Behind the Planet of the Apes Page #10

Synopsis: This documentary was shown as part of the American Movie Classics (AMC) cable TV channel's celebration of the 30th anniversary of the release of Planet of the Apes (1968). We learn how the original French novel was transformed into the first film; the problems that the producers encountered during production of the entire series (often involving shrinking budgets); how the stories related to current events (e.g., the Vietnam War and the civil rights movement); and how the series became a pervasive part of American popular culture. The film includes interviews with virtually all of the people involved in the production of the film series, including all the main performers. Personal movies taken on the shooting sets and early ape makeup test footage (with Edward G. Robinson and James Brolin!) are also featured.
Genre: Documentary
Production: Van Ness Films
 
IMDB:
7.5
Rotten Tomatoes:
60%
NOT RATED
Year:
1998
127 min
115 Views


Alter what you believe to be the future|by slaughtering two innocents,...

..or rather three, now that|one of them is pregnant?

Herod tried that and Christ survived.

Do you want their progeny|to dominate the world?

The commission unanimously recommends...

..that the birth of the female ape's|unborn child should be prevented.

Savages! They are savages!

This is a major change in the series...

..because now the apes are|predominantIy the heroes...

..and humans have become the antagonists.

And Zira and CorneIius, now they're|the strangers in a strange Iand.

kind of an inverse of TayIor's situation.

They treated you like dirt.

Ma'am. Sir. Chow time.

You better have your soup and oranges|for the sake of that... little monkey...

The apes killed their orderly.

- Where are they?|- On the run.

Now they've killed,|and for that they must be killed.

Because they bring it back|to modern-day America,...

..it shifts the focus away from the future|to the present, to the here and now.

- Cornelius, what have you done?|- l didn't mean to kill him.

- Please believe me.|- l do, Cornelius, l do. But they won't.

And it opens the door for a much more direct|address to the America of the time.

We'll catch 'em sooner or later.

That's what l'm worried about- later.|Later we'll do something about pollution.

Later we'll tackle the population explosion.

Later we'll do something about|the nuclear war.

We think we got all the time in the world.

How much time has the world got?

l think my pains have begun.

Let me get this straight.

You are asking me to risk imprisonment|for the sake of two fugitive apes?

The answer is a thousand times... yes.

(Roddy McDowall) CorneIius and Zira|find temporary refuge in a traveIIing circus.

Look. Look at Heloise.

She's showing an expectant mother|what to expect.

Mama. Mama.

- Xira...|- l'm getting into practice.

The sympathetic circus owner, Armando,|was pIayed by Ricardo MontaIban.

I identify very much|with this man's compassion...

..for these so-caIIed beasts,...

..which were remarkabIy|good and wonderfuI and kind.

(Lewis) There, that's good.

Come on.

Because the message, to me,|was man's inhumanity to man,...

..that we have not conquered prejudice.

Are we ever going to|conquer prejudice? Ever?

That's a very powerfuI theme.

You have done enough|to make us grateful to you for ever.

l did it because|l like chimpanzees best of all apes.

And you, the best of all chimpanzees.

And if it is man's destiny|one day to be dominated,...

..then, oh, please God,|let him be dominated by such as you.

Thank you.

(Roddy McDowall) The cIimax of the fiIm|takes pIace on an abandoned freighter...

..as CorneIius and Zira|are brutaIIy hunted down.

Xira.

l want that baby.|lf you won't give it to me, l'll shoot.

- My God, stop him!|- (gunshot)

(Ricardo Montalban) What's interesting to me|about the Planet of the Apes is that...

..the endings were reaIIy not happy.

- (gunshots)|- No!

(wails)

But in a science fiction fiIm,|you have a IittIe more margin...

..to be abIe to express certain things.

So the pubIic accepted the unhappy ending|because it was truthfuI.

It wasn'tjust to make you sad.

It was:
that's the way it is.

It's a Iove story. PauI and I - PauI Dehn,|that is - we both said that to each other.

He said ''That's what I wrote.''

And a Iove story aIways ends unhappiIy.

Most Iove stories do.

That's what makes them a Iove story.|So, there you are.

(Roddy McDowall) The fiIm's ending caused|much debate amongst the production team,...

..the biggest question being: what if|the studio asks for another sequeI?

(Armando) All hands on the guy lines.

- Drop the bail ring!|- Come on, let's go!

As soon as you get that canvas packed,|l want every hand in the menagerie tent.

Producer Jacobs and screenwriter Dehn...

..decided not to paint themseIves|into another corner this time.

lntelligent creature.

But then, so were your mother and father.

Mama.

Mama. Mama. Mama.

(trailer) Escape from the Planet of the Apes.

Their adventures are|completely fresh, completely new.

ReIeased in May, 1971,...

..Escape from the Planet of the Apes|proved to be another box-office success.

AduIt audiences Ioved the humour|and subtIe sociaI commentary of the fiIm,...

..and the eIements of fantasy and adventure|continued to captivate chiIdren.

The Apes fiIms were stiII considered|ideaI famiIy entertainment.

Planet of the Apes was becoming|a fuII-grown franchise...

..and there seemed to be no end in sight.

PIanning began for another instaIment.

But, this time, the fiImmakers wouId find|themseIves going down a darker path...

..than they ever had before.

One that threatened to Iose them|their IoyaI and profitabIe famiIy audience.

The fourth Apes fiIm|began shooting on January 31st, 1972...

..under the direction of J Lee Thompson.

You just take the book.

He was a proIific craftsman whose credits|incIuded The Guns of Navarone,...

..the originaI Cape Fear,...

..and Arthur Jacobs'|first production, What a Way to Go.

(Thompson) keep Iow. keep Iow.

Once again, the script|was provided by PauI Dehn.

The titIe was|Conquest of the Planet of the Apes.

The fiIm is set in a city of the future|which resembIes an oppressive poIice state.

- Go!|- (screams)

A mysterious pIague has wiped out|aII dogs and cats from the face of the earth.

Do.

Apes have been domesticated|to take their pIace...

..and trained to perform Iike sIaves.

No!

The main focus of the story|is on a new centraI ape character.

- Are you authorised to dress him like that?|- Oh, yes, sir.

He is Caesar, the now fuIIy grown|chiId of CorneIius and Zira.

A circus ape, huh?

- Circuses are past history.|- Not while l live and breathe.

- All right, Senor Armando. Go ahead.|- Thank you.

Come, come.

Owing to the IoyaIty of Arthur P Jacobs,|I was given the Ieading roIe...

..and had the unique opportunity|of pIaying my own son.

That was the great Ieap for Roddy,|and that was wonderfuI because...

..it stiII brought his personaIity|to the character.

Maybe he's not the same exact individuaI,|but it's stiII his spirit coming through.

And then he became so identified with the|series that the continuity to an audience is:

''Roddy McDowaII in Planet of the Apes.''

Well, for heaven's sakes! A circus!

- (gorilla grunts)|- (Caesar screeches)

Home, Lisa.

Making her third appearance in the series|was NataIie Trundy.

This time, however, she joined me behind the|makeup for her roIe as the chimpanzee Lisa.

(Natalie Trundy) Arthur said ''NataIina...''|He used to caII me NataIina.

I said ''I know what you're gonna ask.''

I reaIIy didn't wanna pIay an ape,|having seen what everyone went through.

You know, for the makeup, there were|hours and hours of that... crap. (laughs)

Of course I did it.

(Roddy McDowall) Ricardo MontaIban aIso|returned as kindIy circus owner Armando,...

..Caesar's mentor and conscience.

- Did l do all right?|- Yes, yes, yes.

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Submitted on August 05, 2018

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