Borstal Boy Page #2

Synopsis: Brendan Behan, a sixteen year-old republican, is going on a bombing mission from Ireland to Liverpool during the second world war. His mission is thwarted when he is apprehended, charged and imprisoned in Borstal, a reform institution for young offenders in East Anglia, England. At Borstal, Brendan is forced to live face-to-face with those he perceived as "the enemy," a confrontation that reveals a deep inner conflict in the young Brendan and forces a self-examination that is both traumatic and revealing. Events take an unexpected turn and Brendan is thrown into a complete spin. In the emotional vortex, he finally faces up to the truth.
Genre: Drama, Romance
Director(s): Peter Sheridan
Production: Strand Releasing
  1 win & 4 nominations.
 
IMDB:
6.8
Metacritic:
47
Rotten Tomatoes:
45%
NOT RATED
Year:
2000
91 min
Website
221 Views


for this stupid war.

You can't blame me

for the Germans being in Paris.

I blame all men for war.

Don't talk nonsense, Elizabeth.

I'm an artist. How am I expected

to paint here?

Well, if you are really serious about it,

well, surely you can paint anywhere.

You're hopeless.

Elizabeth...

Look, dad, don't treat me

like one of your prisoners.

What are you looking for?

You know, a map book.

What kind of book would that be?

A book of pictures of... just pictures.

Comic books are over there.

Brilliant! Great, thanks.

And you're our Irish rebel,

am I right?

Only one, as far as I know.

I've got the very thing for you.

by Frank Harrison.

The life of Oscar Wilde...

I'm not interested in Oscar Wilde.

Blasphemy!

Fellow Irishman, fellow jailbird

and rebel...

You know what he was done for, don't you?

I know there aren't any songs about him.

Which is odd, for a rebel.

He was put in jail for buggering

the son of the marquis of Queensbury.

Shocking, what?

He was no Irishman if he was up to that caper.

No, local history.

What have you got on local history?

Let's see.

Must be good.

You'll get blind, china.

Here, have this light

here, take it, it's yours.

I - I don't mind.

I'm fine as I am.

Why being such a brick?

You took care of me when we were in jail,

I took care of you.

We're meant to look out for each other.

That's what friends are for, ain't it?

You're not my friend.

What did you do, then?

Shut your mouth.

Right then. Time for the final.

All right lads, get together.

I expect a fair contest,

no biting, no kicking.

Play!

I only want to talk to you.

Save your breath.

I don't know how much longer

I'm going to be here,

but as long as I'm here,

we're going to respect each other.

Understand?

What do you think of them, John?

They're both rather good.

Give it to him, Charlie.

Just friends?

Yeah.

Do you submit?

No.

Don't make me hurt you, china.

Yes.

Submission!

Yes!

And the winner by submission

is Milwall, in the red corner.

Well done. Hard luck, lad.

Well done, Milwall.

Congratulations on a splendid

wrestling final.

Milwall, we have a small prize for you,

which I know will come in useful.

Go on, open it.

Show us, Charlie.

Someone must have sat on it.

Friends. That's all.

I don't want to hear that "china" stuff, right?

China plate - mate.

Just rhyming slang.

See, if you mean "friend", you can

call me "china" any time I like.

You understand that?

It's like ice, Brendan.

It's freezing.

Looks like you're having a circle in here.

I'm not queer.

I like girls.

I knew that from the beginning.

How did you know?

By your hair.

My hair?

How can you tell by my hair?

Your split's the wrong side.

Us queers, we split it the other way.

That's how we know one another.

I'm sorry, I...

You want some?

Aw, come on, we just finished

All right, all right.

Will you take me with you?

What?

When you escape, you'll take me along.

I don't believe it. That's sacrilege,

what they're doing.

Hey you boys, don't do that in front of a Welshman.

That ball is meant for throwing,

not kicking.

Here, I'll show you.

Come on, come on. Give me the ball.

Right boys, get in line.

Right across the field.

You hold the ball firmly,

and pass like that.

Boys, that's what you call rugby.

It's good. It's kind of like

American football.

You want to give it a shot?

I leave English games to the English.

I'm on it.

Good throw, Mac.

Break apart.

Break apart.

We're going to get cheek to cheek,

and I don't mean ballroom dancing.

I'm talking about your cheek

against the other man's backside.

Right boys, down with you now.

That's it. Push.

Hold it, here's the ball.

Hold on there, lads.

I need some voluntiers with experience in painting and decorating.

No sex offenders.

Proper decent criminals only.

Come on then!

Irish.

Milwall.

One more than.

Jock.

Right. Follow me, then.

OK, lads. In here.

It's a dump, sir.

No way! No way!

There you go, miss.

Thank you chief.

My father insists I can make this a studio.

What do you think?

Yeah. Yeah.

A coating of paint, you won't know this place.

Aye. Obviously, these ... going to need to replace them, but...

Maybe a plastering over there.

Light's a problem.

Talking about "light's a problem". There's plenty of light.

It's facing East.

Which makes it bright in the morning,

but dark in the afternoon.

See, an artist needs an even light.

