Blue Velvet Page #20

Synopsis: College student Jeffrey Beaumont (Kyle MacLachlan) returns home after his father has a stroke. When he discovers a severed ear in an abandoned field, Beaumont teams up with detective's daughter Sandy Williams (Laura Dern) to solve the mystery. They believe beautiful lounge singer Dorothy Vallens (Isabella Rossellini) may be connected with the case, and Beaumont finds himself becoming drawn into her dark, twisted world, where he encounters sexually depraved psychopath Frank Booth (Dennis Hopper).
Production: MGM
  Nominated for 1 Oscar. Another 18 wins & 16 nominations.
 
IMDB:
7.8
Metacritic:
76
Rotten Tomatoes:
94%
R
Year:
1986
120 min
1,035 Views


Mike and his friends are getting in Mike's car. Mike is trying to start

the engine. He does and clumsily throws the car in reverse. He screeches

out and screeches to a stop. Then he guns away forward and shoots crazily

down the road.

JEFFREY:

Here we go.

They drive off.

198. INT. BEAUMONTS' CAR/NEIGHBORHOOD STREET - NIGHT

DOROTHY:

(looking over)

Oh God. Jeffrey is that you?

Sandy looks at Jeffrey questioningly.

JEFFREY:

Yeah, it's me.

DOROTHY:

Oh God, Jeffrey. is that you? Oh God.

Sandy is confused. how do they know each other?

CUT TO:

199. EXT. WILLIAMS' HOUSE - NIGHT

Jeffrey and Sandy take Dorothy up the walk. Sandy opens the door.

200. INT. WILLIAMS' LIVING ROOM - NIGHT

They enter the living room. Mrs. Williams comes in from the kitchen.

SANDY:

(hurrying)

Is Dad home?

MRS. WILLIAMS

(shocked at sight)

No.

SANDY:

You better call him and get an ambulance

too.

Dorothy is clinging to Jeffrey. Mrs. Williams goes to call.

Sandy moves closer. Jeffrey looks at Sandy and she returns the look.

DOROTHY:

(crazy)

Where have you been?

(screams)

Oh God. they hurt him, Jeffrey. Jeffrey,

Jeffrey, Jeffrey, hold me. HOLD ME.

Oh God.

JEFFREY:

It's okay. it's okay.

DOROTHY:

(like a little girl)

My secret lover.

Mrs. Williams comes in.

MRS. WILLIAMS

The ambulance will be here in a minute.

I left word for John. The police are on

their way.

DOROTHY:

(screams)

Don't get the police. Oh God, ...Jeffrey

I CAN'T STAND IT!! STOP IT. STOP IT.

LOVE ME,

She looks up at Mrs. Williams.

DOROTHY:

(continuing)

I opened myself to him. He put his

disease in me.

She presses herself tight to Jeffrey.

DOROTHY:

(continuing)

Tell me its okay. I opened myself to

you. Okay, okay, okay, okay?

Mrs. Williams watches with confusion and worry for the hurt this is

causing Sandy. Sandy is crying now and turns away.

JEFFREY:

Sandy? ...Sandy, please.

MRS. WILLIAMS

I'll get a coat for her.

She leaves the room hurriedly.

SANDY:

(crying)

Jeffrey? .What's going on?

JEFFREY:

Shh. I'll tell you.

DOROTHY:

(quietly)

They hurt his head.

JEFFREY:

Who, Dorothy?

DOROTHY:

(whispers)

Don. help him. HELP HIM!! DONNY!!!!

A huge, roaring wind sound comes up.

Dorothy starts screaming.

201. EXT. WILLIAMS HOUSE - NIGHT

The SCREAMS DISSOLVE INTO a SIREN as it roars to a stop in front of the

Williams' house.

202. INT. WILLIAMS' LIVING ROOM - NIGHT

Dorothy clings to Jeffrey. Her eyes are turning a dull, milky white. The

effect is horrifying. She is in shock.

Sandy is still crying, while she moves back and watches Jeffrey. Jeffrey

turns to look at Sandy.

SANDY:

(crying)

I still love you Jeffrey.

Mrs. Williams comes to put a coat around Dorothy. Mrs. Williams is

shaking.

The Paramedics enter the house.

DISSOLVE TO:

203. EXT. WILLIAMS' HOUSE - NIGHT

The PARAMEDICS are loading Dorothy into the ambulance on a stretcher.

Dorothy is moaning. A sickening, warm wind comes up and howls through the

neighborhood.

