Blood Into Wine Page #2
and we've been working together ever since.
I think We found out that we had
a lot in common as far as our drive,
both from our interest
in sustainability and agriculture,
but also our interest
in our entrepreneurial sides.
It just immediately made sense.
Within, like, three conversations,
we knew that we were going to be--
I was going to end up
being guided by this person.
I left the Santa cruz Mountains
making wine with David Bruce.
They said, "Why did you go to Arizona?"
And the difference is did I want to just be
another vineyard and winery
right next to everybody else
and just do what they're doing,
change it a little bit,
and say, "Okay, here's who I am,"
versus coming here
and trying something completely different?
And in doing that,
it means we have to dial things.
And we really are in a frontier.
We don't know
what is around the next bend,
and that certainly goes
for these viticultural efforts.
This is Merkin West.
And we're on a hill slope here,
kind of southeasterly facing,
overlooking the Verde Valley.
And what you're looking at here
is kind of the subsoils
underneath Maynard's Cab vineyard.
This whole valley below us here
used to be an ancient lake bed,
and it's possible that this material here
are old sediments
that sat in the bottom of that lake.
And that would help explain a little bit
why some of these rocks are smooth.
Maybe they were deposited there by rivers,
working on them over time.
This ultimately is going to be
what gives Maynard's wines their character.
So not only are we on a frontier here
with regards to, you know, Arizona,
but we're on kind of a frontier here
with viticulture
and the idea of expressing this place
that is Maynard's vineyard.
And it's unlike any other Cabernet
I've ever had before.
Eric, at some point,
or over dinner,
had talked about meeting this rock star.
He said, "Well, his name is Maynard Keenan,
and I think his band is Tool, I think."
The way he presented it was pretty funny.
Something about in the cellar working
and this car rolls up--
big black car-- and this guy gets out.
And I think a girl with a leash
or a collar and black leather,
kind of like a female wolverine,
gets out of the car.
That's-- No.
I'm going to roll into a f***in' vineyard
with a chick in a dog collar?
Come on, dude.
So you dispute that story?
I completely dispute that
because I wouldn't roll
into a vineyard with somebody like that.
That's not-- It's not--
Look at me, dude. I'm not, you know...
What, am I Ozzy Osbourned-out right now?
I love Ozzy. Don't get me wrong.
But we're not shouting
We're not barking at the moon
or any of that stuff.
We're just--It's just,
we're in the f***ing woods.
We're out here digging in dirt.
No dog-collared eyeliner chicks allowed.
That's just embarrassing.
I met Maynard back in '93
on a tour called Lollapalooza.
He came walking up.
Who's this crazy guy?
He's got, like, this Mohawk.
I think he had army fatigues on
or something.
I was like, "Who is this guy?"
You know, one thing that Maynard's done
is that he's sold a sh*t-ton of records.
He's an incredibly successful person,
and he's, you know,
what they call a rock star.
He is a guy who made it.
Only probably the biggest genius
in the entire world.
Singer of Tool, singer of Puscifer,
singer ofA Perfect circle.
He's a very sexual,
very, you know, human being.
You know, he's in tune with himself.
A god amongst men.
I really don't know what to say.
It's Maynard.
Our best concert experience
was New Orleans.
It was a big festival,
and we were third row,
and it was just outstanding.
and it was the best.
He has a beautiful voice.
Beautiful voice.
- And the way he mixes it up...
-His words.
His voice-- Literally, his voice--
not his artistic voice--
I think, at this point,
something that will be heard
and listened to
as long as people
are still listening to rock music
that involves, you know,
bass guitar and drums.
I love drawing people.
And his lyrics are like a muse to me.
- This is Maynard.
- This guy right here, Maynard.
We named him
after the guy from Tool, man.
We've been listening to them
since we were 1 3.
We're going to be 23 soon,
so it's been a good decade.
-Yeah.
- A decade with Tool.
That was f***ing awesome.
That was awesome just to see them
for a whole .2 seconds.
.2 seconds was well worth the wait.
My perception of Maynard
moving to Arizona to make wine
was probably similar
to a lot of other people's.
There was a bit of skepticism.
I think there's always a bit of skepticism
when somebody who's known for one thing
decides that
they want to do something else.
You know,
when Paul Stanley from KISS says,
"I'm going to start painting,"
you're like,
"This is not going to be any good."
And then you look at the paintings,
and it's not any good.
I was just like, "Okay,
dude's got a lot of money.
"You know, he's moving to Arizona,
and he's going to, like, you know,
try his hand at this."
And then it became
sort of clear very quickly
that this was not some sort of dilettante,
you know,
"Maybe I'lltry making some wine."
This was a passion for him.
So, Maynard, I guess
is, you know,
why did you get into winemaking?
How and what did you
fall in love with about wine?
I get that--I get that question a lot,
You know, I could retort
with, you know, "Why music?"
I think it's just
everyone has that moment
when they discover something on their own
that wasn't handed to them
that kind of resonates on some certain level
that, you know,
drives them to ask more.
And it's kind of, you know,
a self-fulfilling thing.
You're kind of, you know--
You're kind of learning about yourself.
It's a matter of self-discovery,
and then you ask more questions.
And you make a sound,
and it's your sound,
and it resonates on some certain level,
and with me it was with winemaking.
I had that same moment
where l was, you know,
having the right wine with the right dinner,
and something clicked, and it just
compelled me to want to know more
about what that's about
and how it relates to my world
and how far can I take this as an artist?
Um, are you guys going
to follow me everywhere?
In the early '90s,
I graduated from Prescott College
with a degree in ecology.
But I specialized in riparian ecology,
or river ecology.
One of my first big contracts
was to do an inventory
about perennial streams
in the Prescott National Forest.
Within two years, I must have hiked,
you know, thousands of river miles.
Without error, there was always
a quince tree, apple, or pear there.
At that time,
And I just took
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