Black Magic Page #4

Synopsis: Novelist Alexander Dumas tells his writer-son of Joseph Balsamo, a gypsy boy in southern France who was embittered because his parents were wrongfully hanged and he himself was tortured by the order of Viscount de Montagne. Years later, the man, a carnival charlatan, attracts the attention of Dr. Mesmer, a pioneer in the study of hypnotism. Balsamo rejects Mesmer's plea that he use his power for healing and, instead, decides to use it to seek wealth and fame. He changes his name to Count Cagliostro, and achieves fame throughout Europe by mixing hypnotism with mysticism and showmanship. He is called to cure a girl, Lorenza, held by De Montagne, because she resembles Marie Antoinette, wife of the heir to the throne of France. Cagliostro decides to join De Montagne and Madame du Barry in a plot to seize the power by discrediting the future Queen. Cagliostro achieves his revenge on De Montagne by persuading him to hang himself. He makes Lorenza marry him but can never make her love him. He
Production: United Artists
 
IMDB:
6.6
PASSED
Year:
1949
105 min
419 Views


You belong to me. Say it.

I belong to you, Joseph.

Now wake up.

Wake up. Wake up.

I seem to have been dreaming.

Dreaming?

What were you dreaming?

- Tell me.

- No, I can't tell you.

You were dreaming that you love me.

You do love me, Lorenza.

It's true. You're not just dreaming.

You're awake

and I'm holding you in my arms.

- You belong to me.

- No, no. Please let me go.

Lorenza, you are free to go.

The door is open. I...

I didn't lock it.

Nothing is...

Nothing is keeping you from going.

Only your eyes.

Look into my eyes.

Your eyes.

Who is it?

It's me, Gitano. It's important.

But you said the door was unlocked.

Someone to see you, Joseph.

I'll see nobody, I told you that.

- It's DeMontagne.

- DeMontagne?

DeMontagne with a lady.

Now come!

Now come!

Why do you want to leave me?

Why do you want to go?

Where is it you want to go?

To Gilbert?

Hmm?

Always to Gilbert.

Always Gilbert.

Your Excellency.

Madam.

We find this room

unpleasantly crowded, Count.

Zoraida. DeRemy.

Allow me to introduce

Count Cagliostro.

Madam.

Countess Du Barry.

My poor house is glorified

by your presence.

Where is this woman that looks like

the Austrian baggage?

She's right behind you.

Marie Antoinette.

It's unbelievable.

You sent for me, Joseph?

Yes.

But you didn't.

Yes, Madam.

In a way I did.

Very well, Lorenza,

you may go back to your room.

Yes, Joseph.

I'm half afraid.

You'd have more cause if the double

weren't so perfect.

You'll bring her to my house

in a closed carriage tonight.

- I'm afraid not, Madam.

- What?

This woman is ill.

She needs my help, and so do you.

Are you trying to threaten us?

I'm nearly pointing out

that you've acquired

a new partner in this little intrigue,

whether you like it or not.

I like you.

You'll do well at court.

At court, Madam?

There's a special reception in honor

of the Paris Faculty of Medicine.

Your name has been included.

I'm sure I'll have the honor of seeing

the real Marie Antoinette.

You can't very well miss her.

She sees to that.

Really, Monsieur Prophet?

You ask a great many questions for one

who is supposed to read the future.

But I can read the future, Vicomte,

and the words are very clear.

Well, since you insist on being a partner,

I think it only fair to tell you

that we are gambling

for the highest stakes of all.

As high as the throne of France.

You'll need me for that.

You'll need Lorenza.

That's why I've come to you.

Old King Louis loves me well enough.

The whole world knows

that he'd marry me tomorrow

except for this prayer reciting

Austrian daughter-in-law of his,

who stands in the way

like an accusing statue.

I've talked, I've screamed,

but she can twist him around

her finger like so much thread.

If we can discredit Marie Antoinette,

if we can get enough pitch

- to stick to her royal skirts...

- Using the double, of course.

That's all you need to know,

for the moment.

We'll talk again later at the palace.

With the stakes as high as they are,

Madam,

we three can arrange anything.

Having made himself a vital link

in this palace conspiracy,

Cagliostro's great ambition

was achieved:

His presentation to the most glittering

court in Europe.

Always a master of theatrical effect,

he'd adorned his court costume

with mystic symbols and insignias

stolen from secret fraternal societies.

Your royal highnesses, Prince Louis

and Princess Marie Antoinette.

The Dauphin and Dauphine of France.

It's Lorenza.

Lorenza came to life.

That is Marie Antoinette.

How did he gain admission

to the court, doctor?

I understand Madam DuBarry arranged

the invitation, your highness.

You see, Louis?

Now she brings this witch doctor

to our court.

I'll tell you just once more.

That woman is capable

of any connivance,

which might induce

your grandfather to marry her.

Surely, my dear, you don't believe in

any of this nonsense about witchcraft.

His Majesty, Louis the XV,

the King of France.

