Blood of Dracula Page #3

Synopsis: In a girl's boarding school, science teacher, Miss Branding, tests her theory that there is power within the human potential that is beyond that of the atom. Using hypnosis and a special amulet, a new and troubled student, Nancy Perkins, becomes the subject of her experiments which result in a series of full-moon murders.
Genre: Horror
Director(s): Herbert L. Strock
Production: American International Pictures
 
IMDB:
3.9
APPROVED
Year:
1957
69 min
172 Views


I'LL TELL YOU THAT, TOO.

SOON?

PERHAPS SOON.

IT STILL HURTS.

WELL, NOW I'LL REALLY

TAKE THE PAIN AWAY,

BUT I'LL NEED

YOUR COOPERATION

WHAT DO YOU WANT ME

TO DO?

FIRST I WANT YOU

TO ANSWER A QUESTION.

ALL RIGHT.

NANCY, DO YOU TRUST ME?

I THINK SO.

I HARDLY TRUST ANYONE,

EXCEPT--

WELL, GLENN.

THAT'S MY BOYFRIEND.

AND, OF COURSE,

I DID TRUST MY MOTHER.

BUT YOU?

I THINK SO.

I'M GLAD,

BECAUSE IF YOU DIDN'T,

I COULDN'T HELP YOU

AT ALL.

AND BECAUSE YOU DO,

I NATURALLY TRUST YOU.

IN OTHER WORDS,

WHAT HAPPENS:

IN THIS ROOM:

MUST NOT GO BEYOND

THIS ROOM.

YOU CAN DEPEND ON ME.

WHAT DO YOU WANT ME

TO DO?

I'LL TELL YOU.

NANCY, HAVE YOU EVER

BEEN HYPNOTIZED?

NO, NOT REALLY.

OH, SOME GOON

TRIED IT ON ME ONCE

IN A PARLOR GAME

AT A PARTY.

AND I MADE BELIEVE THAT

I WAS UNDER HIS INFLUENCE,

AND THEN HE TOLD ME

TO KISS HIM HARD,

BUT I SLAPPED HIM HARD

INSTEAD.

WELL, THIS IS NOT

A PARLOR GAME,

NOR IS IT MAKE-BELIEVE.

AND TAKE MY WORD

FOR IT, NANCY.

THIS WILL HELP YOU

IN MANY, MANY WAYS.

YOU SEE THIS AMULET?

I PICKED IT UP:

IN AN ANTIQUE SHOP.

IT WAS SOLD TO:

THE DEALER BY A WOMAN

WHOSE ANCESTORS:

HAD EMIGRATED:

FROM THE CARPATHIAN

MOUNTAINS.

SHE CLAIMED THAT IT'D

BEEN IN HER FAMILY

FOR 7 GENERATIONS.

SHE MUST HAVE MADE UP

THE STORY TO GET A BIGGER PRICE.

NO, SHE DIDN'T, NANCY.

SHE TOLD THE TRUTH.

I MADE A TRIP:

TO THAT REGION:

TO VERIFY THIS AMULET...

AND THE LEGEND:

CONNECTED WITH IT.

IT'S A STRANGE METAL,

WITH A CAT'S-EYE

FOR A CENTERPIECE.

IT CAN HEAL:

AND IT CAN DESTROY.

ALSO, IT CAN RELEASE

FRIGHTENING POWERS.

LOOK AT IT, NANCY.

LOOK AT IT.

NOW GO TO SLEEP.

YOUR EYES ARE:

GETTING DROWSY.

YOU'RE GETTING MORE

AND MORE SLEEPY.

IF YOU CAN STILL HEAR

MY VOICE...

YOU CAN HEAR ME:

AND YOU WILL OBEY ME.

YOU'RE IN A DEEP SLEEP.

YOUR HAND NO LONGER

FEELS THE PAIN.

TOUCH IT, PINCH IT.

DO AS I TELL YOU.

I WANT YOU TO PROVE IT

TO YOURSELF.

IT'S ALL GONE.

AND THAT'S WHAT

I PROMISED YOU,

AND I HELPED TAKE

THE PAIN AWAY.

AND YOU WON'T

FORGET THAT.

NO, MISS BRANDING.

WHEN I COUNT TO 5,

YOU'LL WAKE UP

REFRESHED,

THE PAIN ENTIRELY GONE.

BUT YOU'LL REMEMBER

THAT IT'S IMPORTANT

TO OBEY ME ALWAYS.

1, 2...

3...

4...

WAKE UP.

HOW DO YOU FEEL,

NANCY?

FINE.

I FEEL FINE.

