Blow Page #17
Kevin and Leon stick their fists out of the airplane in
triumph. The men quickly unload the plane into the trunks of
two Broncos and the back of a truck.
INT. FT. LAUDERDALE HOUSE - NIGHT
WE FOLLOW the duffel bags out of the Bronco into the house.
The boys sit around as George samples the product.
KEVIN:
Are we good?
GEORGE:
Are we good? Yeah, we're good. We're
beautiful. We're perfect. This is A
grade, one-hundred percent pure
Colombian cocaine, Ladies and Gentlemen.
Disco sh*t. Pure as the driven snow.
Good riddance.
He looks the boys over.
GEORGE (CONT'D)
You saved my life, Dulli. You'll never
f***ing know. All you guys. Everyone
just got a raise. Instead of ten
percent, you get fifteen.
LEON:
Jesus, George, fifteen percent. That's
an extra two-hundred large.
GEORGE:
I don't give a sh*t. Split it up. Have
a great life. I'm done. I'm out.
Starting over. Cheers.
They clank. George gets up and does the Snoopy Dance to the
bathroom.
GEORGE (CONT'D)
Yeah! Unbelievable. Dulli, pour us
another round. I gotta hit the head.
George leaves the room. The camera slowly pans back to the
guys. Something doesn't look right. They have not moved.
They look bummed. Leon looks at G.G.
LEON:
What?
G.G.
I feel bad.
BEN:
Me too. He's not such a bad guy.
KEVIN:
F*** you guys. All of you. I've known
him for thirty f***ing years. F***ing
George.
LEON:
Yeah, I like him, too. But what's done
is done. So let's not get all
sentimental about it, okay?
The CAMERA PANS BACK SLOWLY to the bathroom door, George
comes back into the room, dancing. He goes and sits down
with the guys.
GEORGE:
(laughing)
Dulli, I was just thinking about that
time we landed in Mexico. You've gotten
a lot better since then, huh pal?
Remember that f***ing landing strip?
Huh?
George is the only one smiling. No one is looking at him.
GEORGE (CONT'D)
Hey, what's wrong fellas? Why the long
faces?
He looks at each one. He slowly realizes something's up. He
looks to Dulli finally.
GEORGE (CONT'D)
(defeated)
No. C'mon, Dulli.
The front door busts down, agents pour in. The CAMERA SWISH
PANS to George. Lights out. Slow motion. Slow dolly into
XCU.
EXT. OTISVILLE F.C.I. - NEW YORK - 1999 - DAY
George has tears in his eyes. He is frozen. Paralyzed by
the memories.
GEORGE:
Oh, no.
INT. FT. LAUDERDALE HOUSE - 1989 - DAY
The voices from the bust can be heard as the CAMERA PUSHES
SLOWLY into George's face. Surreal.
GEORGE (V.O.)
I was busted. Set up by the FBI and the
DEA. That didn't bother me. Set up by
Kevin Dulli and Derek Foreal to save
their own asses. That didn't bother me.
Sentenced to sixty years at Otisville.
That didn't bother me.
EXT. MIRTHA'S HOUSE - MIAMI - 1989 - DAY
Nine-year old Kristina Sunshine Jung sits on the front porch
as the sun goes down. Her bags are packed and ready to go.
GEORGE (V.O.)
I had broken a promise. Everything I
loved in my life goes away.
INT. OTISVILLE F.C.I. - 1989 - DAY
George is led into a small room and greeted by his lawyer,
ARCHIE ZIGMOND.
ZIGMOND:
Here's the deal, George. You're not
getting out. I tried to get you
furloughed, but your mother squashed it.
Said it would only upset him. I'm
sorry.
George takes it in. Blinks. The years have not been kind.
GEORGE:
How's he doing?
ZIGMOND:
Well, he's out of the hospital, but
there's not much anyone can do for him.
It's just a matter of time. Listen, I
brought a tape recorder in case you
wanted to say something to him. That
way he could hear your voice.
GEORGE:
Right.
Zigmond sets the tape recorder down and leaves the room.
George stares long at the machine. He pushes the record
button and looks at the red light.
GEORGE (CONT'D)
Hello, Dad...
A sixty-nine year old Fred shuffles from his house to the
blue LTD. He gets in, turns the key, and puts his son's tape
into the deck.
GEORGE (V.O.)
You know, I remember a lifetime ago, I
was about three-and-a-half feet tall,
weighing all of sixty-pounds, every inch
your son...
Six-year old George runs through the leaves to the truck and
rides to work with his father.
GEORGE (V.O.)
...those Saturday mornings going to work
with my Dad. We'd climb into that big
yellow truck. I used to think it was
the biggest truck in the world.
INT. FRED'S LTD. - 1989 - CONTINUOUS
CLOSE ON FRED:
visibly moved.
GEORGE (V.O.)
I remember how important the job we did
was.
How if it weren't for us, people would
freeze to death. I thought you were the
strongest man in the world.
FLASHBACK - VISUALS MATCH DIALOGUE
Ermine as Loretta Young.
Fred Jung and his son tossing a baseball.
Tuna and George driving off in the black Oldsmobile
convertible.
The FBI arresting George in his old bedroom.
GEORGE (V.O.) (CONT'D)
Remember those home movies when Mom
would dress up like Loretta Young? And
the ice creams and the football games?
Waino, the Tuna, and the day I left for
California only to come home with the
FBI chasing me?
INT. JUNG HOUSE - GEORGE'S BEDROOM - 1973 - NIGHT
James J. Trout pulls a handcuffed George's boots over his
socks as Fred and Ermine watch.
GEORGE (V.O.)
And that FBI agent, Trout? When he had
to get on his knees to put my boots on?
You said...
FRED:
That's where you belong...
INT. FRED'S LTD. - 1989 - CONTINUOUS
A choked up Fred repeats the words.
FRED:
...you sonofabitch. Putting on George's
boots.
GEORGE (V.O.)
That was a good one, Dad. That was
really something. Remember that?
INT. OTISVILLE F.C.I. - NEW YORK - 1989 - DAY
George's eyes well up and he sparks a cigarette, as he keeps
trying to tell his father goodbye.
GEORGE (V.O.)
And that time you told me that money
wasn't real? Well, old man, I'm forty
two years old. I finally learned what
you tried to tell me so many years ago.
INT. FRED'S LTD. - 1989 - CONTINUOUS
Tears come crashing out of the old man's stoic face.
GEORGE (V.O.)
I finally understand. You're the best,
Dad. I just wish I could have done more
for you. I wish we had more time.
EXT. OTISVILLE F.C.I. - NEW YORK - 1999 - DAY
A vision of Fred Jung sits on the ground before his fifty-two
year old son.
GEORGE:
I guess I kind of lost sight of things.
"May the wind always be at your back and
the sun always upon your face, and the
winds of destiny carry you aloft to
dance with the stars." Love, George.
FRED:
That was a beautiful message.
GEORGE:
I meant every word of it.
FRED:
Did you know I died two weeks after you
sent me that tape?
The apparition of Fred disappears and George is left alone
once again.
GEORGE:
Yeah, Dad. I knew that.
INT. OTISVILLE F.C.I. - NEW YORK - 1990 - DAY
George is led into the room where THREE FBI MEN await him.
One of them is named FRED GARCIA.
GARCIA:
How are you doing, George?
GEORGE:
What do you guys want?
GARCIA:
You hear about your old friend, Diego?
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