![Find Beloved on Amazon](https://www.scripts.com/images/script/390_beloved.png)
Beloved Page #31
Sethe comes to the waiting Beloved and smiles. She offers her
hand and Beloved rises. Denver exits to them and smiles. She
extends her hand to Beloved's free hand. The three women
stand astride each other, arms around each other's waist as
they walk toward the porch...
The dusk sunlight creates THREE SHADOWS - three figures
holding each other the way Sethe saw the shadows at the
carnival...Only they weren't Hers, Denver's and Paul's...They
were Hers, Denver's and Beloved's....
INT. 124 BLUESTONE RD. - EARLY EVENING.
The girls rush into the house, and down the hall.
Sethe enters. Then turns back to the door.
C.U. ; OF SETHE'S HAND LOCKING THE FRONT DOOR AS WE HEAR;
SETHE (VO)
I AM BELOVED AND SHE IS MINE.. DENVER (VO)
SHE IS MINE...
OVER THE FOLLOWING CHORUS OF DIALOGUE, A MONTAGE OF
IMAGES DEPICTING SETHE, BELOVED AND DENVER CLOSING UP
THE HOUSE FROM THE OUTSIDE WORLD - LOWERING SHADES,
LOCKING WINDOWS, BARRING DOORS.....
SETHE (VO)
TELL ME THE TRUTH.. BELOVED (VO)
SETHE (VO)
DID YOU COME FROM THE OTHER SIDE.
BELOVED (VO)
SETHE (VO)
BELOVED (VO)
YES.
SETHE (VO)
YOU NEVER FORGOT ME?
BELOVED (VO)
YOUR FACE IS MINE.
DENVER (VO)
SETHE (VO)
BELOVED (VO)
YOU HURT ME.
DENVER (VO)
SETHE (VO)
WILL YOU STAY?
BELOVED (VO)
WHY DID YOU LEAVE ME WHO AM YOU?
SETHE (VO)
DENVER (VO)
WATCH OUT FOR HER; SHE CAN GIVE YOU
DREAMS.
BELOVED (VO)
WHERE ARE THE MEN WITHOUT SKIN?
DENVER (VO)
THE WHITEFOLK?
SETHE (VO)
OUT THERE. WAY OFF.
DENVER (VO)
BELOVED (VO)
SETHE (VO)
NO. THEY TRIED ONCE BUT I STOPPED THEM.
THEY WON'T EVER COME BACK...YOU MY BEST
THING.
EXT. 124 BLUESTONE RD. - EARLY EVENING.
CAMERA PULLS BACK FROM THE FRONT DOOR, NOW LOCKED AGAINST THE
WORLD, IN A SLOW MOVE....AS WE HEAR A BLEND OF THE THREE
WOMEN'S VOICES - THE OVERLAPPING, HAUNTED THOUGHTS OF THE
LIVING...
THREE WOMAN (VO)
BELOVED..YOU ARE MY SISTER..YOU ARE MY
DAUGHTER. YOU ARE MY FACE..YOU ARE ME..I
HAVE FOUND YOU AGAIN..I WAITED FOR
YOU..YOU ARE MY BELOVED. DON'T LOVE HER
TOO MUCH...YOU MY BEST THING.. YOU ARE
MINE..YOU ARE MINE..YOU ARE MINE...
BY THE TIME THE CAMERA REACHES BLUESTONE ROAD, THE VOICES ARE
MIXED, UNDECIPHERABLE YET AUDIBLE...
...AUDIBLE TO STAMP PAID, WHO STANDS ON BLUESTONE RD.
LISTENING TO THE HAUNTED VOICES OF 124. HE IS FRIGHTENED.
FADE -OUT.
FADE- IN:
EXT. CHURCH - DAY.
A cold day. Paul D. sits against the church drinking from a
bottle when a voice causes him to look up;
STAMP PAID:
Howdy.
Stamp has his hands in his pockets, moving about.
PAUL:
You got any more newspaper in that pocket
for me, just a waste of time. Ain't
interested.
Stamp sits beside him.
STAMP PAID:
This is hard for me. But I got to do it.
Two things I got to say to you. I'm a
take the easy one first.
PAUL:
(laughs)
If it's hard for you, might kill me dead.
(he drinks)
STAMP PAID:
I come looking for you to ask your
pardon. Apologize.
PAUL:
For what?
STAMP PAID:
You pick any house, any house where
colored live. Pick any one and you
welcome to stay there. I'm apologizing
'cause they didn't offer to tell you. But
you welcome anywhere you want to be. My
house. John and Ella. Miss Lady
Jones..anybody. You choose. You ain't got
to sleep in no cellar and I apologize for
each and every night.
PAUL:
Well I...I did get offered one place but
I just wanted to be off by myself a
spell.
STAMP PAID:
Oh yeah. Oh that's load off. I thought
everybody gone crazy.
PAUL:
Just me.
STAMP PAID:
You planning to do anything about it?
PAUL:
Oh yeah. I got big plans.
He drinks from the bottle like an angry, broken man. It stabs
at Stamp's heart to see him like this.
A WHITE MAN in a horse and wagon drives up the path leading
to the church. He leans stops before them and leans forward;
WHITE MAN:
Hey!!
STAMP PAID:
(on his feet)
Yes sir.
WHITE MAN:
I'm looking for a gal name of Judy. Works
over by the slaughterhouse. Said she
lived on Plank Road.
STAMP PAID:
Plank Road. Yes sir. That's up a ways.
Mile, maybe.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Beloved" Scripts.com. STANDS4 LLC, 2025. Web. 10 Feb. 2025. <https://www.scripts.com/script/beloved_390>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In