Blaze You Out Page #2

Synopsis: Blaze You Out tells the story of Lupe, a strong-willed aspiring DJ, and her younger sister Alicia who live in the Esperanza Valley, a community that is suffocating by generations of heroin use. When Alicia witnesses a murder and disappears, Lupe sets out on a dangerous journey that forces her into the town's ruthless underworld. She quickly discovers that in order to save the person that matters most, she must harness the power that exists within her and connect with the divine that surrounds her.
Director(s): Mateo Frazier (co-director), Diego Joaquin Lopez (co-director)
Production: Grindstone Entertainment
  1 win & 1 nomination.
 
IMDB:
3.2
R
Year:
2013
98 min
59 Views


Searching for truth

Beneath the surface lies.

Hellacious fixations.

Darkness, damnation.

In life I descend

And in death I arise!

(LAUGHS)

(DOOR BANGS)

(GASPS)

(ENGINE STARTS)

(DISTANT TRAIN WHISTLING)

(DISTANT SIREN)

(TIRES SQUEAL)

(HOOTS SOFTLY)

(ENGINE STOPS)

My mind has been running

With a... A million

thoughts today.

But I am blessed.

The bond between

lifelong friends

Is nothing

less than beautiful.

- Respeto.

- (GLASSES CLINK)

- Salud.

- Salud.

Mijita, what...

What are you doing?

You sent him?

You need to leave.

I loved him.

Okay?

I loved him

- And you took him from me!

- (GUESTS GASP)

F***ing b*tch!

Don't f***ing touch me!

You took him from me,

you sick wicked b*tch!

You dare...

you took the only person

that ever cared about me.

- Get her out of my sight.

- F***ing murderer!

You better f***ing keep

your dog on a leash,

- You f***ing...

- (DOA LAUGHS)

Let me tell you something,

Mijita, huh?

I remember you!

(GLASS SHATTERS)

Do what you're

gonna do, b*tch!

Do what you're going to do.

I'm right f***ing here, Cabrona!

Do what you're

gonna do, Pendeja!

Do what you're gonna do! I'm

right f***ing here, Cabrona.

(CHUCKLES)

(SILENT)

(MAN VOCALIZES)

(DISTANT SIREN)

(DOOR OPENS, CLOSES)

Alicia.

I thought you were staying

at Isaiahs tonight.

What's the matter?

Hey, you wanna

talk to me?

No, I'm good.

- What happened?

- (BAG RUSTLING)

Nothing.

Okay? I'm all right. I got it.

It's him, isn't it?

This is bullshit, Alicia.

When are you gonna get your

situation under control?

Don't do that.

You don't know me!

I can't even talk to you

'cause all you do is judge!

You say, "talk to me"?

You don't even

f***ing listen.

All you give a f*** about

is you, that's it.

Who's always been here

for you?

I've been doing this sh*t

alone for five f***ing years!

And all I want is for you to get

your head out of your ass and snap.

(SHUDDERING BREATH)

You don't know me.

You just don't know me.

And you probably

never will.

Don't f***ing walk away from me.

I'm talking to you here.

Don't touch me.

- Leave me alone.

- Alicia!

(ENGINE STARTS)

Move, Lupe!

(SNIFFLES)

Right, if you leave now...

don't even think

about coming back.

Oiste?

How's the food?

- Really good, mama.

- Oh.

Gracias

por la comida.

Anything for you,

Mijito.

(BLOWS)

How did

everything go?

Muy suave.

De veras? Muy suave.

Anything you, um,

wanna tell me?

No.

Everything

went smooth.

Are you lying to me?

- No, mama.

- Mm. (KISSES)

Did you pick up my money?

Things didn't

go so smooth, did they?

What did you do?

Hijo?

El Termino.

Idesgraciado!

(MUMBLES)

You left me with a f***ing

mess to deal with.

Huh?

Una hedionda, jodida, fea...

she came in here and she almost

cracked my head open, uh?

Now she's a witness!

You'd better

Pick up your marranadas.

Before I do.

You better find her.

Somebody has to care for

that f***ing little puta.

(SOBS)

(SNIFFS)

(ENGINE STOPS)

# The city of sin,

it'll saturate your soul #

# and told what you're being

until it's taken hold #

- # then it's...

- # allowing your inner creations to unfold #

# you know, you know,

you know #

# you know,

you know, I.A. #

# the city of sin,

it'll saturate your soul#

# and told what you're being

until it's taken hold #

- # then it's...

