Bottle Shock

Synopsis: In 1976, Steven Spurrier, a sommelier in Paris, comes to the Napa Valley to take the best he can find to Paris for a blind taste test against French wine. He meets Jim Barrett, whose Chateau Montelena is mortgaged to the hilt as Jim perfects his chardonnay. There's strain in Jim's relations with his hippie son Bo and his foreman Gustavo, a Mexican farmworker's son secretly making his own wine. Plus, there's Sam, a UC Davis graduate student and free spirit, mutually attracted to both Gustavo and Bo. As Spurrier organizes the "Judgment of Paris," Jim doesn't want to participate while Bo knows it's their only chance. Barrett's chardonnay has buttery notes and a Smithsonian finish.
Genre: Comedy, Drama
Director(s): Randall Miller
Production: Freestyle Releasing
  1 win.
 
IMDB:
6.8
Metacritic:
56
Rotten Tomatoes:
48%
PG-13
Year:
2008
110 min
$3,939,185
Website
916 Views


[Man Narrating]

It wasn't always like this.

Before Paris,

people didn't drink our wine.

I mean, my friends did, but you could

hardly consider their palates discerning.

Hell, we were farmers, sort of.

## [Rock]

[Man] # When the sun comes up

on a sleepy little town #

# Down around San Antone #

# And the folks are risin'

for another day #

# Round about their homes ##

[Man]

I guess I'm late.

I told him you were

under the weather.

I don't think he bought that one.

[Chuckles]

Come on, Ken. You know I don't come

around here asking for money unless I need it.

- What's wrong with the old grape press?

- It's bruising the grapes.

It's not about getting it done.

It's about getting it done right.

It's about making the best

goddamn wine that we can.

Jim...

I have no interest

in taking your dream away.

But maybe it's time

you look for a new one.

You want me to sign every page?

This is your third loan.

You default,

we take Chteau Montelena.

[Siren Wailing]

[Man]

Bonjour, madame.

You see, Maurice...

just as Degas used paint...

Rodin used bronze...

Debussy, the piano...

Baudelaire, language...

so HenriJayer and Philippe de Rothschild

used the grape.

Great wine is great art, my friend.

I am, in effect, a shepherd...

whose mission is

to offer the public...

another form of great art...

and to guide...

its appreciation... thereof.

Well, a shepherd...

by definition, needs a flock.

And a business, by necessity...

needs customers.

So, if I were to subscribe

to that proviso...

would you be considered a customer?

No.

No, I would be considered...

an enthusiastic... advocate.

[Sighs]

## [Woman Singing In French]

- Steven Spurrier.

- Uh-huh.

[Speaking French]

## [Violin, Piano]

[Banging]

## [Continues]

[Rain Falling]

[Thunder Rumbling]

[Horn Honking]

That's oaky.

[Sniffing]

Oh, yeah.

And smoky. l-

I detect bacon fat...

laced... with honey melon.

Oh, yes.

And a fine, smooth finish.

- I'm gonna have to make some changes.

- What changes?

I have to actually

sell some wines, for one.

- Why?

- Because this is a business, Maurice!

- Aha.

- "Aha" what?

You've got it all mixed up.

You have L 'Acadmie du Vin...

a school whose mandate,

unless I am somehow mistaken...

is to educate on wine.

And what do you have

on your shelves?

One Chianti and three Rieslings.

The rest are all French.

It might as well be

L 'Acadmie du Vin Franaise.

But even if it was

L'A cadmie du Vin Franaise...

it should seek to present its subject

in a global context.

What about the rest

of the world, huh?

I just read an article

that said California...

is gonna produce wine that will rival

the finest of the French.

And when that happens,

I'm going home.

No offense, but I don't foresee...

the imminent cultivation

of the Chicago vine.

I'm from Milwaukee.

Oh, crap.

Mike, it's not clear.

I was hoping for more.

- [Men Laughing, Chattering]

- Shh, shh.

Hey. We're racking the wine again.

Dad, you gotta be kidding me.

Outside. Now.

No one in the valley racks

more than three times.

- We do.

- [Groans]

Huh? Huh?

- Oh, yeah?

- Yeah.

Whoa.

We've racked the wine five times.