IT'S GONE.

NOW YOU CAN GO:

TO YOUR NEXT CLASS.

THANK YOU.

AND REMEMBER,

NOT A WORD OF THIS.

YOU CAN TRUST ME,

MISS BRANDING.

THANK YOU AGAIN.

[ROCK AND ROLL PLAYING]

NOW REMEMBER, YOU GUYS,

THIS IS NO PANTY RAID.

WE KNOW HOW TO SOCIALIZE.

WE GOT TO BEHAVE.

LIKE LITTLE GENTLEMEN.

SURE,

JUST LIKE YOU SAID,

GOOD, CLEAN FUN.

WE'LL JUST BE

A WELCOME SURPRISE.

YEAH, WELL, I HOPE SO,

BECAUSE I STILL:

DON'T KNOW

IF I'M DOING

THE RIGHT THING.

COME ON, EDDIE,

MAKE THE MOVE.

AND DON'T FORGET,

TAB,

I GET DIBS:

ON THE BLONDES.

WHICH BLONDE?

ANY BLONDE.

ONLY IF THERE'S

A REDHEAD FOR ME.

HOLD THIS,

WILL YOU, JOE?

COME ON.

HONEY,

YOU'RE HOLDING ME

TOO TIGHT,

BUT I LIKE IT.

AAH!

WELL, OF ALL THE--

DON'T BE SCARED, GIRLS.

IT'S ONLY US--

MY BUDDIES,

JOE AND TAB.

HI!

THEY FELL IN ON ME.

THEY'RE FROM GLENBROOK HIGH,

AND I WAS TELLING--

WHO INVITED YOU?

WE HEARD:

THE ROCK AND ROLL,

FIGURED IT WAS:

OPEN HOUSE.

WELL, IT'S OUT

OF BOUNDS:

EXCEPT FOR:

GIRLS.

YOU'LL GET US

ALL IN TROUBLE.

NO, YOU CAN'T

CRASH THIS:

PARTY.

WE ALREADY DID.

SO YOU MIGHT AS WELL

BE SOCIABLE.

BESIDES,

IT WILL BE MORE FUN.

TERRY, DID YOU INVITE--

I JUST HAPPENED:

TO MENTION TO EDDIE

THAT WE WERE:

GOING TO HOLD:

AN INITIATION PARTY

AND--

WHAT'S THE DIFFERENCE?

LET'S HAVE A BLAST.

THEN WE'LL GO QUIETLY

OUT THE WINDOW.

WELL, ALL RIGHT,

BUT I'M GOING TO

HOLD YOU RESPONSIBLE.

OK! IT'S ALL IN FUN.

COME ON, I BROUGHT

SOME SWINGING RECORDS.

HOW ABOUT A REPLACEMENT

FOR THAT PILLOW DATE?

NO, THANKS.

OH, THE SOCIABLE TYPE.

I CHOSE MY OWN:

PARTNERS.

OK, BUT WAIT TILL

YOU ASK ME TO DANCE.

HEY, TAB, HOW ABOUT SINGING

"PUPPY LOVE" FOR THE GIRLS?

COME ON,

PLEASE, TAB!

PLEASE!

COME ON, TAB.

[ROCK AND ROLL PLAYING]

OH, IT WAS FRIDAY NIGHT

AND IT SURE WAS HOT

I HAD MY DADDY'S CAR

WITH A CONVERTIBLE TOP

WE DROVE BY THE LIGHT

OF THE MOON ABOVE

AND THEN MY BABY SAID

"OH, YEAH, LET'S MAKE

SOME PUPPY LOVE"

SHE LOOKED AT ME

AND SMILED SO SWEET

THAT I FELT LIKE JUMPING

RIGHT OUT OF MY SEAT

I KNEW WHAT:

SHE WAS THINKING OF

'CAUSE HER EYES SAID

"COME ON, LET'S MAKE

SOME PUPPY LOVE"

WELL, THEY SHE GAVE ME

THAT CRAZY LOOK:

AND BEFORE I KNEW IT

I WAS REALLY SHOOK

SO I DROVE LIKE MAD

AND I DIDN'T STOP

'CAUSE I KNEW

THAT IF I DID:

I MIGHT BLOW MY TOP

SO I DROVE HER HOME

'CAUSE IT WAS LATE

AND ASKED HER FOR

ANOTHER DATE:

SHE SAID:

"THAT'S REAL COOL,

MY TURTLEDOVE"

"WE'LL TAKE ANOTHER RIDE

AND MAKE SOME PUPPY LOVE"

[HONK]

[BEEP]

