this next dance?

Oh, no, we're so late.

Take care.

Oh, thank you, Tom.

Hurry.

Lucy.

Oh!

I am mortified.

I practised, but it won't stick.

What a lovely pair they make.

Ah, Sister.

What do you make of Mr Lefroy?

We're honoured by his presence.

You think?

He does, with his preening, prancing,

Irish-cum-Bond-Street airs.

Jane.

Well, I call it very high indeed, refusing

to dance when there are so few gentleman.

- Henry, are all your friends so disagreeable?

- Jane.

Where exactly in Ireland

does he come from, anyway?

Limerick, Miss Austen.

I would regard it as a mark of extreme favour

if you would stoop

to honour me with this next dance.

Being the first to dance with me, madam,

I feel it only fair to inform you

that you carry the standard

for Hampshire hospitality.

Ah, then your country reputation

depends on my report.

This, by the way, is called a country dance,

after the French, contredanse.

Not because it is exhibited

at an uncouth rural assembly

with glutinous pies,

execrable Madeira

and truly anarchic dancing.

You judge the company severely, madam.

- I was describing what you'd be thinking.

- Allow me to think for myself.

Gives me leave to do the same, sir,

and come to a different conclusion.

- Will you give so much to a woman?

- It must depend on the woman

and what she thinks of me.

But you are above being pleased.

And I think that you, miss, what was it?

- Austen. Mr...?

- Lefroy.

I think that you, Miss Austen,

consider yourself a cut above the company.

Me?

You, ma'am,

secretly.

How many times did you stand up

with that gentleman, Jane?

Was it twice?

- Twice would have been partial.

- Thrice would have been absolutely...

Flagrant.

Careful, Jane, Lucy is right.

Mr Lefroy does have a reputation.

Presumably as the most disagreeable...

"...insolent, arrogant, impudent,

"insufferable, impertinent of men."

Too many adjectives.

What is she trying to say?

On your toes, gentlemen. No singles.

Bowler's end, bowler's end.

Again!

Run for more.

I never feel more French

than when I watch cricket.

- Out.

- Not out.

- No?

- No.

Is he out?

I begin to suspect

you're flirting with my brother, cousin.

Flirting is a woman's trade.

One must keep in practice.

You're gone.

Well played, Tom.

We're depending on you.

Oh, it's Mr Warren's... turn.

Best of luck!

John Warren!

Good luck, Mr Warren.

John never was very good, though.

Easy!

Run, Warren, run!

Quickly, hurry!

Run!

Jolly good show!

Watch.

You're out.

- Yah!

You're gone, Mr Warren.

- Oh, dear.

Prodigious, Tom, prodigious.

Thank you, Warren. On your way.

Same again, Tom.

Well done, Mr Warren.

- Bad ball. It's a terrible wicket.

I hope you're not too disappointed, Miss Austen.

Four more to win, Wisley.

Who's next?

Come on!

She can't...

- Jane!

What on earth are you going to do?

Irrepressible.

she can.

Move in!

Go easy, Tom.

Be gentle, Lefroy!

Run, Jane, run!

- Move!

- Run!

Only four more to win.

Bowler's end! Move yourself, you lout!

One more!

Quickly!

Go, go, go!

Not out.

Bad luck, Lefroy.

See?

She was so good.

- You've played this game before?

- No choice, you see. She was raised by brothers.

Time for a swim, I think.

Well played, Henry.

I dedicate our victory to La Comtesse de Feuillide.

- Now, there's a decent bit of river over the hill.

- Oh, yes?

Careful!

Come on, let's go!

Wait!

- Not this time, Lefroy.

- Huh?

You think not?

Down, boy.

- Father, have you seen Tom?

- No, Lucy, I've not.

Besotted. Natural enough at 15.

Love and sense are enemies at any age.

- Mrs Lefroy, may I explore your library?

- Of course.

Lucy would marry him tomorrow,

and what a terrible husband he would make.

I suppose you mean his reputation.

Experience can recommend a man.

- Miss Austen.

- Oh, Mr Lefroy.

- And reading.

- Yes.

I've been looking through your book of the wood.

Rate this script:0.0 / 0 votes

Jane Austen

Jane Austen (; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six major novels, which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism and social commentary, have earned her acclaim among critics and scholars. With the publications of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began another, eventually titled Sanditon, but died before its completion. She also left behind three volumes of juvenile writings in manuscript and another unfinished novel, The Watsons. Her six full-length novels have rarely been out of print, although they were published anonymously and brought her moderate success and little fame during her lifetime. A significant transition in her posthumous reputation occurred in 1833, when her novels were republished in Richard Bentley's Standard Novels series, illustrated by Ferdinand Pickering, and sold as a set. They gradually gained wider acclaim and popular readership. In 1869, fifty-two years after her death, her nephew's publication of A Memoir of Jane Austen introduced a compelling version of her writing career and supposedly uneventful life to an eager audience. Austen has inspired a large number of critical essays and literary anthologies. Her novels have inspired many films, from 1940's Pride and Prejudice to more recent productions like Sense and Sensibility (1995) and Love & Friendship (2016). more…

All Jane Austen scripts | Jane Austen Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Becoming Jane" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/becoming_jane_3787>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Becoming Jane

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "character arc"?
    A The dialogue of a character
    B The backstory of a character
    C The physical description of a character
    D The transformation or inner journey of a character