Blowup: San Francisco Page #2
- Year:
- 2009
- 23 Views
and poodles in the area.
I saw some in the couple of minutes
I was there.
It'll go like a bomb. Over.
Blue 439, what is in the area? Over.
- Forget it. Over.
- Roger. Wilco. Standing by.
You want to use the lot?
Don't you like 'em?
They're great.
We'll use three or four.
Spread through the book?
No. All together.
Yeah.
- And a pint.
- Yes, sir.
- Which one last?
- None of this lot.
I've got something fab for the end.
In a park.
I only took them this morning.
You'll get them later on today.
It's very... peaceful, very still.
The rest of the book'll be pretty violent,
so I think it's best to end it like that. Hmm?
Yes.
That's best.
Rings truer.
I've gone off London this week.
Why?
Doesn't do anything for me.
Yeah.
- I've knocked up a few captions.
- Yeah?
I'm fed up with those bloody b*tches.
Wish I had tons of money.
Then I'd be free.
Free to do what?
Free like him?
Someone we know?
Hello?
That'll be all right.
Good afternoon.
Let me hand it over to J.H. Goodman.
Thank you, Freddy, thank you.
Hello. Could you get me
Frobisher 3-double-2-9, please?
I've only got a sixpence.
Park 1296.
Hello. It's me.
Weren't you supposed to be
going off to, um, Hurley?
Hmm?
Listen. Stay where you are.
Call me soon at home. Mmm.
I've come -
I've come for the photographs.
How did you manage to find me?
Do you live here?
Mmm.
Drink?
What's so important
about my bloody pictures?
That's my business.
The light was very beautiful
in the park this morning.
Those shots should be very good.
Anyway, I need them.
My private life's already in a mess.
So what?
Nothing like a little disaster
Have you ever done any modeling?
Fashion stuff, I mean.
You've got it.
Hold that.
Not many girls can stand as well as that.
No, thanks. I'm in a hurry.
You'll get your pictures.
I promise.
I always keep my word.
Come here.
Show me how you sit.
Ooh. Who is it?
Oh, yes, that's right. Hold on a second.
Is it for me?
It's my wife.
Sorry, love.
The bird I'm with won't talk to you.
She isn't my wife, really.
We just have some kids.
No. No kids.
Not even kids.
Sometimes though, it -
it feels as if we had kids.
She isn't beautiful, she's...
easy to live with.
No, she isn't.
That's why I don't live with her.
But even with beautiful girls, you -
you look at them and that's that.
That's why they always end up, uh...
And I'm stuck with them all day long.
It would be the same with men.
Have a listen to this.
No, keep still. Keep still.
Listen. Keep still.
You can smoke, if you like.
Slowly. Slowly.
Against the beat.
That's it.
I can't stand it.
Can I have some water?
And I'm not a fool, love.
Can I have the photographs?
Of course.
Later.
Your boyfriends a bit past it.
Why don't you say what you want?
Get dressed.
I'll cut out the negatives you want.
They'll go.
They're not going.
Don't go.
- Have you bought a propeller?
- What?
You bought a propeller this morning, right?
Oh, yes.
You'll have to give us a hand with it.
- All right?
- Fine, yeah.
What's it for?
Nothing. It's beautiful.
If I had a big room like this,
I'd hang it from the ceiling like a fan.
- Do you live on your own?
- No.
Perhaps I'll put it there
like a piece of sculpture.
It'll look good there.
It will break up the straight lines.
- Are you going?
- It's late.
Do I see you again?
Well, at least tell me your name
or your telephone number.
Thank you.
Hello? Knightsbridge 1239?
What?
No, I'm sorry.
Ron?
Something fantastic's happened.
Those photographs in the park - fantastic.
Somebody was trying to kill somebody else.
I saved his life.
Listen, Ron, there was a girl.
Ron, will you listen?
Look, hang on, will you, Ron?
There's somebody at the door.
He is home.
You weren't expecting us, were you?
No.
Could you manage to make a cup
I can make an Irish coffee, if you'd like.
All right, come on.
- Is she always like that?
- Like what?
Doesn't speak.
What's your name?
Ah, forget it. What's the use of a name?
What do they call you in bed?
I only go to bed to sleep.
Hello.
Hello.
Psst.
Look at all these clothes.
Ooh.
No.
Hey, how 'bout this one?
Put it on.
Oh.
What about you? Help yourself.
The coffee!
Aaah!
- What's the matter?
- She's got a better figure than me!
- Oh, it's not true.
- Oh, no!
Go on, whack her.
Go on. Give her a left hook.
Put you in the ring together.
Oh! Oh, no!
Oh! Oh, no.
No!
Hold her legs.
- Hold her legs!
- No! No, no!
No! No!
No!
Let go of me!
Right, let's move. Out.
You haven't taken any photos.
No. Not now. I'm too whacked.
It's your own faults.
Tomorrow.
Tomorrow!
Were you looking for something just now?
- No.
- Oh.
Do you ever think of leaving him?
No, I don't think so.
I saw a man killed this morning.
Where?
Shot.
Some sort of park.
Are you sure?
He's still there.
Who was he?
Someone.
How did it happen?
I don't know. I didn't see.
You didn't see?
No.
Shouldn't you call the police?
That's the body.
Looks like one of Bill's paintings.
Yes.
Will you help me?
I don't know what to do.
What is it? Huh?
I wonder why they shot him.
I didn't ask.
Hello, Ron? Oh, love, is Ron there?
No, I just wanted
to take him somewhere. Where is he?
Okay, I'll fetch him there. Bye-bye, love.
Strollin' on
'Cause it's all gone
Treat you right
You make me cry
You're tellin' me you didn't see
The future bore our love no more
If you wanna know I love you so
And I don't wanna let you go
I'm strollin' on
Gonna make you see
I'm strollin' on
You'll find you really love me
I'm strollin' on
Be your turn to cry
I'm strolling on
You wish you'd never lied
You're going to change your mind
But you ain't gonna find
any more of my kind
I'm strollin' on
'Cause it's all gone
The reason why you made me cry
By tellin' me you didn't see
The future bore our lovin' no more
If you want to know
I love you so
I don't wanna let you go
I'm strollin' on
I'm gonna make you see
Strollin' on
You'll find you really love me
I'm strollin' on
It'll be your turn tonight
Strollin' on
You wish you never lied
You ain't gonna find
any more of my kind
Give 'em a show again.
Strollin' on 'cause it's all gone
The reason why you made me cry
By tellin' me you didn't see
The future bore our love no more
If you want to know
I love you so
And I don't wanna let you go
I'm strollin' on
Gonna make you see
I'm strollin' on
You'll find you really love me
I'm strollin' on
Be your turn to cry
I'm strollin' on
You wish you'd never lied
You ain't gonna find
any more of my kind
Hey.
What do you want?
Ron?
Give me a minute, will you?
Ron.
Someone's been killed.
Yeah, okay.
Okay.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Blowup: San Francisco" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/blowup:_san_francisco_4354>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In