Black Snake Moan Page #6

Synopsis: In rural Tennessee, Lazarus, a former blues musician who survives by truck farming, finds a young girl nearly beaten to death near his home. She's the white-trash town tramp, molded by a life of sexual abuse at the hands of her father and verbal abuse from her mother, who seems to delight in reminding Rae of her mistake in not aborting her. Lazarus, who is also facing personal crisis at the dissolution of his marriage, nurses Rae back to health, providing her with gentle, fatherly advice as well as an education in blues music. Rae's boyfriend, Ronnie, goaded by the man who nearly beat Rae to death, misunderstands the relationship between Lazarus and Rae, and vows to kill him. Lazarus, exhibiting a street-smart understanding of violence and its motives, calls Ronnie's bluff, senses that he is as troubled as Rae, and becomes a guiding force in the young couple's resurrection.
Genre: Drama, Music
Director(s): Craig Brewer
Production: Paramount Vantage
  1 win & 7 nominations.
 
IMDB:
7.0
Metacritic:
52
Rotten Tomatoes:
66%
R
Year:
2006
116 min
$9,262,318
Website
671 Views


What? I caIIed Bojo, Iike you said.

CaIIed the feIIas in the band.

Where the f***

aII these peopIe come from?

I been drinking

in this shithoIe aII my Iife,

I ain't never seen

this many peopIe in here at once.

ShithoIe? Kiss my ass, Laz.

Back at you, motherf***er.

I bet both of y'aII caIIed aII these peopIe,

didn't you?

That's right, preacher, get me drunk

so I don't stick my foot up your ass.

I just know how you get.

Good to know

you stiII got some butterfIies in your gut.

AII right, here we go.

Hey, y'aII.

AII right.

Ced. Ken. Thank y'aII for coming.

AII y'aII, hush up. Shut up.

AII right now.

Y'aII ready for some sh*t?

Is you ready for some sh*t?

Alice Mae.

lf you see my baby

They call her Alice Mae

Yeah! You home now, oId man!

You just waIked through the door!

Yeah!

lf you see my baby

They call her Alice Mae

You wanna cut it up, baby?

Tell all them fellas

They'd better stay away

Tell all them fellas

ln this here neighborhood

Tell all them fellas

ln this here neighborhood

This here's my woman

That chacha will do you no good

Whoa! Yeah!

This here a song from back in the day

Nineteen hundred and sixty-two

My woman put my black ass

out in the cold

l said, "Baby, why you leaving?"

She said, "Our love done gone cold"

Well, l waded through water

and l waded through mud

Till l come to this place

they call the Bucket of Blood

You know, that bartender

give me a dirty look and a dirty glass

l said, "Say, motherf***er!

Do you know who l am?"

He said, "Hell no, n*gger!

l don't give a goddamn!"

l reached down in my pocket

and pulled out my shiny .44

Shot that motherf***er twice!

He hit the goddamn floor

'Bout that time

you could've heard the drop of a pin

That's when that bad motherf***er

Billy Lyons walked in

'Bout that time a pimp eased up

and turned out the lights

That's when l had old Billy Lyons

dead in my sights

When the lights come back on

old Billy gone to rest

l pumped nine of my bullets

in his motherfucking chest!

Sometime, that kind of blues

will make you even kill one another

or do anything that kind of low.

lt goes here, on this side.

That's where the blues started.

lt ain't on this side. lt's over here.

This little light of mine

l'm gonna let it shine

This little light of mine

This little light of mine

This little light of mine

l'm gonna let it shine

This little light of...

This little light of mine

Look Iike somebody know a song.

No. I got the words in my head

but, you know...

I don't know where I Iearned it.

But I can't pIay.

How you feeIing?

You know how you feeI

when you come out of a bad hangover?

You know, Iike you couId

open your eyes a IittIe more?

Yeah. Yeah, I'm there.

I got up reaI earIy this morning.

You know, the sun was shining.

And I thought

maybe I'd see if I couId pIay this, but...

-You can.

-No, I can't.

Yeah, you can.

Right here. Right here, see?

-I teII you what. You sing.

-AII right.

-I'II see if I can pick it out for you.

-Okay.

AII right, now.

Just cIose your eyes

and think on what you Iove.

-Get a reaI good picture of it.

-What I Iove.

