Bombshell: The Hedy Lamarr Story Page #5
- Year:
- 2017
- 88 min
- 941 Views
without knowing how she was
going to put it together.
She didn't have the training
to make it happen.
And she said that,
"The idea was mine,
but the implementation
was George's."
My mother met George Antheil
at Janet Gaynor's party.
And she liked
George Antheil a lot.
So, when she left
the party early,
in lipstick
on the windshield of his car.
They discovered that they had
a great deal in common.
At the time,
I think they both felt
like they were not understood
for their true qualities.
George Antheil was really quite
an unusual American composer,
extremely avant-garde.
Now musicians all over the world
love to play Antheil's music,
they love to get
into that confrontational space
that was his.
He had a gun,
then he would pull it out
and he'd bang it
down on the piano
right at the beginning
of the show,
and shout, "Lock the doors!"
Sometimes it sounds
like his music is jazz
put into a Cuisinart.
It's just, you know,
chopped up and there it is.
Well, George Antheil
wrote a book
called Bad Boy of Music,
and in chapter 32,
"Hedy Lamarr and I invent
a radio torpedo."
He says,
"We began talking about the war,
which in the late summer
of 1940,
was looking
most extremely black."
Hedy said that she did not feel
comfortable
sitting there in Hollywood
and making lots of money
when things were
in such a state,
and that she was thinking
seriously of quitting MGM
and going to Washington D.C.
to offer her services
to the newly established
Inventors Council.
She was very patriotic,
she loved America.
She was grateful to be here,
and she wanted Hitler dead.
So did George Antheil.
George had a kid brother
12 years younger
whose name was Henry.
1941, he boarded a plane,
and moments later,
the plane was shot down
by two Soviet fighters.
This is the first American
killed in World War Il.
George, he was just devastated.
He wanted revenge
for his brother's assassination
and opportunity
with someone who knew
what she was talking about.
Hedy and George worked
on three inventions together,
all weapons meant to help
the Allies fight Germany.
I have letters
from George Antheil.
In one of the letters, he wrote,
"All she wants to do
is stay home and invent things.
She is an incredible combination
of childish ignorance
and definite flashes of genius."
"She calls
in the middle of the night
because an idea hit her."
So, my mother was a pest.
She had to invent,
she had to invent,
and she pulled George Antheil
in with her.
The most successful
of their inventions
was a secret
communication system
based on Hedy's idea
of frequency hopping.
George is taking
all these notes,
and I think there was
some sort of a-ha moment
where he said,
"You know, I have this system,"
I guess he got from dealing
with player pianos,
"that we might be able to adapt
and make... make
your concept work."
George Antheil got thrown
out of Trenton High School
when he was 17,
so he had no special training
in engineering.
What he did know was how
to synchronize player pianos.
George's
most famous composition
was for a film called
Ballet Mcanique.
He scored it
for 16 player pianos.
George's big realization was,
if piano rolls
can activate piano keys,
why couldn't they activate
radio frequencies
in both torpedo and the ship?
The basic idea
is that by using
two miniature piano rolls
that would start
at the same moment
and turn at the same speed,
a ship and a torpedo
could secretly communicate
on the same pattern
of frequencies.
Ultimately, Hedy and George
wanted their torpedo and ship
to communicate
on 88 different frequencies,
like an encryption system,
basically,
that nobody could crack.
Wonderfully clever idea.
And the Inventors Council
agreed.
The members of the National
Inventors Council...
And it was a council
of actual engineers
with a major inventor
in his own right,
Charles Kettering,
who was struck by the value
and the originality
of Hedy and George's idea.
So they helped George and Hedy
by connecting them up
with a physicist at Caltech
in California who was
an expert on electronics.
And he presumably designed
the electronics part
of this device.
The day came
when this invention
was issued a full patent.
Hedy and George
donated their invention
to the National Inventors
Council,
but it was generally understood
that if the military
used an invention,
the inventors would be paid.
They gave it to the Navy,
and as George Antheil
liked to tell the story later,
I went in to see the Navy Brass
and they threw the patent
on the desk and said,
"What do you want to do,
put a player piano in a torpedo?
Get out of here!"
And that was that.
Sons of b*tches.
Shame.
Shame on them.
Well, that's why
I was in the Army,
because the Navy
was never that bright.
After the Navy
rejected their invention,
Hedy wanted to continue
developing it.
But George,
who always had bills to pay,
wasn't interested.
I think George was very proud
that he had done it,
but I think he just got over it.
I think that for Hedy,
she saw it as perhaps
her ticket to be recognized
for the brilliant woman
that she was.
And the patent, like all things
submitted to the military,
was put in a safe somewhere
and labeled Top Secret.
So it disappeared from the world
for the rest of the war.
The Navy basically told her,
"You know, you'd be helping
the war a lot more, little lady,
if you got out
and sold war bonds
rather than sat around
trying to invent
new kinds of torpedoes.
Leave that to the experts.
Get out there
and raise money."
You don't get to be
Hedy Lamarr and smart.
No.
No.
I worked for the government
at the bond tour.
Really? How?
By appearing,
by dancing with these people.
Hedy used to go
to the Hollywood Canteen
and entertain the troops.
Hedy Lamarr
hands out autographs.
She was not yet
an American citizen
and she was there working
on behalf of the United States
and its soldiers every night
as often as she could be.
It's a great thing, really.
Hedy sold something like
$25 million worth of war bonds,
which if you translate that
into modern dollars,
comes out around $343 million
worth of war bonds.
To be told to just raise money
for the war,
it's unfortunate.
That was the way that people
thought that she would do good
in the best way within
her realm of capabilities.
F-35, somebody have it?
I've got it!
Go ahead!
Oh no.
Like, go and sell a kiss
to a strange man.
Maybe... maybe she would have felt
a little bit better
about her accomplishments
if she received recognition
for her intellect.
Oh, you'll get used to it.
I don't want to get used to it.
I have my own life.
My own life!
To add insult to injury,
the U.S. Government seized
Hedy's patent in 1942
as the property
of an enemy alien.
I don't understand.
They use me for selling bonds,
then I'm not an alien.
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"Bombshell: The Hedy Lamarr Story" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/bombshell:_the_hedy_lamarr_story_4457>.
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