Bones Page #2

Synopsis: The time is 1979. Jimmy Bones is respected and loved as the neighborhood protector. When he is betrayed and brutally murdered by a corrupt cop, Bones' elegant brownstone becomes his tomb, Twenty-two years later, the neighborhood has become a ghetto, and his home has turned into a Gothic ruin. Four teens renovate it as an after hours nightclub, unknowingly releasing Jimmy's tortured spirit. Its thrills and chills when blood spills when Jimmy's ghost sets about its frightful revenge, his killers unaware of the gruesome fate that awaits them. With each new victim, the terror mounts, and Bones' vengeance spins out of control, threatening everyone in his path, including his former lover, Pearl. Get ready for Bones!!!
Genre: Crime, Horror
Director(s): Ernest R. Dickerson
Production: New Line Cinema
  1 nomination.
 
IMDB:
4.1
Metacritic:
42
Rotten Tomatoes:
21%
R
Year:
2001
96 min
£6,835,153
Website
527 Views


Should I?

Are they on the radio?

Nah, but they will be.|They're the best.

How do you know?

- I manage them.|- It's us.

And you bought that building?

Wait a minute.|You look a little familiar.

Are you sure|you're not from around here?

I was born near here...

...but after my mom died,|Dad moved to South.

I grew up in Rossmore Park.

You're a little dark|to grow up in Rossmore Park.

Yo, she's fine.

I guess this is not|Rossmore Park, but...

...thanks for the help.

Hey, anytime.

Here.

I guess|I'll be seeing you, then.

It was nice to meet you.

If she has psychic powers...

...how come she's working|here in Desolation Row?

Come on, man.

What happened to the ColoneI?

A gangsta of love|don't eat no fried chicken.

Why not?|You eat everything else.

The whole chicken distribution|network is owned by the Klan.

Man, don't even go there.

When's the last time|you seen a black chicken farm?

Yeah, special recipe.

There's something in the batter|that makes a black man sterile.

- Bullshit.|- Now hold up, man.

Why are you so concerned with|the plight of the black man?

Last time I checked,|you was not black.

I don't know|exactly what you are...

...but you damn sure|ain't no black man.

I am the future, all right?

I am the melting pot.

You been smoking pot.

I'm the tossed salad.

I am|Martin Luther King's dream.

All I got to do|is hold my own hand.

I am post-racial.

You're post-toasted.

Post-apocalyptic,|more likely.

You're making my head hurt.

Just eat your food.

Eddie, man, what's wrong, nigga?

How many times|I done told y'all, man?

When I'm playing|this game here...

...don't interrupt me.

We just hooked you up|with a tight Viper.

We are paid, nigga.

Viper!

A Viper?

A Viper you stole|off them white boys last night?

Yep, yep, yep.

Like that, nigga.|Just like that.

Are y'all out|your motherfucking mind?

No.

Man, everybody heard|that damn screaming...

...last night on Blackstone.

Remember that sh*t?

How many times I told|you two knucklehead n*ggers?

No psycho sh*t.

If there's going to be|any psycho sh*t...

I'm the one that do it.

We know that.|We respect that.

That's why we didn't do sh*t.

You didn't Ginsu them punks|and steal their ride?

Steal their ride.|That's all we did.

That's all we did.

Man, get that car|the f*** away from here...

...you understand?

This is the type of sh*t|I'm talking about.

I pay the pigs good money|to keep sh*t cool around here...

...and this is the sh*t|that pisses everybody off.

Boy, if I didn't know|your mama-

We just thought-

No more thinking|from neither one of you!

Because I will burn your asses|and snort your asses.

Now get the f*** out of here.|Beat it.

And do something|with your hair, nigga.

Get out of here.

What make a motherf***er|take his real teeth...

...and put-I don't|understand that sh*t.

You're just|a misunderstood genius.

Dad is going to kick ass.

He doesn't like dogs in|the house in the first place.

All right. I told you so.

Hey, you guys.

Hi, Mom.

Tia... what's this?

- It's a dog.|- I can see that.

Why'd you let her bring it in|in the first place?

She's hardheaded.|She don't listen to me.

Excuse me.

Let me see|if I've got this right.

Not only do I have to feed|the three mouths I've got...

...plus Maurice|the bottomless pit...

I have to feed|this stray dog, too?

Bones, it's not nice to bite|the hand that feeds you.

What did you call him?

Bones.

You cannot keep that dog.

Hey, hey, hey.|What's up, Jimmy B?

What's going on, blood?

I got it all arranged|for you tonight, Jimmy.

Eddie Mack's|going to be there...

...and Officer Koruptsky, too.

Got it all laid out|for you, baby.

They've got 12 minutes, tops.

Jimmy, trust me on this, man.