And the Countess DuBarry.

Good evening, my dear boy.

Dear child.

Your highness.

Oh, a new face.

Who is this gentleman?

It is Count Cagliostro, Louis.

All Paris is talking about him.

Oh, of course, we have heard of him.

What is this?

I have given you my blessing, Majesty.

As I have blessed

your ancestors for centuries.

My ancestors?

Oh, yes, I knew you're great great great

grandfather pleasantly well.

You must be older than you seem.

I am older than the pyramids, Majesty.

But in somewhat better condition.

The medical faculty is resenting

your presence at court.

I believe they are planning

to discredit you.

I will survive it.

Your Majesty, we're honored tonight

by the presence

of the renowned healer,

Count Cagliostro.

And so, knowing your Majesty's insistence

about fair consideration

and all the matters

concerning the health of your subjects,

we have taken it upon ourselves

to provide a few,

shall we say,

guinea pigs to test his powers.

Admirable, admirable.

This will be vastly entertaining.

My dear Count, the stage is all yours.

Here we have all the afflictions

for you,

from rheumatism to paralysis.

You may cure each case individually,

but I feel sure our guests

would prefer

something a little less tedious.

Just cure them all at once, Monsieur.

Cure them all at once.

That is your Majesty's command.

We're agog

with impatience, Count.

Madam.

A king I might keep waiting,

but a lady, never.

By the red star of Aphesis

and the jeweled hand of Copnor,

I will command you now to throw

away your crutches

and arise from your sickbeds.

No need for that.

One glance from you

and we are already cured.

It was a trick, Joseph.

Now they'll laugh us out of Europe.

Yes, but a trick has a double edge,

like a sword blade.

A most remarkable achievement.

My dear Count, with the physicians

of Paris, has met our master.

Your Majesty, there's one little matter

they all forget.

If I can cure, I can also afflict.

I can also afflict!

You.

You're the leader of the dance.

Down on your knees.

Down on your knees.

Down on your knees.

You'd like to rise, but you cannot.

You cannot rise.

This shirt is remarkably rich

for a beggar.

If you'll excuse me, sir?

What was your disease?

It was supposed to be paralysis,

Monsieur.

Supposed to be? It is.

You are paralyzed.

Even now as I speak you can feel

the strength

ebbing out of your limbs.

Soft, melting wax.

You're a cripple.

Now, cripple,

crawl.

Crawl.

Crawl, crawl.

Now listen, you fool,

there's nothing wrong with you.

Give me your hand.

Leap to your feet.

You'll think twice before you mock again

the sufferings of humanity.

Go.

Amazing. Incredible.

This man is far more

than a charlatan.

I believe it's the devil himself.

Very amusing, Monsieur.

You turned the tables

most effectively.

You see, your Majesty, there was nothing

whatever wrong

with the young man except the ailments

that inflict the doctors

who arranged this little deception.

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Alexandre Dumas

Alexandre Dumas (UK: , US: ; French: [alɛksɑ̃dʁ dyma]; born Dumas Davy de la Pailleterie [dyma davi də la pajətʁi]; 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père (French for 'father'), was a French writer. His works have been translated into many languages, and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century for nearly 200 films. Dumas' last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by scholar Claude Schopp and published in 2005. It was published in English in 2008 as The Last Cavalier. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris. His father, General Thomas-Alexandre Davy de la Pailleterie, was born in the French colony of Saint-Domingue (present-day Haiti) to Alexandre Antoine Davy de la Pailleterie, a French nobleman, and Marie-Cessette Dumas, a slave of African descent. At age 14 Thomas-Alexandre was taken by his father to France, where he was educated in a military academy and entered the military for what became an illustrious career. Dumas' father's aristocratic rank helped young Alexandre acquire work with Louis-Philippe, Duke of Orléans. He later began working as a writer, finding early success. Decades later, in the election of Louis-Napoléon Bonaparte in 1851, Dumas fell from favour and left France for Belgium, where he stayed for several years. Upon leaving Belgium, Dumas moved to Russia for a few years before going to Italy. In 1861, he founded and published the newspaper L'Indipendente, which supported the Italian unification effort. In 1864, he returned to Paris. Though married, in the tradition of Frenchmen of higher social class, Dumas had numerous affairs (allegedly as many as forty). In his lifetime, he was known to have at least four illegitimate children; although twentieth-century scholars found that Dumas fathered another three other children out of wedlock. He acknowledged and assisted his son, Alexandre Dumas, to become a successful novelist and playwright. They are known as Alexandre Dumas père ('father') and Alexandre Dumas fils ('son'). Among his affairs, in 1866, Dumas had one with Adah Isaacs Menken, an American actress then less than half his age and at the height of her career. The English playwright Watts Phillips, who knew Dumas in his later life, described him as "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the earth. His tongue was like a windmill – once set in motion, you never knew when he would stop, especially if the theme was himself." more…

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Submitted on August 05, 2018

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