- # allowing your inner creations to unfold #

- # you know, you know, you know #

- # yo, I wrote a rhyme down

# just tryin' to find

how the rhyme sound #

# till it fades my intelligence,

laying every line down #

# got me in the lab, knocking

bebop with hand gestures #

# the present a-Esthetic

reflecting my ancestors #

# 'cause I'm thinking negro

spirituals, they're like the street #

# I made hymns of self-Expression

till this cipher's complete #

# I write a rap

and let it go for a week #

# I got a cousin john,

and his pen every day #

# will put his soul

in the beat #

# prayin' he dope enough

to make a living off of rap #

# so he can quit his job and

get this monkey off his back #

# our parents taught us

that's a fortunate fact #

# so we escape

the city corners... #

You got to get

the f*** outta here.

Like now!

Seriously, Alicia.

Hey, do what

you gotta do.

I don't wanna go.

I could go with you.

Oh, bullshit, Alicia.

I am going with you.

No.

No, I'll go on my own.

Just...

Just don't tell

my sister, okay?

She don't need to know.

Promise me, dre.

Promise me you're not

gonna tell her.

She'll trip.

I promise...

on the real.

You know me.

- Okay?

- Yeah.

Okay.

(SNIFFLES)

You're my girl, Leece.

Tu sabes?

(MUTTERS)

No.

(EXHALES)

WOMAN:

Who is it?

- God damn it.

- (SNIFFLING)

What?

What happened?

Where's my brother?

(MAN SINGING IN SPANISH)

(ENGINE STARTS)

(WIND BLOWING)

(IGNITION CHIMING)

Well, look what

the wind blew in.

Lupe.

What's up, Chica?

- What's up?

- Hey, word on the street...

you f***ing

killed it last night.

Thanks, dre.

I appreciate that.

You want something

to drink?

Only if it burns.

Esperate.

(RADIO PLAYING SOFTLY)

(DOOR OPENS)

She was my first.

It was like she was buried

in that tree for years.

You met Adan?

He's gente from way back.

Just now getting back

to his roots.

Yeah, we met.

Here's to the fire.

(GLASSES CLINK)

ALL:
Salud.

- (CLEARS THROAT)

- You okay?

Yeah, I'm good.

So have you talked

to Alicia?

Yeah.

Earlier.

Will you tell her

to call me?

She's been dodging.

Lupe, I'm not getting

in that mix.

Her business

is her business.

Alicia's my business.

Just tell her

to call me.

Okay.

All right.

Laters.

Hey.

Hey, I don't have

any more appointments

Scheduled for the rest

of the day.

I was thinking about

taking a drive.

You wanna come?

A drive?

Yeah.

I don't bite.

Mmm...

yeah.

Okay.

I'll get my keys.

(ENGINE STARTS)

Do you mind?

No.

Do your thing, Chica.

(BEEPS)

So it's just

the two of you, huh?

Yeah, for the past

few years.

Yeah. My parents died

when I was young.

My grumpsent me to go live

with my tia in califas.

(LAUGHS) He says I

wasn't ready to stay.

Yeah? Well, this

town has a sickness.

It can f***ing

suck you up.

So where are you

taking me?

Someplace special.

- You ready?

- Yeah.

(CHUCKLES)

# Dismiss your one

great fear inside #

# but don't deny

your history #

# tell me what

you want to see #

# I'll never go back

# for what it's worth.

- We're going in there?

- Come on.

Let's go.

- LUPE:
Oh my god.

- (ADAN LAUGHS)

My grumpo calls it

a thinking place.

Who did this?

A friend.

Why?

Well, why does anyone

do anything?

But nobody knows

it's here.

No.

They'd just wreck it.

They'd charge admission

and sell t-Shirts.

This place needs

to breathe.

Hmm.

Grumpo, take it easy,

hombre.

You're gonna work

yourself to death.

Well, thank you, Mijo.

Appreciate the help.

I want you

to meet somebody.

- Lupe.

- Hi, Lupe.

Nice to meet you.

I'm Adan's grandpa.

- What a beautiful woman, hombre.

Rate this script:0.0 / 0 votes

Mateo Frazier

Mateo Frazier (born June 15, 1977) is an American Writer, Director, Producer. He is best known for Co-Writing and Directing the 2013 Lionsgate film Blaze You Out and producing the 2014 Sundance film Drunktown's Finest more…

All Mateo Frazier scripts | Mateo Frazier Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Blaze You Out" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/blaze_you_out_4244>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Blaze You Out

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 1998?
    A Saving Private Ryan
    B Shakespeare in Love
    C Life Is Beautiful
    D The Thin Red Line