Boogie Nights Page #13

Synopsis: In the San Fernando Valley in 1977, teenage busboy Eddie Adams (Mark Wahlberg) gets discovered by porn director Jack Horner (Burt Reynolds), who transforms him into adult-film sensation Dirk Diggler. Brought into a supportive circle of friends, including fellow actors Amber Waves (Julianne Moore), Rollergirl (Heather Graham) and Reed Rothchild (John C. Reilly), Dirk fulfills all his ambitions, but a toxic combination of drugs and egotism threatens to take him back down.
Genre: Drama
Production: New Line Cinema
  Nominated for 3 Oscars. Another 29 wins & 49 nominations.
 
IMDB:
7.9
Metacritic:
85
Rotten Tomatoes:
93%
R
Year:
1997
155 min
8,633 Views


How close?

KURT LONGJOHN:

Give me twenty to thirty. I've got a

couple tough shadows to deal with --

JACK:

Okay, but not too long, Kurt, right?

Remember, there are shadows in real life.

Little Bill approaches.

LITTLE BILL:

You wanna go over this?

JACK:

Yeah. Let's . . . .

LITTLE BILL:

(reading from script)

Okay. Set up is . . . here we go:

1.) Amber talking to Becky about auditions.

They make the phone call to the agency to

send over some actors.

2.) Enter Reed to audition for Amber.

They go at it. Becky just watches.

C.) Becky goes to the bathroom to jack-off

and is interrupted by Amber. They get into it.

E.) Enter Dirk --

(looks up)

Who's Dirk Diggler?

JACK:

The kid, Eddie, from the club.

LITTLE BILL:

Good name. Anyway: 4.) Dirk enters.

Meets with Becky. They go at it --

JACK:

I wanna change that -- that should be Amber.

Dirk should be auditioning with Amber.

Little Bill makes a note. Jack walks over to Becky, who's sitting in a

chair, shaving her pubic hairs.

JACK:

Becky, honey --

BECKY:

What?

JACK:

What're you doing? We're shooting

in twenty minutes.

BECKY:

I'm shaving my bush --

JACK:

Now?

BECKY:

It only takes two seconds, Jack.

JACK:

Fine, fine.

Jack continues to get everyone ready.

JACK:

Alright everyone, let's go, let's go,

we need to shoot this first scene --

we need to get one off --

CUT TO:

53 INT. BEDROOM - DAY - LATER

Dirk is sitting on the edge of the bed, dressed up in a brown suit and his

hair is brushed back, parted down the middle. He paces a little, does some

deep breathing, looks over script, etc. Scotty J. enters.

SCOTTY J.

Hey. Hi. Dirk. Dirk Diggler.

DIRK:

Hi.

SCOTTY J.

I'm supposed to come get you.

Tell you they're ready, now.

DIRK:

Okay.

SCOTTY J.

You look really good.

DIRK:

Thank you.

SCOTTY J.

You look really sexy.

DIRK:

Thanks.

SCOTTY J.

I like your name.

DIRK:

You do.

SCOTTY J.

It's really cool.

DIRK:

Thanks.

SCOTTY J.

OK . . . well . . . whenever you're ready . . .

I'll see you out there.

Scotty J. exits. Dirk stands, takes a deep breath. CAMERA follows as he

exits the room and walks through the house and into --

54 INT. GARAGE/FILM SET

The crew is ready and waiting. Jack is there to greet him.

JACK:

Ready, champ?

DIRK:

Let's do this.

They walk through the scene with Amber.

JACK:

So we know the scene, we know the thing.

You're gonna start outside the set,

through that door, I'll call your name

and action, that'll be your cue . . . come through

the door, straight to the desk, right here,

boom, you and Amber do the scene --

DIRK:

Do we go straight into having sex?

JACK:

Is that alright?

DIRK:

It would be better I think, y'know,

so we don't break up the momentum

or something --

JACK:

Amber?

AMBER:

Good.

JACK:

So we'll just go straight through.

DIRK:

Okay.

KURT LONGJOHN:

Are we doing a rehearsal?

JACK:

Eddie, you want a rehearsal?

DIRK:

It's okay . . . I can do it . . .

JACK:

Great.

DIRK:

Jack?

JACK:

Yeah?

DIRK:

. . . can you . . . um . . . will you call me

Dirk Diggler from now on?

JACK:

Yes. I'm sorry, yeah, yes.

Jack exits. Amber and Dirk huddle in the corner a moment.

AMBER:

Do you want to practice your lines with me?

DIRK:

I know it.

AMBER:

You look great, honey.

Rate this script:0.0 / 0 votes

Paul Thomas Anderson

Paul Thomas Anderson (born June 26, 1970) also known as P.T. Anderson, is an American filmmaker. Interested in film-making since a young age, Anderson was encouraged by his father to become a filmmaker. more…

All Paul Thomas Anderson scripts | Paul Thomas Anderson Scripts

1 fan

Submitted by acronimous on June 26, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Boogie Nights" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/boogie_nights_1168>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Boogie Nights

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "CUT TO:" indicate in a screenplay?
    A The beginning of the screenplay
    B The end of a scene
    C A camera movement
    D A transition to a new scene