Blood and Sand Page #4
- APPROVED
- Year:
- 1941
- 125 min
- 243 Views
[Chattering]
[Chattering Stops]
Now I'm ready for the grave.
I've just come
from the drawing of the bulls.
We've got something on our hands
this afternoon.
the meanest-looking beasts I've ever seen.
- Sluggish, treacherous
- What difference? A bull's a bull.
They're all alike to Juanillo.
All safe.
Senor Lopez, have you ever
faced a bull in the ring?
- Well, not exactly.
- There is no such thing as a safe bull.
And these two are monsters
with lightning in their horns.
I'm a humble man with no education,
and my life isn't worth very much.
But you, maestro
The cow hasn't been born yet that can
give birth to the bull that can hurt me.
Ol! Ol!
That's what I say. You either dominate
the bull, or the bull dominates you.
- Now, then
- [Spanish]
I will not listen
to your ignorance and folly...
which incapacitates you for any
further views in relation to bulls.
if you were all to go now...
and give Juan a few minutes' rest
before his ordeal.
Caballeros, Nacional's right.
We'd better be going.
- [Chattering]
- Good luck, senor.
Gracias.
[Spanish]
- [Door Closes]
- Parasites.
Most of them come here to get a free ticket
to the corrida or to borrow money.
They'll be the first to turn against you
the moment you have any bad luck.
[Spanish]
Wait for me in the carriage.
It's all ignorance and superstition...
from not knowing
how to read or write.
[Door Opens, Closes]
Hot, isn't it?
One always sweats the big drop
on the morning of an afternoon.
They used to crowd into my dressing room,
too, when I was dressing...
like a wake before one's dead.
Garabato.
I wouldn't admit this
to anyone else in the world...
but always when I'm dressing like this...
there's a feel of rust in my throat.
The taste of death.
Fear.
But it's gone
when I step into the arena.
The minute I hear the music,
the yell of the crowd, it's all right again.
Chiquillo.
- How do you feel?
- Good as bread.
- And you?
- Oh, I wish it were this time tomorrow.
You've gotta learn not to worry.
Please let me worry just a little bit.
Makes me feel better.
You wouldn't worry if you'd heard
what Curro just said about me.
"At last, Sevilla has a matador,"
he said.
My jacket.
"The greatest matador in history,"
he said.
I've kept my promise, haven't I?
My montera.
He said I was
the first man of the world.
That makes you the first lady.
Well, how do I look?
Like a king.
Or a little boy
all dressed up for a party.
Somehow, I feel this is gonna be
a great afternoon.
I wish you were
gonna be there with me.
I'm always with you, Juan.
Carmen, what do you do with yourself
when I'm in the ring?
I pray to La Macarena every second...
When the sun begins to go down,
l-I look up the street, and there's no Juan.
But then I hear cheers and I see
people running and I know it's Juan
Juan coming home and my heart
starts beating again like a drum.
You're the only true one in the world.
Now, go.
[Door Closes]
[Praying, Indistinct]
- [Door Opens]
- [Chattering]
And here, mon ami,
and seek protection of the saints.
Does it save them
from being gored by the bulls?
Sometimes.
There's no guarantee,
not even from the saints.
Who is that?
I don't know. A new one.
##[Brass Band]
[Indistinct]
Every ticket has been sold.
##[Continues]
##[Fanfare]
You're lucky to be here this afternoon.
You'll see history made.
From now on,
the calendar of the bull ring...
will be figured as B.G. And A.G.
Before Gallardo and After Gallardo.
I, Curro, say it.
I see she's back from Paris.
- Who is she?
- Dona Sol de Miura.
What I could tell you about that one
would fill a whole book several books.
If this is death in the afternoon...
she is death in the evening.
[Crowd Cheering]
I promise that this afternoon you'll see
something extraordinary and unforgettable.
What is it I'm going to see that's
so extraordinary and unforgettable?
Since you've been away,
a new star has arisen.
His name is Juan Gallardo.
[Applause Continues]
## [Fanfare]
[Cheering]
[Shouting]
Charges straight. Favors the left horn.
- [Crowd] Ol!
- Toro.
Ol!
Ol!
Ol!
: Toro!
Ol! Ol!
Ol!
Ol!
Ol!
Ol!
Ol!
Ol!
- Ol!
- :
Toro!Ol! Ol! Ol!
Ol! Ol!
Ol!
Oh, you were magnificent.
[Crowd]
Ol!
Ol!
##[Fanfare]
[Cheering]
I dedicate the death of this noble bull...
to the beauty of the women of Spain.
Ol! Ol!
Ol!
Ol!
Ol!
- [Cheering]
- Ol! Ol!
##[Brass Band]
- [Screams]
- I tell you, he's the greatest of the great!
The first man of the world!
[Chattering]
The other side of the curtain.
Well, at least the poor beast
didn't die in vain.
Hunger. Hunger!
I tell you, I'm finished.
I'm through with this rotten business.
I swear to you, this is my last season.
I dedicate the death of this noble bull...
to the beauty of
Ah.
Ah, Carmen.
Oh, wherewhere are the newspapers?
I'll get them and read them to you personally.
They were wonderful, dear.
All Sevilla is ringing
with your name this morning...
and it's my name too.
Now, come here, now. There.
Who did you
dedicate the bull to yesterday?
- Oh, some gachi.
- Who?
I don't know what her name was.
I never saw her before.
- Then why did you dedicate it?
- She was with a party of swells...
and it pays to keep in
with people of that kind.
- She threw me some flowers.
- I hate her.
Was she pretty?
Mmm, not bad.
Prettier than me?
That's impossible.
Then I don't hate her anymore.
Still, she, uh she wasn't so bad.
- Blue eyes and, uh
- I don't like her.
- But too skinny.
- I guess she's all right.
Come on, now. Eat your breakfast.
Do you know you came home last night
without your montera?
- Did I?
- Mm-hmm. What became of it?
I don't know.
I must've left it somewhere.
Come in.
- A messenger just brought
this note for el matador.
- Thank you.
- Will you read it for me?
- Mm-hmm.
- Who's it from?
- Well, there's no signature,
but... it's from a woman.
Oh, well, then tear it up.
Oh. It's from the woman
you dedicated the bull to.
What's it say?
"Senor Juan Gallardo, thank you for
dedicating the first bull to me yesterday.
"If you want back the montera
you threw me...
"you may have it by calling for it
tonight at 8:
00.Plaza de Alfaro."
- Your montera.
- Oh, yes.
Oh, yes, it all comes back to me now.
and she refused to part with it.
Well, if she thinks I'm gonna call for it,
she'll grow old waiting.
Oh. Why shouldn't you call for it?
She must be somebody of great importance
if she lives at the Plaza de Alfaro.
Number Four.
That's where the Marques de Miura lives.
She must be his niece.
What does she look like?
I don't remember. Just a woman.
Well, if she's just a woman,
why don't you wanna go?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Blood and Sand" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/blood_and_sand_4285>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In