Black Butterfly Page #4
- R
- Year:
- 2017
- 93 min
- 335 Views
- If you see something...
- Right.
You know where to find me.
Carcano!
Get down!
- Get up! Get up!
- Okay, alright!
Come here.
Come here, come here.
- Get in the trunk!
- Get that window, that window!
Get in! Move, move!
- Sh*t.
- - What?!
Bolt it, bolt it!
- Sh*t!
- Stay right there!
Who's shooting?!
He shot the cop?
- That's very good, Paul!
- Paul!
You're finally starting to
show some f***ing imagination!
He needs us alive,
just in case the cops come back.
Well, I got a great
f***ing imagination, too!
- He's gonna kill us.
- He's gonna kill us.
Come on!
Come here.
Jesus Christ.
He just killed a cop.
He just killed a f***ing cop!
Laura, please!
Stop it!
It's about thinking now,
all right?
Psst.
How old is your kid?
Two.
Two.
I can't think
about that right now.
We're gonna, hey, listen.
We're going to get out of here.
- We can't just sit here.
- Hold on, hold on, hold on.
You hear that?
What?
Yeah, there is a railroad
two miles from here.
A train goes by
every half an hour.
- He's on the roof.
- What's he doing?
What's he doing?
This is our chance.
This is our chance, we gotta go.
We gotta go,
we gotta go, go, go.
You have to run
as fast as you can.
Straight to the forest,
straight for the train,
and don't look back, all right?
Now, go, go, go, go, go.
Come on, come on!
Come on!
Come on!
The train is over this hill!
Come on!
Come on!
Come on.
- Ow, ow, ow!
- Hey.
- I can't, my ankle.
- Oh, yes, you can.
We're almost there,
almost there.
Are we finished playing
f***ing games, Paul?!
Get back to the f***ing house!
Come on, Laura.
You okay?
Where, where is he?
Uh, downstairs, I think.
Why is he here?
Oh.
I picked him up
on my way back here.
Come downstairs.
I'm not going down there.
Not there.
There.
You've been disloyal, Paul.
You forgot
all about our agreement.
- Our agreement?
- Uh-huh.
You're completely
out of your mind.
You know that, right?
You just killed
the f***ing sheriff,
and you're talking
about the agreement?!
You have been here three days.
First you put a
knife to my throat,
then a gun to my head.
And maybe I am crazy, too,
because why I didn't
toss you out, day one,
is baffling to me.
You still don't get it,
do you, Paul?
I'm the one writing the story.
I mean, I gave you your chance
until you had that brilliant
idea to open the door.
It's your fault
the sheriff's dead.
No, no, no, no, no, no.
I didn't kill anybody.
You did! You did!
This is f***ing insane!
Wh... why are you
still sitting here?
They're gonna storm this place,
and you are definitely
going back to prison.
Now, how is that
for an ending, Jack?
You know...
...none of that happens
unless I say so.
And if I do decide to
let them in and kill me...
...you get to write the story.
You have to let her go.
Hey...
What the f*** is her name?
- Laura.
- Thank you.
Laura!
How does it feel
to see a real murder,
not just one in the movies?
You stab someone,
you slit their throat,
they fall to the ground
in seconds. Done, dead.
Well, you know, I'm not
interested. You're a sick person.
You make your life-
hey, let her go!
- Stay right there.
- You don't have the guts, Paul.
Shoot!
No, don't, stop!
Ow!
Jack!
What the f***?!
You let her go, Jack!
Come on!
Where is she?
What did you do to her?
What did you... f***er.
A f***ing maniac.
You know, you'd have killed
Hm.
I like that.
Why are there
scalpels in your bag?
The trinkets?
The journal?
Is that what it is?
What does it mean, Jack?
It means you have no manners.
Going through
a guest's belongings.
Nothing worse than betrayal.
I'm gonna finish
our story, Paul.
You're not capable of it.
You finally found
some imagination.
What did you do, Jack?
Where is your knife?
Throw it over there.
It's okay.
Nobody knows she's here.
We'll get rid of the body, it'll
be like nothing ever happened.
Come on.
We got some work to do.
- Let's put an end to this-
- stay right there!
This is gonna end
the way I want.
There's only one
way this'll end, Paul.
We clean this sh*t up
before the cops come here
- and find out what we did.
- We didn't do anything.
You did! Alone!
And I need the police
to find that out.
- You need the police?
- Yes, I do.
I can recognize a
sign from Providence
when I come across one
because I have received so few.
Oy, come over here.
Hands on your head,
get on the ground.
I am grateful to you, Jack.
I know it doesn't look like
that right now, but I am.
And you know why?
Because you have
been sent by god.
A drifter, barely a
step ahead of the cops,
running and killing these women,
so vulnerable,
stolen away and butchered
somewhere in the
dark of the woods.
But chance has made me
the one to stop you.
- I didn't kill these women.
- You don't have to convince me.
You know why I have
never been caught?
When Providence signals to me,
I recognize it instantly.
A woman alone in her car
waiting for her boyfriend
to get out of work. He's late.
She rolls down her window
to have a cigarette.
Her hand hangs outside.
Adjusts the
rear-view mirror and...
...and it feels so clear.
Or a housewife out in the woods
apart from her family
just long enough.
Just long enough for me to know
that Providence is smiling
at me, this very moment.
But...
...you have to be...
...able to embrace it.
The drifter on
the side of the road.
Don't let him walk away.
Pick him up.
Dress him for the part.
I mean, you know, I have to say
you really made me earn this.
Wow. Yeah.
You think you know more
than me about reality?
I'm only a writer, right?
I'm gonna show you reality.
You build it.
Now stand up.
Stand up!
All right, Jack.
This is how the story ends.
- Go to zone two.
- - Yeah.
Cover your ears.
We'll ship the
- You okay?
- Yeah, I'm good, I'm good.
- He's mine.
- Okay, go get him.
Oh, I'll take care of it.
I'll tell them you had guests.
Where's the k-9 unit?
Over here?
Well, I got a great
f***ing imagination, too!
He's on the roof.
This is our chance. We gotta go,
Did you check the prints?
- Hey, boss.
- Good job.
Thanks.
Hey.
How you holding up?
- Good.
- You good?
Yeah.
I'm proud of you.
You hung right in there.
Look, Jack, he's a little
crazy, but he's my guy.
Okay, guys, clear out.
Here.
Make the most of it.
It's gonna be your
last for a while.
We've been tracking you
down for three years.
until it was too late.
And even then...
...you left us nothing.
Until now.
We're out in
the open here, Paul.
No more secrets.
Perhaps you'll remember this.
Know why
I have never been caught?
When Providence signals to me,
I recognize it instantly.
A woman alone in her car waiting
for her boyfriend to get out work.
I hate myself
for not catching you
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Black Butterfly" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/black_butterfly_4162>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In