JEFFREY:

I should go with her, Sandy.

SANDY:

Go ahead.

JEFFREY:

... Sandy?.

SANDY:

Go ahead!

Jeffrey turns slowly and gets into the ambulance.

INT. AMBULACE - NIGHT

Jeffrey's head is very close to Dorothy's. Dorothy is saying something,

mumbling.

DOROTHY:

Hold me, Don.

JEFFREY:

Don?. Where is he?

DOROTHY:

(straining her eyes to

focus on Jeffrey)

HELP HIM!! Promise me you'll help him!

JEFFREY:

I promise, Dorothy. I promise.

DOROTHY:

Hold me. I'M FALLING!

She bolts up screaming directly into Jeffrey's face. Her beaten face and milky eyes are a study in horror.

CUT TO:

205. INT. PAY PHONE - HOSPITAL CORRIDOR - NIGHT

Jeffrey finishes dialing.

JEFFREY:

Mrs. Williams?. Is Sandy there? Please.

(long wait)

Sandy? (pause) Sandy, please.

(he closes his eyes)

. forgive me. I love you.

CUT TO:

206. INT. SANDY'S ROOM - NIGHT

Sandy with red eyes in a darkened room.

SANDY:

(in phone, struggling

to keep from crying)

I forgive you. I just couldn't watch.

I love you Jeffrey. I love you. Is she

okay?. How horrible. What?

CUT TO:

207. INT. PAY PHONE - HOSPITAL CORRIDOR - NIGHT

Jeffrey on pay phone.

JEFFREY:

(in phone)

Please get to your father and send him and

the police to Dorothy's apartment right

away. Be sure your father comes. Something

is happening over there. They're hurting

someone. the guy she loves. Tell them to

hurry. I'm going over right now.

SANDY (V.O.)

No Jeffrey!!

JEFFREY:

Yes I'm going. I have to. I love you. I

will, believe me.

CUT TO:

208. INT. CAB - NIGHT

Driving through the night.

208A. EXT. APARTMENT BUILDING - NIGHT

Jeffrey arrives at Dorothy's apartment building and pays the driver.

He gets out of the cab and looks around. No police. Quiet. The

building looks just the same standing there in the dark. The dim lights

in the front entrance. Jeffrey moves up to the front doors and enters.

No one.

CUT TO:

209. DETECTIVE WILLIAMS' STUDY - NIGHT

Sandy is trying to get her father on the police radio.

SANDY:

(over the radio)

No. he only wants my father to come over.

It's very important. he said someone was

hurt and he wants Detective Williams there.

well, find him!!

210. INT. STAIRWAY - APARTMENT BUILDING - NIGHT

Jeffrey slowly climbs the stairs. His shoes squashing the carpet make

mall crushing sounds as he climbs higher into the building.

He arrives at the Seventh Floor and stops. A high-pitched whine can be

heard faintly. It gets louder as Jeffrey crosses to Dorothy's apartment

door. He gets his key out and inserts it. Turns it. With a loud click

the door swings open and the high whine becomes piercing. He sees

something and jumps back.

211. INT. DOROTHY'S APARTMENT - NIGHT

It is Detective Gordon, the Yellow Man, standing in the center of the room.

FLASHBACK:

He plays the look into the apartment again in his mind and again.

CLOSER ON DETECTIVE GORDON

Something is wrong with him. He is bleeding from the head. He stands

almost motionless. in shock.

Jeffrey peers into the room again. He enters carefully and lets the door

close behind him. He very cautiously moves forward into the room. Slowly

he moves closer to a hideous sight. Standing in the middle of Dorothy's

apartment is T.R. Gordon, the Yellow Man. He is in an extreme state of

shock. He is bleeding badly from a huge wound at the top left of his head. His eyes focused on something only his twisted inner mind see. Sitting in one of Dorothy's chairs is a dead man with no ears. only half-healed bloody wounds at each side of his head. A bullet hole in the center of his forehead. The T.V. is crushed in but it is turned on and it is the television that produces the high electrical whine. Jeffrey moves forward again and kicks the television cord out of the wall. The high whine stops instantly. Silence except for the Yellow Man's labored breathing.

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David Lynch

David Keith Lynch (born January 20, 1946) is an American director, screenwriter, visual artist, musician, actor, and author. Known for his surrealist films, he has developed a unique cinematic style. The surreal and, in many cases, violent elements contained within his films have been known to "disturb, offend or mystify" audiences. more…

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