Bonnie and Clyde Page #11
- R
- Year:
- 1967
- 111 min
- 856,328 Views
BUCK:
(still quietly)
Can't. I killed a man. We're in
this now.
BLANCHE:
(loud and shrill)
Please! Please!
BONNIE:
(exploding)
Shut up! Just shut up your big
mouth! At least do that, will ya,
just shut up.
CLYDE:
Cut it out, Bonnie.
BONNIE is affronted. BLANCHE continues sobbing.
BONNIE:
(curtly)
Stop the car. I want to talk to you.
53.
Without a word, CLYDE stops the car.
EXT. ROADSIDE. DAY.
BONNIE and CLYDE get out and walk fifteen feet away from the
car. Both are irritated and touchy. Camera follows them.
CLYDE:
(coldly)
What is it?
BONNIE:
Get rid of her.
CLYDE:
Can't do that. She's Buck's wife.
BONNIE:
(snapping her words)
Get rid of both of them then.
CLYDE:
Why? What's the matter with you
anyway?
BONNIE:
She's what's the matter with me, a
without a brain in her head.
(contemptuously)
She ain't nothin' but prunes and
proverbs.
CLYDE:
(really pissed-off at Bonnie)
What makes you any better? What
makes you so damn special? You're
just a West Dallas waitress who
spent half your time pickin' up
truck drivers!
This hits home with BONNIE. He has said the unforgivable.
BONNIE:
(raising her voice)
You talk to me like that! Big
Clyde Barrow, just the same as your
brother, an ignorant uneducated
hillbilly.
(with deadly archness)
Only special thing about you is
lovemakin'--which is no love makin'
at all.
54.
CLYDE stiffens. The two of them stand silent and tense,
almost quivering with anger. They have stripped each other
raw. CLYDE turns and looks back at the car. Everyone is
waiting, watching them. He breathes a deep sigh, like a man
counting to 10 to hold his temper.
CLYDE:
Look, Bonnie-
He can't finish.
Close. BONNIE. She drops her head into her hand for a
moment, comes up a little more relaxed. She looks at CLYDE
and her eyes reflect the realization of the pain she has
inflicted on him. She softens.
BONNIE:
Clyde...honey...I didn't mean all
that, honey. Blame it on all that
shootin', I just felt so bad...sure
enough...Clyde?
CLYDE:
Okay...Okay, hon...let's get
movin'...
He turns and begins walking back to the car. BONNIE walks
alongside him. On the few steps back, she regains all her
dignity and acts aloof from the others waiting for her. She
reaches the car. CLYDE opens her door for her and she gets
in like a great lady. He walks around to his side, gets in,
and they drive off.
WIDE SHOT. EXT. CAR. DAY.
A very wide shot. We see CLYDE's car driving along a wooded
road. For a moment that is all we see, then we should
become aware that far in the distance another car is
following CLYDE's.
Close. Rural mail box. On the opposite side of the road,
CLYDE's car swings across the road and CLYDE, who is driving,
snatches a newspaper which protrudes from the box and hands
it into the car. They drive out of the shot. Camera holds
and soon the following car enters the shot. The man driving
is a Texas ranger. He drives slowly. He drives out of the
shot.
INT. CLYDE'S CAR.
BUCK is reading from the paper.
55.
BUCK:
(jubilantly)
Hey, y'all, listen to this here:
Law enforcement officers throughout
the Southwest are frankly amazed at
the way in which will-of-the-wisp
bandit Clyde Barrow and his yellow-
haired companion, Bonnie Parker,
continue to elude their would-be
captors. Since engaging the police
in a gun battle on the streets of
Joplin Missouri and slaying three
of their number...
BLANCHE:
Oh, Lord...
BUCK:
...the Barrow gang has been reported
as far West as White City, New
Mexico, and as far north as Chicago.
They have been credited with
robbing the Mesquite Bank in the
aforementioned White City, the J.J.
Landry Oil Refinery in Arp, Texas,
the Sanger City National Bank in
Denton, Texas on three different
occasions. In addition to these
robberies, the fast travelling
Barrows have been rumored to have
had a hand in the robbing of two
Piggly Wiggly stores in Texas, and
one A&P store in Missouri, though
Chief Percy Hammond, who first
identified Clyde Barrow's brother,
Buck, as a member of the gang,
expressed some doubt that these
last robberies were committed by
the Barrow Gang alone.
BONNIE:
Go on.
C.W.
(finally)
Clyde, we ain't goin' to see a
restroom for another thirty miles.
Why don't you just stop here?
CLYDE looks relieved.
56.
EXT. WOODED AREA. DAY.
He pulls the car to a stop, gets out and goes off into the
woods. We watch him vanish behind the trees.
INT. CAR.
BUCK still scanning the newspaper.
BUCK:
(with a laugh)
Hey now, here's something! Listen
here:
Lone Cop Arrests Two OfficersIn Hunt For Barrow. Police Officer
Howard Anderson's heart turned
faster than his motorcycle when he
forced to the side of the road a
roaring black V-8 sedan in which
were three men and a blondheaded
woman yesterday afternoon.
Everybody laughs. As BUCK continues to read, his voice
remaining on the soundtrack.
EXT. CAR.
The camera goes outside the car and pulls back, way back, to
reveal a police car quietly driving up behind the car. The
car stops a good distance away and one man gets out, the
only occupant of the car. He is tall, dressed in the
uniform of the Texas Ranger. He draws his gun and slowly
approaches the car from the rear. On the soundtrack BUCK's
voice continues; as we see all this taking place.
BUCK:
When he saw several machine guns in
the car he was certain he'd caught
Clyde Barrow, Bonnie Parker, and
maybe Buck Barrow and the third
unidentified member of the gang.
It took a lot of telephoning and
explaining to convince the
motorcycle cop that his captives
were two highway patrolmen and a
blonde-haired stenographer from the
Highway Patrol--. Haw! Haw!
(everybody busts up
with laughter)
In the meantime, on screen, the lawman is slowly approaching
the back of the car. Suddenly, cut to shot of CLYDE coming
out of the woods, behind the lawman. His gun is tucked in
his pants. In a second, he sees what is happening.
57.
BUCK's voice is continuing:
BUCK:
Anderson was held up as an example
for every other Texas peace officer
today. "That was a mighty brave
thing," explained Highway Patrol
Chief L.C. Winston.
CLYDE whips out his gun. The following scene is played
exactly like a classic fast-draw in an heroic Western.
CLYDE:
Sheriff!
BRYCE spins around. Both men fire instanteously, but CLYDE
has the draw on him, and the aim. The gun goes flying from
the SHERIFF's hand. A really razzle-dazzle display of
grandstand marksmanship from Clyde.
Immediately the gang leaps from the car and surrounds the
man, guns drawn.
C.W.
Boy! What a shot, Clyde!
BUCK:
Sweet Jesus, I never seen shootin'
like that!
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