- Come on. Aren't we fighting?

- [Grunting]

Come on. Mike says we're gonna

rack it one more time.

Huh? That chardonnay

has gotta be clear!

Hell, we'll set

a world record then, huh?

- [Groans]

- [Laughs]

[Panting]

Who the hell is that?

[Groans]

[Car Door Opens]

Ah. I made it.

Can I help you?

- Yeah, I'm Sam.

- Yeah.

Your eager and willing intern?

- You're Sam?

- Sam I am.

- Your tire's shot.

- Oh, yeah. Yeah, I know.

But you know what I discovered?

You really only need three, don't ya?

Yeah, I made it all the way from

Fairfield on three, no problem.

Oh, God.

- Ow.

- So, you, uh-you okay?

Yeah, no, no. l-

I mean, " the world

breaks everyone...

and, uh, afterward many are stronger

at the broken places. "

- Hemingway, right?

- Yeah.

Yeah, originally.

But, um, you'll hear my dad say it a lot.

Come here. I just wanna

show you something.

- Just take a second.

- [Horn Honking]

So let's say you're strolling down the street.

Now, which business do you notice?

Yours...

or mine?

Well, it depends if you're looking for

a bottle of wine or a limo tour of the city.

Well, maybe so.

But Pierre Tari seeks out

my business, not yours.

Promotion, Stevie boy.

That's the key to any

successful business venture.

- Promotion.

- Pierre Tari?

- Yes.

- Secretary general...

of the Association

des Grandes Crus Classs?

Yes again.

Maurice, I have an idea.

- You sure he's in there?

- Absolutely.

Every Tuesday.

My guy, Yves Magnon, used to drive him.

I see him.

[Speaking French]

Ah. Uh-

No.

Well?

- Done.

- Wow.

- He agreed, huh?

- He had a couple of stipulations.

- Like what?

- First, I have to come up

with 500 francs by Tuesday.

You mean you have to pay him?

I will be making a charitable contribution

to the federation.

Ah. Hey, maybe it'll get you

a better table at their next dinner.

- Blind tasting, huh?

- Yeah.

Sends out a message of impartiality.

I don't think Tari and the otherjudges

need to see a label to tell the difference...

between a Mouton Rothschild

and a California twist-top red.

If the French lose,

they might bring back the guillotine.

Every great entrepreneurial

inspiration has its risks.

What about publicity, huh?

Hey, I know this guy, George.

He's a great writer.

He was even published in TIME magazine.

Huh. The well-known wine journal.

It's too American. Too up itself.

We need to involve the real news outlets.

- You mean the French outlets.

- Maurice, this is a sophisticated story.

It will lend itself

to sophisticated publications...

that appeal to

a sophisticated readership.

I'll call George.

Wow. Would you look at that?

There must be over 500 words there.

This article's all about

women's fashion accessories.

Maurice, this doesn't

even credit George Taber.

It's because George

is a ghostwriter.

And how do you substantiate

the work of a ghost?

And how do you substantiate

the work of a ghost?

- Has George ever written about wine?

- He's an oenophile.

That'll be a no then.

Complex and a bit woolly.

I think it's a seducer.

I'm going to California to try and find

some respectable competition.

The wines will have to arrive a month

or so early so they'll have time to recover.

- Are you saying that wine gets jet lag?

- [Laughs]

No. It gets what is commonly

referred to as "bottle shock."

Which might, of course, improve it.

[Glass Pings]

So this is it.

Uh, grocery store.

Old bank.

Nice.

- This is Gustavo.

- Gustavo.

- [Sam Laughs]

- [Man] Hey, hey, boy.

Chico.

Check my back.

Make sure it's clear, will ya?

Yeah, you. Come on. Check my back.

Make sure it's clear, will ya?

Stop, stop.

Oh, sh*t.

Apologize.

You should have said "please."

- Let go of my antenna.

- You didn't say please because

you assume that I serve you.

- If you put a crinkle in that-

Rate this script:0.0 / 0 votes

Jody Savin

All Jody Savin scripts | Jody Savin Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Bottle Shock" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/bottle_shock_4541>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "The Social Network"?
    A Aaron Sorkin
    B David Fincher
    C Quentin Tarantino
    D Christopher Nolan