Bitter Moon Page #5
- R
- Year:
- 1992
- 139 min
- 2,635 Views
Make yourself comfortable.
Use my wheelchair.
( laughs )
The brake! The brake!
( sighs )
Have a heart, Nigel.
Don't be too rough on a man
demolished
by a love
that was too strong.
Yes, sir.
We should have stopped
right there.
Lovers should quit
when their passion
is at its peak,
not wait
until its inevitable decline.
As it was, my desire for her
had begun to wane.
There she would lie,
gorgeous, voluptuous,
and it didn't
do a thing for me.
I came to resent
the way she used to.
We were developing
a narcotic dependence
on television,
the marital aid
that enables a couple
to endure each other
without having to talk.
A New York editress
was overnighting in Paris
on her way
to the Frankfurt Book Fair
and I wanted
to show her a good time.
It was a PR job.
And I was apprehensive
of her reaction to Mimi,
who tended to upstage
You wearing that?
Mmm.
- That dress?
- What about it?
Couldn't you wear
something else?
What's wrong with it?
Nothing.
What do you mean, nothing?
look fat, eh?
You think it makes
my *** look fat.
Did I say that?
You think I've got
a fat ***.
You said that.
I didn't.
So you do think
I've got a fat ***.
Jesus, Mimi,
give me a break.
You wouldn't have said that
once upon a time.
You liked my ***.
I still like your ***.
You don't love me anymore.
For Christ's sake,
wear what you *** want,
Mimi.
Wear a *** bathrobe
for all I care.
The trouble is, Oscar,
publishing isn't what
it used to be.
It's the bottom line
that counts now.
Proven track records,
advance sales.
No one's going
to invest in a newcomer
who hasn't proven himself.
So an unknown
can't get published
unless he's known?
Sounds like
a catch-22 to me.
Well, you could call it that.
And your Parisian settings
don't help any.
When are you going
to come back home?
The United States,
where it's at?
No, you wouldn't do that.
Oscar's a fixture here.
He's like the Eiffel Tower.
He's right, Beverly.
I love it here.
- I feel at home.
- Good for you.
Come on, get a life.
Paris is out-- vieux jeu.
It's a literary mausoleum.
Henry Miller used it up
50 years ago.
God, I don't think
France has been the same
since they gave up absinthe.
Oh!
- Ah, sorry, I'm fine.
- Hey!
- I'm fine, I'm fine.
- Let me clean it up.
Thank you.
I'm fine, I'm fine.
You know what?
I should make you my agent.
That'd solve all my problems.
"Paris is out.
Vieux jeu."
You really did me
some good tonight.
Like I don't have enough trouble
getting published.
I couldn't bear to see you
crawl up her *** like that.
I'll crawl up the ***
of anyone I *** well
feel like.
Yours isn't the only one
in town.
Is that how you feel?
That's exactly how I feel.
In that case,
I'd better go.
Okay, you do that.
( typing )
I'm going now.
Uh-huh.
- Are you sad I'm going?
- Uh-huh.
You're not sad.
I am sad.
But it's better this way.
My keys.
Thanks.
( sobbing )
I love you. I love you so much.
Please don't make me go.
Please.
Stop crying.
Go make some coffee
or something, huh?
Oscar:
I came to dread bedtime.
I would feel
this overpowering desire
to sleep.
Gee.
I'm bushed.
( sighs )
Oscar:
I'd feel sorry for her.
Good night.
Lying there with her belly
crying famine,
her organs
in turmoil.
Kiss me good night.
Not like that.
Hold me.
against hers
like you mash out
a butt in an ashtray.
But that was only a prelude
to the most unoriginal act
known to man,
as copulation.
I felt like a rat
in a trap.
Out there,
people were having fun,
dancing, making love.
Paris was throbbing
to its own frenetic rhythms.
They pounded away in my head,
driving me crazy.
I craved variety.
I hungered for noise
and excitement.
( tone beeping )
Oscar:
Yeah.
Yeah.
( moaning )
Yes.
Yeah-- oh, no!
- No! Oh! Oh, no!
- ( dog growling )
- Oh! Holy ***!
- ( dog yelps )
Do you have to
drink it that way?
Why can't you
use a glass?
What's the difference?
It tastes the same.
It doesn't look the same.
Oh, la la.
I didn't know
you were so delicate.
- What do you mean, delicate?
- I mean delicate.
I know what you mean,
but it's just not the right word
in English.
If you don't know the right word
in English, say it in French.
I don't say it in French
because your French
isn't good enough.
It's better
than your English.
After all these years
in Paris?
So it should be.
Maybe your English
isn't that good either.
Maybe that's why no one
wants to publish your books.
Now you're a literary critic?
That's great
coming from a waitress.
I'm not a waitress.
I'm a dancer.
Dancer, hell.
You'd still be begging for tips
if I hadn't picked you up
out of
that *** restaurant.
( screaming )
You little ***!
Okay, show's over.
You can get up now.
Mimi.
Jesus, don't do this
to me.
Baby?
Come on, say something.
Please.
God Almighty.
( beeping )
( ringing )
Bonjour.
Uh... no.
- No, no.
Allô? All?
J'ai mal.
Where?
Where?
Où tu as mal?
My head.
Is it bad?
How bad is it?
Tiger.
Should I call a doctor?
Just hold me.
Baby, forgive me, please.
I love you.
Wow, it's great.
Thank you.
Oh, thank you!
I'm so happy.
What a lovely evening.
I wish it could last forever.
Forever's a long time, baby.
I never could.
When something is good,
don't you want it
to last forever?
Sure, but good things
never do.
Not even us?
Are we so good?
Aren't we?
Well, now that you come
to mention it, no.
Not anymore.
Come on, Mimi,
let's stop
kidding ourselves.
I don't understand.
Look, it was sweet
while it lasted.
Boy, it was sweet.
But it's going sour,
isn't it?
- Well, isn't it?
- ( sobs )
You know, I've been hoping
that you'd take the initiative.
But, no, you seem quite happy
to let things keep on
dragging on this way.
Well, I'm not.
I'm degrading myself
by degrading you.
We're degrading each other,
for God's sake.
Let's not spoil
a beautiful memory.
Let's quit while we still
have a few shreds
of dignity left.
But I love you.
And I want to--
I want to marry you.
I want to give you babies.
I want to give you
the rest of my life.
I don't want
the rest of your life.
I want my own.
Can't you get it
through your head?
What did I do wrong?
Did I ever harm you?
Oscar, tell me.
Even a criminal
is told his crime.
What did I do?
You didn't do anything.
You exist, that's all.
I understand.
Oscar:
Did I miss her?
Sure, I did.
But I also experienced
an incredible sense of freedom.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Bitter Moon" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/bitter_moon_1382>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In