Is he right, Miss?

So, you know what you are talking about.

I always know what I'm talking about.

And where did you learn about light?

My people are all painters.

Really?

Anyone I would heard of?

House painters.

My mother had a picture painted once,

it's hanging in the National Gallery of Ireland.

M-Maybe you've seen it?

No, I never been to Ireland.

At least you had a mother.

I never knew mine.

No mother, so terrible.

Yeah. I was grown up in an orphanage.

I just hope some day I'll have a girl of me own.

I am sure you will Charlie.

Just get out of there, Milwall.

You were never an orphan.

All right. I didn't know my mother.

I used to dream of being an orphan.

Anyway, she seemed to like it, didn't she?

Well, tell you, there's no way I am slaving for that upper class b*tch!

I'm no scabbie, nah.

What those every escape operation need?

Don't know.

A headquarters.

Hey Brendan. Look here.

Hey. What you think you are playing up, brown eyes?

Hello Brendan.

Hello.

This is Lieutenant Kidd, from the army base.

This is Brendan.

He is building my studio.

My father served in Ireland.

So did mine.

Really? What regiment?

First battalion, Dublin brigade, Irish Republic Army.

Aw, IRA.

David, why don't you challenge Brendan and the boys

to a game of rugby?

Wow.

Are you up to it?

Of course.

Hey. What are you tackling?

Leave him, damm.

Useless jewboy!

Come on back.

Yeah. Army bet me a bottle of whisky if you don't score in the second half.

Come on! There is more than honor in stake.

All right. Let's go.

The luck of the Irish.

Looks like he's got it.

Elizabeth.

Bye.

"Reviewing the momentous events of this great period of history"

His Majesty the King, accompanied by Mr Churchill, toured the devastated streets of Coventry

that has suffered the most indiscriminate and vicious attacks of Hitler's Luftwaffe.

This was Coventry Cathedral.

The cathedral spire and the front remain, the rest is rubble.

The King accompanied some of the men who have lost their homes in the German bombing.

God, that's the stuff.

Mac's going to help with the...

with the escape.

The people's spirit is magnificent, and everything possible has been done to relieve their suffering.

The plucky people of Coventry assured the Prime Minister the industrial...

We work in the laundry.

So we're going to nick some civilian clothes.

We're on our way, china. We're on our way.

All right, everyone. Only a mile to go.

Come on, lads, no slacking!

What's the matter with you, Jock?

Sick, sir.

He's had a little bit too much cake, sir.

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Brendan Behan

Brendan Francis Aidan Behan (christened Francis Behan) ( BEE-ən; Irish: Breandán Ó Beacháin; 9 February 1923 – 20 March 1964) was an Irish poet, short story writer, novelist and playwright who wrote in both English and Irish. He is widely regarded as one of the greatest Irish writers of all time.An Irish republican and a volunteer in the Irish Republican Army, Behan was born in Dublin into a staunchly republican family becoming a member of the IRA's youth organisation Fianna Éireann at the age of fourteen. However, there was also a strong emphasis on Irish history and culture in the home, which meant he was steeped in literature and patriotic ballads from an early age. Behan eventually joined the IRA at sixteen, which led to his serving time in a borstal youth prison in the United Kingdom and he was also imprisoned in Ireland. During this time, he took it upon himself to study and he became a fluent speaker of the Irish language. Subsequently released from prison as part of a general amnesty given by the Fianna Fáil government in 1946, Behan moved between homes in Dublin, Kerry and Connemara, and also resided in Paris for a time. In 1954, Behan's first play The Quare Fellow, was produced in Dublin. It was well received; however, it was the 1956 production at Joan Littlewood's Theatre Workshop in Stratford, London, that gained Behan a wider reputation. This was helped by a famous drunken interview on BBC television. In 1958, Behan's play in the Irish language An Giall had its debut at Dublin's Damer Theatre. Later, The Hostage, Behan's English-language adaptation of An Giall, met with great success internationally. Behan's autobiographical novel, Borstal Boy, was published the same year and became a worldwide best-seller and by 1955, Behan had married Beatrice ffrench Salkeld, with whom he later had a daughter Blanaid Behan in 1963. By the early 1960s, Behan reached the peak of his fame. He spent increasing amounts of time in New York, famously declaring, "To America, my new found land: The man that hates you hates the human race." By this point, Behan began spending time with people including Harpo Marx and Arthur Miller and was followed by a young Bob Dylan. He even turned down his invitation to the inauguration of John F. Kennedy. However this new found fame did nothing to aid his health or his work, with his medical condition continuing to deteriorate: Brendan Behan's New York and Confessions of an Irish Rebel received little praise. He briefly attempted to combat this by a sober stretch while staying at Chelsea Hotel in New York, but once again turned back to drink. Behan eventually died on 20 March 1964 at 41 years of age, when he collapsed at the Harbour Lights bar in Dublin. He was given a full IRA guard of honour, which escorted his coffin. It was described by several newspapers as the biggest Irish funeral of all time after Michael Collins and Charles Stewart Parnell. more…

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Submitted on August 05, 2018

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