Boomerang Page #9

Synopsis: Marcus is a successful advertising executive who woos and beds women almost at will. After a company merger, he finds that his new boss, the ravishing Jacqueline, is treating him in exactly the same way. Completely traumatized by this, his work goes badly downhill. But then, Jacqueline's more quietly attractive assistant, Angela, who has been dating Marcus' best friend, shows herself more than a little concerned by his perilous state.
Genre: Comedy, Drama, Romance
Director(s): Reginald Hudlin
Production: Paramount Pictures
  1 win & 4 nominations.
 
IMDB:
5.4
Metacritic:
45
Rotten Tomatoes:
40%
R
Year:
1992
117 min
3,613 Views


Love should have brought

your ass home last night.

- Didn't you hear me say I was sorry?

- I heard you.

You're sorry and you're tired.

You don't love me or Jacqueline.

You only love your damn self.

How could you say

I never cared about you?

Jacqueline says that I'm a better person

now, and I owe that all to you.

I'm outta here.

I'll get the rest of my things later.

Let me just tell you one more thing.

I might not be all glamorous,

and I don't have hair down my back, but

let me tell you one great thing about me.

I've got a heart. You know the bad

thing about having a heart, Marcus?

It's that it gets broken

when you deal with people like you.

Now stay the f*** outta my life.

She left you, huh?

Yeah. She did.

I guess I should feel happy, but I don't.

I hate to see another person in pain.

Thank you very much. That's very nice

of you, Yvonne. Good night.

So, would you like to come over

for a cup of coffee?

Not even if Jesus was pourin' it.

Some motherfuckers can't see

a good thing when it's starin' at them.

Why don't you just leap your black ass

off the ledge, then? F*** you.

- I can't do this.

- I have condoms.

No, it's not that. I gotta go.

What?

I'm in love with somebody.

Angela, right?

So now you think

you're in love with Angela.

No. No, no.

I know - just at this moment,

I know I'm in love with that woman.

Marcus, if you are in love with Angela,

why are you here with me?

Exactly.

Oh, sh*t. Dammit.

Hold up.

- Yo, whassup?

- Whassup?

Come on in.

- Welcome to the penthouse.

- It's kinda smoky in here, chief.

No, no. Wait. That ain't smoke, all right?

That's aroma.

Yo, can you get that for me?

Think that might be a little surprise.

Whassup, man? Where you goin'?

Yo, man. Talk.

Whassup, man?

Hey, how you doin'?

So have you seen Angela lately?

No, I hear she's over

at Barton and Dobbs now.

Yeah, I heard she got

promoted to creative director.

Really? Where'd you hear that?

Bony T told me.

Look, man.

- You don't have to say anything.

- I do. I'm really sorry, Gerard.

I've known you all my life, man. You're

like my brother, you know, and I...

I love you and I...

I don't wanna go through this, man.

Listen, it happened,

and I'm sorry, and I feel bad.

How long you gonna have me beg?

You know what I'm tryin' to say.

You gonna

milk all the apologies outta me.

It's cool.

- All right, man.

- My man.

Yo, man! Whassup? Y'all gonna let a

girl come between us, man? What's up?

We supposed to be here, man.

We boys, man.

We don't hang out no more or nothin',

man. Man, this sh*t hurt, man.

- Y'all make up now, man.

- We just, you know, made up, man.

Well, then, hug.

We hugged just now, and gave

each other a pat and we boys again.

- All right. Give it to me.

- We hugged already.

No, man. I want

a big motherfuckin' hug, man.

Damn, man. I love y'all, man.

- Y'all ready to eat?

- Yeah.

All right.

Yo, is that my sh*t?

Damn, not the penthouse.

No. It's all wrong.

You know that memo I showed you?

Refer to it and show me

a new mock-up in the morning.

This is way off, Tye. We are not

gonna shoot this until it's right.

- Angela.

- Come on.

- Hi. We're lookin' for Angela...

- We are not.

What?

Excuse me for a second, please.

- What are you two doing here?

- Angela.

- I haven't seen you in so long.

- Four months, two weeks, to be exact.

- Thank you.

- We miss you. Where have you been?

I miss you, too, and I've been working.

I got a new job. It's very demanding.

It requires me to work long hours,

and I haven't had the time

to teach the class. I'm sorry.

You always had time for us.

I know. Let me tell you somethin', OK?

You know what I had to do? I had

to rearrange my priorities in life.

Angela had to start

lookin' out for Angela.

- How'd you get here, anyway?

- Our new teacher brought us.

- Your new teacher? Where is she?

- He.

Well, where is he?

I think we best get goin' now.

Goodbye, my queen.

- OK.

- Peace.

My brother.

It's pretty low using the kids, Marcus.

What else could I do? I been sendin'

you letters and I know you got 'em.

I'm just not real big

on words on paper these days.

OK. I know I f***ed up.

You're damn right you f***ed up.

You hurt me.

I miss you.

No. I really, really miss you.

I've never missed anybody in my life

and I miss you. I'm in love with you.

It isn't about your love. It's the fact that

you can't love me the way I deserve.

That's what this is about.

You think I'd bother you unless I was

ready to be everything you wanted?

I wanna be straight up about

everything. I want monogamy.

You are my best friend. I'm miserable.

- I even quit my job because of you.

- Did I ask you to quit your job?

- Why are you doin' this?

- Doing what?

Bein' all stiff and cold,

and hidin' behind your work.

I'm taking care of my business,

and I suggest you take care of yours.

Listen.

I know havin' a great job is cool

and all of that but...

you used to have a good time.

You used to be with these kids

and we used to have fun.

We had a great life. You had everything.

Give me one reason

why I should take you back. One.

I didn't think you could.

Do you still love me?

Because I love you so much.

I miss you.

I'm scared.

And I'm miserable.

I can't breathe without you.

I can't breathe.

I can't breathe.

We should go get your things

and go to my place.

No. I'm not moving into your house

this time. I'm staying in my place.

I want 24-7.

- No.

- That's how committed I am.

No. No. I'm not doin' it.

If you turn and look at her

I will break your f***in' neck.

I was lookin' at this woman, thinkin'

about the future. That's you in 15 years.

- You better still love me.

- She's by herself. I'm playin'. It's you.

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Barry W. Blaustein

Barry W. Blaustein is an American comedy writer best known for his writing on Saturday Night Live and What's Alan Watching? and the screenplays for Coming to America and The Nutty Professor all written in collaboration with David Sheffield.Blaustein directed, wrote, produced, and narrated the wrestling documentary Beyond the Mat. more…

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Submitted on August 05, 2018

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