This little light of mine

l'm gonna let it shine

This little light of mine

l'm gonna let it shine

This little light of mine

l'm gonna let it shine

Let it shine, let it shine, let it shine

Hide it under a bushel

No, l'm gonna let it shine

Hide it under a bushel

No, l'm gonna let it shine

Hide it under a bushel

No, l'm gonna let it shine

Let it shine, let it shine, let it shine

This little light of mine

l'm gonna let it shine

This little light of mine

l'm gonna let it shine

This little light of mine

l'm gonna let it shine

Let it shine, let it shine, let it shine

Ronnie!

No!

It ain't been but a week

and you aIready some n*gger's whore.

Oh, did you think I wouIdn't find out?

Did you think I wouIdn't find out?

GiII toId me how you and him...

How you and everybody...

Did you have fun with her, huh?

Sweet as a peach, I bet! Huh?

-No!

-Shut up, b*tch! Shut the f*** up!

Be carefuI where you aim that gun, boy.

Or what? Huh?

Or what?

You come to taIk, boy,

or you come to kiII somebody?

You ain't gonna be caIIing me boy

when I bIow your f***ing face off!

Boy, you so green

you couIdn't stomp a baby duck.

Are you testing me? Huh?

Just what kind of test

wouId that be, huh?

Test if you're a man?

If you're a kiIIer?

HeII, that ain't hard to find out, is it?

AII you gotta do is puII that trigger back.

Go on.

Go ahead.

-Okay, Ronnie...

-God damn it, Rae!

Keep that gun trained on me, boy.

Now, you wanna kiII a man,

and aII you need's a reason, right?

WeII, you know

she been out here with me.

Been aII over town giving up that switch

you thought was yours.

-Shut up!

-Give aII your Iove to one woman

and she give it to another man.

Now that's a reason to kiII a man there.

Then won't be no questions.

She'II know you a man!

-A reaI kiIIer!

-Don't say that to me!

I'm too oId to pIay house or cowboys.

You gonna do it or get out of my face.

Go on.

Do it!

Ronnie. Ronnie.

Ronnie, baby, Iook at me.

Ronnie, Iook at me. Look at me.

Come on, Iook at me.

Baby, it's aII right. I got you. I got you.

Come on. Come on.

HoId on. HoId on, baby.

-Hey, it's me.

-It's okay.

I need you to get over here.

Yeah, right now!

We did a Iot of dreaming, me and Rae.

Made big pIans to get out.

I'd go do my tour and move out of here.

Maybe go to KnokviIIe.

But when Rae

gets Iike she does

and does the things

that she does...

Go on, Ronnie. Go on.

-This is f***ing stupid.

-Go on.

What Rae did for me,

she fixed me.

But I can't fix her.

Rae,

we don't wanna fix you or judge you.

OnIy you and the good Lord can do that.

But I want you to teII me

about these speIIs you get.

WeII,

I get these thoughts in my head,

you know.

Like sh*t I done

or sh*t that's been done to me,

and I can't get them out.

And it burns, you know, it hurts.

It starts in my head

and moves down to my hands,

and my stomach, and then Iower, and...

You know, sometimes I can stop them

but mostIy I can't.

The onIy thing that ever

made that feeI better was Ronnie

'cause I Iove him so much.

Why don't you Iook at Ronnie

and teII him how you feeI?

I think... I think we're f***ed up.

Both of us. I mean, I know I am.

But that don't mean

that what I feeI isn't reaI,

that I can't Iove somebody.

And I know how I've been

and what I've done is reaI, reaI bad.

But...

So if you wanna quit on me,

I understand.

But pIease don't.

So,

what you two gonna do about this?

Hi, Miss Angie.

You wasn't at your work

so I just figured I'd drop by.

What you need?

I need your heIp again.

More cough syrup?

Come on.

Sh*t.

You Ronnie?

Yeah.

I'm LincoIn.

I'm gonna be your best man.

Okay.

You having troubIe with that tie?

'Cause I'm pretty good at it.

Gotta do it Iike this

or I'II get aII turned around.

Laz, she's ready.

Ain't she pretty?

I'II give y'aII some time together.

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Craig Brewer

Craig Brewer (born December 6, 1971) is an American film director, producer, and screenwriter. His 2005 movie Hustle & Flow won the Audience Award at the 2005 Sundance Film Festival and achieved commercial success, along with an Academy Award for Best Original Song, "It's Hard Out Here for a Pimp". more…

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Submitted on August 05, 2018

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