Big Eyes Page #22

Synopsis: In the late 1950s and early '60s, artist Walter Keane (Christoph Waltz) achieves unbelievable fame and success with portraits of saucer-eyed waifs. However, no one realizes that his wife, Margaret (Amy Adams), is the real painter behind the brush. Although Margaret is horrified to learn that Walter is passing off her work as his own, she is too meek to protest too loudly. It isn't until the Keanes' marriage comes to an end and a lawsuit follows that the truth finally comes to light.
Production: The Weinstein Company
  Won 1 Golden Globe. Another 2 wins & 18 nominations.
 
IMDB:
7.0
Metacritic:
62
Rotten Tomatoes:
72%
PG-13
Year:
2014
106 min
$8,021,168
Website
1,530 Views


(MISTY-EYED)

Until today, we've always been on the

outside, looking in. But when we

enter... we will belong.

MARGARET:

I was happier selling paintings in the

park.

He gapes, appalled.

WALTER:

You are one crazy b*tch.

Walter spins and grandly enters. He grabs two CHAMPAGNES from

a server.

WALTER:

So maybe you have problems with the

choices we made... but -- c'mon!

Wednesday, the World's Fair opens.

Thursday, our book goes on sale!

MARGARET:

Friday, I file for divorce.

WALTER:

Aw, why are you always so miserable?

(IRRITATED)

Well, I'm gonna enjoy my afternoon!

The HOSTESS is a bejeweled dowager. Walter makes a beeline.

82.

WALTER:

Mrs. Teasdale! Walter Keane. I just

want to thank you for hosting this

absolutely enchanting soiree.

Walter takes the woman's hand. She smiles stiffly, silently

horrified. She glances around for help.

She catches a SOCIETY MAN's eye, and he hurries over.

SOCIETY MAN:

Hey, Keane. Have you seen the Times?

WALTER:

Er, no. Honestly, I've been so busy

all day preparing for this lovely --

SOCIETY MAN:

I think you should read the Times.

The Man gestures. Perplexed, the Keanes follow him into a

INT. DEN - SAME TIME

The room looks like a hunting lodge. On the desk are all the

DAILY PAPERS. Walter grabs the NEW YORK TIMES -- then gasps.

INSERT - NEW YORK TIMES

It's open to a reproduction of "Tomorrow Forever," above a

scathing REVIEW.

THE KEANES:

stare, then turn pale.

INSERT - REVIEW

A BLIZZARD of WORDS assaults us:

"GROTESQUE" "APPALLING"

"TASTELESS"

"Lowest common denominator"

MARGARET AND WALTER'S

faces drop, terribly hurt.

MARGARET:

How could anyone... say something so

cruel?

83.

WALTER:

(a seething fury)

What do YOU care?! That's MY name

being dragged through the mud!

Walter CRUSHES the newspaper. He spins on the guy.

WALTER:

Is he here?

SOCIETY MAN:

Er... yes. Which is perhaps why it

would be best for everybody if you --

Walter STORMS out. The guy futilely chases --

INT. LIVING ROOM - SAME TIME

Walter barrels in. The ROOMFUL OF GUESTS are all staring.

WALTER:

WHO WROTE THIS SH*T?

People cower.

Walter scans the crowd... and spots a cluster. Ah-hah! There

is Canaday. Possessed, Walter strides over. Canaday stares,

defiant. It's tense -- until he clears his throat.

CANADAY:

Mr. Keane, this is not the venue.

Perhaps you'd like to write a letter

to the editor.

Walter's throat tightens. He steps right into the guy's face.

Women GASP. Tension bristles -- like a fight's about to erupt.

WALTER:

What are you afraid of??

(MALEVOLENT)

Just because people like my work, that

means it's automatically bad??

CANADAY:

No. But that doesn't make it art

either.

Walter shudders. Canaday asserts himself.

CANADAY:

Art should elevate -- not pander!

Particularly in a Hall of Education!

WALTER:

(OFFENDED)

You have no idea!

(MORE)

84.

WALTER (CONT'D)

Why does a man become a critic --??

Because he can't create! You don't --

CANADAY:

Ugh! That moldy chestnut --

WALTER:

Don't interrupt! You don't know what

it's like! To put your emotions out

there, naked, for the world to see.

CANADAY:

What emotions?! It's synthetic hack

work!

(he loses it)

Your "masterpiece" has an infinity of

Keanes -- which just makes it an

infinity of kitsch!

Crazed, Walter grabs a FORK off the buffet.

He lunges, like he's about to STAB Canaday!

WIDE:

Women SCREAM.

A few MUSCULAR MEN start to break through, to help.

WALTER:

looks around -- then quivers, realizing he's out of control.

Shamed, he slowly drops the fork.

People breathe a sigh of relief.

MARGARET:

is mortified. This is all too awful. Silent, she watches

Walter back out of the party...

CUT TO:

INT. WORLD'S FAIR HALL OF EDUCATION - DAY

"Tomorrow Forever" gets TAKEN DOWN. Burly WORKMEN slide the

painting into a huge WOODEN BOX.

INT. KEANE HOUSE - NIGHT

The house is dark. Walter is raging, in an alcoholic fury.

85.

WALTER:

What's wrong with lowest common

denominators?! That's what this

country was built on!!

He KNOCKS over a lamp. Crash!

WALTER:

I'm gonna sue EVERYBODY! I'll sue

that pansy critic! And the World's

Fair! And -- Unicef!

(CRAZED)

Yeah! I'll take down Unicef, and all

their precious little boxes of dimes!

Walter RUSHES BY. In a dim alcove, we make out Margaret and

Jane, huddled in the shadows.

Jane looks up at her mother with wide, frightened eyes.

Suddenly -- Walter LUNGES at them!

They SCREAM, startled.

WALTER:

But I can't sue you, can I?

(in Margaret's face)

You were the ultimate betrayal! You

FAILED me with that painting!

Suddenly, he pulls out a BOOK OF MATCHES. He lights a MATCH

and waves it sinisterly --

Rate this script:3.5 / 2 votes

Scott Alexander and Larry Karaszewski

Scott Alexander (born June 16, 1963, Los Angeles, California) and Larry Karaszewski (born November 20, 1961, South Bend, Indiana) are an American screenwriting team. They met at the University of Southern California where they were roommates; they graduated from the School of Cinematic Arts in 1985. more…

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