Beginners Page #3
ANDY:
We made a recording for
you.
HAL:
Oh, God.
Andy pushes play, on the recording we hear Andy's voice:
ANDY ON TAPE:
This is for our friend Hal Fields.
Hal. We love you.
We hear voices HOOTING, and then large FIREWORKS, LAUGHTER
and CLAPPING.
Oliver watches his father’s happiness from a distance.
CUT TO PRESENT:
INT. OLIVER’S OFFICE
CU on Oliver’s hands drawing bright streaming colors of the
fireworks.
LATER:
Oliver get’s to his real work, pulling out a few 8X10photos of a band "The Sads". There are some instructions on
record company letterhead - he is to do an album design for
their new record - they want him to draw portraits of the
three members.
Oliver begins to do quick portraits of them based on the
photo.
(CONTINUED)
10/29/07 13.
CONTINUED:
OLIVER:
Jesus, Liz. Another band that
wants portraits.
LIZ:
Well, at least it pays the rent.
OLIVER:
You do something decent once, and
that’s all people ever want.
JUMP CUT through the different portraits developing. It’s not
what Oliver want’s to do.
INT. OLIVER’S OFFICE - LATER
Elliott and Shauna let themselves in. Elliot grabs a stool
and sits down.
ELLIOTT:
Hi Liz.
Oliver continues to draw, as Shauna and Elliott try to get
his attention.
ELLIOTT:
Oliver?
OLIVER:
Yeah?
ELLIOTT:
The pen is not your friend. The
paper is not your friend. The
party is your friend. We’re your
friends. Your friends are your
friends.
INT. OLIVER’S LIVING ROOM
Elliot is now dressed as a cop and Shauna as a large chicken,
they are dancing with no music as Oliver sits on a couch
depressed dressed as Sigmund Freud, complete with wig-beardglasses-
pipe.
SHAUNA:
I got the skills... he’s got the
moves...
ELLIOTT:
I got the moves... you’ve got the
skills...
10/29/07 14.
INT. OLIVER'S FRONT DOOR
Oliver, Elliott, and Shauna are leaving. Arthur can’t believe
he’s being left behind. It’s actually the first time they
will separate.
OLIVER:
Arthur, you haven’t been invited to
this party. You’re gonna stay and
look after the house.
Oliver tentatively shuts the door, takes three steps, Arthur
begins to howl. Oliver tries to ignore it, but stops again.
He looks back at the house and the howling.
CUT TO:
INT. OLIVER’S CAR - DRIVING
Arthur, victorious, sits in Elliot’s lap in the front seat,
while Oliver drives and Shauna is squeezed in back in her
chicken outfit.
ELLIOTT:
You remember when Oliver was funny?
And he could actually, like, talk,
in complete sentences?
SHAUNA:
Funny? Funny? I don’t think so Fun
maybe, but not funny unless, like,
serious is funny. Then he’s’
f***ing hilarious.
Elliot and Oliver laugh.
SHAUNA:
But, lovable. You are very
lovable.
ELLIOTT:
Yeah, very lovable.
Oliver carries Arthur, they all enter a costume party, making
their way through the crowd of people in all kinds of
disguises, music blaring, Oliver slides into the less
populated kitchen. A woman rushes up to Oliver, surprised to
see he has a dog.
FEMALE PARTIER:
So cute, does he do tricks?
(CONTINUED)
10/29/07 15.
CONTINUED:
OLIVER:
His name’s Arthur - he doesn’t do
tricks.
In the background are a couple dressed as JULIAN and ETHEL
ROSENBERG, we see them observe Oliver and Arthur.
PARTIER:
No? Arthur, SIT!
Arthur promptly sits down. Oliver’s totally surprised.
PARTIER:
He’s so cute. Shake!
Arthur sticks out his paw. Oliver doesn’t like seeing Arthur
blindly perform.
PARTIER:
Oh my god, he’s so cute, I want
him.
OLIVER:
(in Freud accent)
Does it make you feel powerful to
order my dog around? Maybe give
you a sense of power?
PARTIER:
Oh, you’re being a therapist!
Freud!
OLIVER:
Thanks, yeah. Very good.
Oliver picks up Arthur and escapes the kitchen. The
Rosenberg’s are still watching.
LATER...
Oliver and Arthur sit in a chair next to a couch where a man
dressed as a witch, complete with green face and long black
hair, is lying back as if in a traditional analysis session.
LONG-HAIRED MAN
Well, I didn’t ask for this. Who
would ask for this? This color.
This nose. This cheek, this chin.
You know, this is my life. This
isn’t a story. This isn’t a
joke...
Oliver is playing along, but he’s really not emotionally
ready for this party. He feels very far away.
OLIVER:
Yeah.
(CONTINUED)
10/29/07 16.
CONTINUED:
LONG-HAIRED MAN
I’m so glad you came, Doc. Just
really good to get this stuff off
my chest.
OLIVER:
(in Freud accent)
I’m sorry. Our time is up, uh...
for this week. Thank you for
coming in.
Oliver sits with Arthur in his lap, alone, lost in all this
joviality.
We see that the woman dressed as Julius Rosenberg is watching
him.
Just as Oliver is about to get up, she plops herself down
onto the couch, ready for her session.
OLIVER V.O.
Oh, I was just- I was gonna take a
break, actually.
She pulls out a writing pad, oblivious. Oliver can tell she’s
not going to give it up.
OLIVER:
(back in accent)
Well, I guess we should start with
your mother.
The woman writes on her notepad and shows it to Oliver:
“Never had one.”
OLIVER:
Well then your father.
She mimes shooting herself in the head and dying.
OLIVER:
I don’t understand. You can’t
talk? Is it a mental problem? Do
you need analysis?
She writes on her pad: “I have laryngitis”
OLIVER:
That’s a physical problem.
She smiles at him, looks at him a little too long, Oliver is
more and more pulled in by her playfulness - she writes:
“Why are you at a party if you’re sad?”
CU on Oliver, surprised and impressed by her observation.
(CONTINUED)
10/29/07 17.
CONTINUED:
OLIVER:
I was doing such a good job of
hiding it. How could you tell?
Ethel holds up her notebook. She has drawn TWO EYES.
Oliver’s taken by her.
OLIVER:
Clearly, I’m gonna need a drink.
You?
She smiles and nods.
OLIVER:
You, stay here, yeah?
Oliver moves to-
INT KITCHEN:
Elliot and Shauna are deeply engaged in conversation with
someone dressed as a pickle and someone dressed as much less
colorful chicken.
ELLIOTT:
No, its just not a natural color
for a chicken.
SHAUNA:
No.
ELLIOTT:
(motioning to Shauna’s
costume)
And look, you see what happens when
you free yourself from the cage,
walk away from the factory.
SHAUNA:
You just have no real color.
You’re like-
Oliver slips past, hands Arthur to Elliot. He scoops ice
from the bucket and starts filling two cups.
ELLIOTT:
Hey, hey.
SHAUNA:
(counting cups)
Uh-oh, one. Uh-oh, two.
ELLIOTT:
Two drinks.
SHAUNA:
What does that me--, one, two.
(CONTINUED)
10/29/07 18.
CONTINUED:
ELLIOTT:
Well that’s two, two people.
SHAUNA:
Two people. A girl and a guy?
ELLIOTT:
Hopefully.
SHAUNA:
Yeah, wow, making moves.
Oliver leaves Arthur in Elliott’s arms.
OLIVER:
Watch him OK?
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"Beginners" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/beginners_557>.
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