[HONK]

[HONK]

[HONK]

OH, THEN SHE GAVE ME

THAT CRAZY LOOK:

AND BEFORE I KNEW IT

I WAS REALLY SHOOK

SO I DROVE LIKE MAD

AND I DIDN'T STOP

'CAUSE I KNEW

THAT IF I DID:

I MIGHT BLOW MY TOP

SO I DROVE HER HOME

'CAUSE IT WAS LATE

AND ASKED HER FOR

ANOTHER DATE:

SHE SAID:

"THAT'S REAL COOL,

MY TURTLEDOVE"

"WE'LL TAKE ANOTHER RIDE

AND MAKE SOME PUPPY LOVE"

MAKING PUPPY LOVE

PUPPY LOVE:

LOVE.

[ALL TALKING AT ONCE]

[DISTANT CONVERSATIONS]

[ROCK AND ROLL PLAYING]

[MUSIC STOPS]

[CHATTERING]

EXCUSE ME.

OK.

WHAT'S WRONG, NANCY?

NOTHING,

I JUST FEEL A LITTLE DIZZY,

THAT'S ALL.

IT'S THE EXCITEMENT

OF THE PARTY.

SIT THIS DANCE OUT

AND RELAX.

TAB, I'D LIKE TO DANCE

THIS NEXT DANCE WITH YOU.

OK.

LOOK, BABY,

YOU'RE WITH ME.

KNOCK IT OFF,

JOE.

WE DANCE,

SO WHAT?

OW.

HEY, TAB, STOP IT!

SHH!

CUT IT OUT, FELLAS.

[KNOCK ON DOOR]

Rivers:

LET ME IN.

COME ON, LET'S GET

OUT OF HERE.

HURRY UP!

HURRY UP.

OPEN THE DOOR:

AND LET ME IN!

OK, LET HER IN.

WHAT'S GOING ON

IN THERE?

WHAT'S GOING ON

IN HERE?

WHY IS THIS DOOR LOCKED?

I THOUGHT I HEARD

MEN'S VOICES.

OH, NO, MISS RIVERS.

I WAS JUST DOING

IMITATIONS.

AND THIS PLACE:

LOOKS AS THOUGH:

YOU'D HAD

A BARROOM BRAWL.

OH, WE'VE JUST BEEN HAVING

A LITTLE PILLOW FIGHT.

AND WHAT WERE THE

PILLOWS STUFFED WITH?

WELL, THE HIJINKS

ARE OVER FOR THE NIGHT.

RULES ARE RULES,

AND IT'S AFTER 10:00.

OH, JUST A LITTLE LONGER,

MISS RIVERS.

PLEASE,

MISS RIVERS.

ONLY A FEW MINUTES.

WELL, 15 MINUTES,

AND THEN ALL LIGHTS OUT.

AND, NOLA,

YOU BETTER GET SUPPLIES

FOR TOMORROW'S

CLASS NOW.

I KNOW YOU, SLEEPYHEAD.

YOU'LL NEVER

BE UP ON TIME.

I'M ALWAYS THE PATSY.

WAIT TILL I GET:

MY HANDS:

ON YOUR EDDIE!

OK, KIDS, START

STRAIGHTENING UP.

FEEL ANY BETTER,

NANCY?

I'M JUST SLEEPY,

THAT'S ALL.

I THINK I'LL SACK IN.

DO THAT.

YOU CUT OUT NOW.

WE'LL CLEAN UP.

GOOD NIGHT.

HERE, NOLA,

TAKE ONE FOR THE ROAD--

86 PROOF GINGER ALE.

ALL RIGHT,

THE REST OF YOU STAY HERE

AND HELP ME CLEAN UP.

NOBODY GOES TO SLEEP

UNTIL THIS ROOM IS SHIP SHAPE.

THE BIRDS OF PARADISE

ARE NOISY BUT NEAT.

[THUD]

WHO'S THERE?

[CREAKING]

[GROWLING AND HISSING]

AAH! AAH!

MRS. THORNDYKE,

I'D LIKE TO TALK

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Aben Kandel

Aben Kandel (15 August 1897 – 28 January 1993) was an American screenwriter, novelist, and (earlier in life) boxer. He was screenwriter on such classic B movies as I Was A Teenage Werewolf, Joan Crawford's final movie Trog, and one of Leonard Nimoy's first starring vehicles, Kid Monk Baroni. Kandel had an earlier scandalous success with his gritty, b-grade Hollywood novel City for Conquest (1936), which was made into a James Cagney feature in 1940. more…

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Submitted on August 05, 2018

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