There's some big money|behind this, baby.

Not just big-|I mean big business big...

...like big corporation big,|big government big.

One word,|three little letters-

Y- E-S. That's all|it's going to take.

We can move out of this dump,|hit the big time-

...big houses,|legitimate business, the works.

That's your dream, not mine.

I don't ever want|to leave this street.

Never.

Status quo is totally|cool with me, baby.

I hear you, Jimmy.|I'm with you, baby.

- Be good.|- All right, baby.

I hear you, Jimmy.

You got all the status...

...and I ain't got nothin'|but the quo.

Officer Slupovich...

...aka Loopy Lou.

It's not your style...

...is it, Eddie Mack...

...killing off|your customers?

I ain't killed nobody.

You want me to rack 'em up?|Play a game?

Too bad.|No time to play today.

Got your tip.

Confiscated the whole stash.

That's fair enough...|for the sh*t.

Don't you think I deserve|something a little extra...

...for knocking out|the competition?

Sh*t, you was just doing|your motherfuckin' job.

The last thing you need...

...is for me to start doing|my f***ing job.

Give that motherf***er|his money.

That's more like it.

That's the cost of|doing business.

Maybe you can deduct it|on your taxes.

F*** you.

What's up with Jeremiah|selling that building?

What?

That's ridiculous, Patrick.

So how exactly did crack|get in the ghetto, Pop?

By magic?|How did it fly in there?

Like the man said,|we don't own that many planes.

Stop poisoning your mind|with that ghetto paranoia.

That's the ways of people|justifying their own failure.

No, no, no, Dad.

The man has been lying to us|for a hundred years.

Thank you.

I'm still waiting for|my 40 acres and a mule.

You wouldn't know a mule|if one bit you in the ass.

Personally, I don't need a mule.

I've got myself a Lexus.

And nobody gave it to me.

Please, Pops-

I'd like to see the news,|please.

...in the strange|disappearance...

...of those two State College|fraternity brothers.

Now, Patrick, I'm telling-

Slick.

What is that?|What's that all about?

- Nothin'.|- What were you gonna say?

Some terrible sh*t, Pops.

Better watch your mouth, boy.

Those boys had no business|messing around down there.

You go places where|you're not meant to be...

...and that's what you get.

Isn't that your old hood, Pops?

Yes, that's my old hood...

...and it took some doing|to get out of there.

You just be glad that I did...

...so you can start your life|here instead of down there.

Shouldn't we|maybe be down there?

Doing something about it,|making it better?

It can't be done, Patrick!

That place has already|died and gone to hell.

Want me to get that, honey?

No, I'll get it.

Al Lupovich.|Long time no see.

I'll be just a second, honey.

What the f*** do you want?

Wanted to visit|with my old pal J-Bird.

Don't call me that.

That's quite a brood|you got there.

A regular Rainbow Coalition.

What the hell do you want,|Lupovich?

You sold the building.

What building?

Don't sh*t a shitter.|Our building!

You were supposed to sit on it,|not sell it.

I didn't sell it.

Somebody bought it,|so somebody sold it.

Not my problem.

That's a bozo no-no, J-Bird.

Even if they find anything,|it's been 20 years.

They could never|trace it back to us.

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Adam Simon

Adam Simon (born February 6, 1962) is an American director, producer, and screenwriter. His directing credits include Brain Dead (1990), Body Chemistry II: The Voice of a Stranger (1992), and Carnosaur (1993). Simon, along with producer Brannon Braga, co-created the television series Salem. As a screenwriter, Simon is known for Bones (2001), and The Haunting in Connecticut (2009). He plays a humorous version of himself, pitching a project and getting barred from the studio lot in the famous opening-shot of Robert Altman's The Player (1992). He previously appeared, thinly veiled, as a fictional character in Christopher Guest's film The Big Picture (1989) and would reappear in Kim Newman's novel Johnny Alucard (2013), where he again pitches a project and becomes the only person in Hollywood standing up to a particularly sinister studio executive.Kim Newman has noted that Adam Simon has "become one of the most oft-cited figures in contemporary Hollywood satire, and those in the know have begun to play the game of Simon-spotting. [...] Remarkable look- and act-alikes for Adam Simon have appeared in a couple of sinister Hollywood satires: Adam Rafkin (Jarrad Paul) on the cancelled-too-soon TV series Action, who ruins his emotional and physical health on successive drafts of Beverly Hills Gun Club for sleazy überproducer Peter Dragon (Jay Mohr); and Adam Kesher (Justin Theroux) in David Lynch's Mulholland Drive, who finds his entire life - and film project - jeopardised when he considers going against the wishes of backers who represent either organised crime or Hell." more…

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Submitted on August 05, 2018

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