Being Human
- PG-13
- Year:
- 1994
- 122 min
- 289 Views
1
[female voice]
This...is the story of a story.
Once upon a time,
there was this...
story,
and the story
said to itself,
"How shall I begin?"
[male voice]
Try the usual way.
What, in the dark?
With a man and a woman
and a story that's
still to tell itself?
Well, you've got
to start somewhere.
Say, "Long, long ago"
or "Far, far away"
or just "Once".
That's good.
"Far away"
so you know the place
is close
to your own heart.
"Once" is nice,
so we know
it always happens.
Hmm.
Once there was this...
hero.
Some hero.
Some man, then.
Any man.
Say, a man, a woman,
and some children.
Don't forget the children.
What's he doing now?
Still building the fire.
Hiding, you mean.
He's scared of us?
Some dad, huh?
Ha ha...
Well, it's been four years.
He's getting fat.
[giggling]
So what's in the story?
A man on a beach
all washed up.
A shipwreck.
A heartbreak.
Freedom?
Betrayal, regrets,
old shoes,
a crust of bread,
a bunch of roses.
Could be my story.
Anybody's story.
A journey.
A long, long journey.
Yeah. That's the story.
A long, long journey to...
where, exactly?
[giggling]
Go home!
Go on.
[female voice]
Once upon another time...
so long ago, nobody
had got around to caring
whether the world
was round or flat...
there lived--in a cave--
a man, a woman,
and some children.
Grr...
Grarr!
Dada, look.
Oww, ow!
[sniffling]
Inside the cave,
it was as safe as...
houses.
And every day, they awoke
into the only world
they would ever know.
[children laughing]
Stay home.
Dada's hunting.
Go.
Dada.
No.
Go home.
Go.
Maybe if the man knew
the whole story,
this very well
might have been different.
But this seemed
a morning...
like any other.
[distant voices]
[laughter]
[shouting]
[speaking barbarian language]
[shouting]
Go!
We go!
Move!
Arrows.
Up the hill.
Beach.
No. They're down there.
I saw them.
No. Other beach.
No. Up the hill.
Can't.
Up hill!
You're wrong.
Oh, you're wrong,
you're wrong.
Shut up!
[shouting]
Go!
Ma-mama!
Leave me!
Go on!
Don't lose the children!
Come, dada.
I get food.
Now, stay here.
No noise.
Don't move.
Dada...
Don't cry.
Shh.
Dada...
Dada, come.
Don't leave.
[voices]
[speaking barbarian language]
[laughter]
[voices]
Of course the man
had heard the stories
of the wandering men,
the ones who came
and took everything.
A story to frighten
his children with.
But up till now,
that's all it was to him--
a story.
[moaning softly]
Yaaa!
Mine!
Mine!
Yaaa!
Yaa!
Yaaa!
Yaaa!
[laughter]
Mine!
Mi--
And they all turned--
at a loss--
to the priest for guidance.
He said,
"Look up there.
The stones.
We should surely pay tribute."
With these men,
suddenly everything
was out of kilter.
As they led their captive
by the rope,
even the priest was hoping...
when they got there,
he'd somehow know...
what to do.
[speaking barbarian language]
And the poet was already
making up the story
of this strange day.
Not mine.
Not my stones.
at these stones,
thinking
till his brain hurt.
Was it to make the sun work?
Was it supposed to be
one man over,
one stone on top, or what?
[shouting]
Huh?
Oss.
Oss.
Oss.
Oss?
Uh...
Oss!
Oss.
Oss.
Schtorek...
garre.
Dada.
Dada?
[speaking barbarian language]
Dada...
Dada...
Dada.
If the world is round...
you could still fall off the edge.
No. It's not round like that.
It's round like...
this.
You believe everything
Where are we, then?
Rome must be in the middle...
here.
So we must be out here...
somewhere.
Right. Another time,
there's this man,
and he had a woman
and a child and a bed,
but it was not his bed...
not his child...
not his woman.
Everything he had,
even his smallest humiliation,
belonged to his master.
[man]
All must stop, Lucinnius.
No sign of the ships.
Bad omens, Hector.
Bad omens.
Everything's gone wrong
since the earthquake.
I knew that it was a sign.
The gods were trying
to tell me something.
I think the gods were
telling everybody something.
What could be worse
than to be a slave...
unless...
it's to be a slave
to a foolish master.
Bad omens, Hector.
Not an omen, an accident.
It's a bad omen.
An accident.
Get me something to eat.
Spoiled his day,
meeting your old man.
Been avoiding him all week.
The big bit.
Not the big bit.
His ships have gone as well, we heard.
What have you heard?
Last night. Nepos knew.
Pirates.
They're sunk, he reckoned.
This is the worst it's been.
He'll be up for sale before
you know it. Ha ha...
Will he lend you the money?
He said so plain, simple,
No.
That's a problem.
He didn't want any rope?
No.
And the ships have gone. I know.
I told you?
No.
But you knew?
Yes.
Who told you?
Julian's men.
Who told them?
Nepos.
He'll want his money back, too.
You get a chicken and
fetch Hermas the diviner.
Are my ships from Sicily still afloat?
No, no.
Offer the grain first.
Sprinkle some on the altar.
Making another sacrifice, father?
Shh.
Leave us alone.
And we can't ask the gods
specific questions.
It's a gentle, probing inquiry.
General questions.
Well, let's see.
General answer--
No.
What do you mean?
The liver says no.
Do it again.
I want you to do it again.
Is it the gods' will
that Cyprian...
be well-disposed towards me...
in the future?
Doing it again
means another chicken...
and another 15 sesterces.
I'll have my first 15 now, please.
And, uh, that's 2 for the chicken.
It was our chicken.
Oh, yes. Of course. Sorry.
It's all right.
Cyprian loaned me half a
million to fit out these ships.
I'm finished.
Just when things were going well.
I had plans for you, too, Hector.
In four or five years,
I was going to make you free.
You could've found your
family, brought them here,
everything.
Sounds good.
It does, doesn't it?
I shouldn't give up.
I can't.
I'll visit Cyprian...
first thing tomorrow
before the others get to him.
He's got to see reason.
I can pay him back...
sometime.
It's the only chance
we have, Hector.
Should I do it?
You must.
You're right.
I must.
Thalia,
I think I need one
of your massages.
Hector, you can finish the lamps.
Lower, Thalia.
Ahh...
lower.
Ahh...
[snoring]
[thunder]
Why does the thunder
always stay out at sea?
It thundered like that before
the earthquake, remember?
If he goes down, I'm
asking for my freedom.
He owes it to me.
And yours, too. We'd be free.
Then what?
What do you mean?
What we talk about.
Yours is that way...
mine is that way.
Your family's that way.
I made that up.
I don't know where they are.
We can't talk about families anymore.
It's been too long.
It's what you talk--
We talk about it
because it can never happen.
It's just you and me now.
Save your breath for
blowing in my ear.
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"Being Human" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/being_human_3847>.
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