
Bound Page #20
Standing near the bathroom, Corky hears the metal echo of
the tub. Looking at her tub, she imagines what he is doing.
Through the wall, she hears the door buzzer.
INT. CAESAR'S APARTMENT - NIGHT
The buzzer sounds again as Violet sees him lift Roy's body.
CAESAR:
Answer it!
He heads back to the bathroom, dropping Roy onto the other
two.
The three bloody bodies fill the tub.
We see Johnnie's arm hanging over the edge as Caesar snaps
the shower curtain around, hiding them.
VIOLET:
Hello?
COP #1 (V.O.)
This is the police, ma'am.
She cuts them off using the intercom.
VIOLET:
The police?
Over her shoulder she sees Caesar moving the furniture,
clearing the area around the heavy bloodstains.
COP #1 (V.O.)
We had a report of gunfire, so if
you could --
VIOLET:
Gunfire? Is this a joke?
Violet sees Caesar hurry to his office.
COP #1 (V.O.)
No joke, ma'am. Please open the
door.
VIOLET:
How do I know you are cops?
INT. OFFICE - NIGHT
Caesar seizes the beautiful oriental rug in his office and
yanks it up, overturning furniture. Dragging it out, he
slams the door behind him.
Violet looks at Caesar, who is working with the calm, single-
minded focus of a machine.
COP #1 (V.O.)
Ma'am, you have to open the door.
VIOLET:
All right.
She buzzes them in as Caesar throws the rug like someone
making a bed, letting it fall to the floor and cover most of
the blood.
INT. LOBBY - NIGHT
The cops are waiting for the elevator. After a moment, the
door slides open.
INT. CAESAR'S APARTMENT - NIGHT
Violet moves away from the intercom as Caesar begins arranging
the furniture on the rug.
CAESAR:
Get me a wet towel.
His words push her to the bathroom.
INT. BATHROOM - NIGHT
Stuffing a towel into the sink, she turns on the water. She
does not even look at the shower curtain.
INT. HALL - NIGHT
The elevator opens and the cops step out.
INT. CAESAR'S APARTMENT - NIGHT
Caesar grabs the television remote, hits "on" and jacks the
volume until it is obviously loud.
Violet returns and he snatches the towel from her.
INT. HALL
As the two cops walk down the hall, they hear the television.
They look at each other, already knowing what happened.
INT. CAESAR'S APARTMENT - NIGHT
Like a maniac, Caesar wipes at any blood still visible until
there is a knock on the door. He grabs Violet by the arm.
CAESAR:
If you're thinking about doing
something stupid, remember I just
killed Gino Marzzone. You understand
what that means?
She nods.
VIOLET:
They're just cops.
There is another knock, much louder.
Violet goes to the door as Caesar rips off his blood-soaked
jacket and shirt.
He drops down behind the bar Leaving the chain on, Violet
opens the door. Tbe cops smile.
COP #1
See? We're for real.
VIOLET:
I'm sorry, it's just you hear stories.
COP #1
You did the right thing.
Crouching, Caesar wipes vigorously at the blood on his hands
and face.
Violet opens the door.
Caesar crams the bloody wad under the bar sink.
Just as the cops enter the living room, Caesar stands, looking
comfortable in no shirt, with ice cubes in his hands.
CAESAR:
Hey, hey, Chicago's finest.
He plunks the ice into a glass and walks from behind the bar
CAESAR:
How's it going tonight, fellas?
COP #1
Pretty good, sir.
Caesar turns his head.
CAESAR:
Huh? I'm sorry, I can only hear in
this ear.
Tbe cops look at each other again.
Wiping his wet hand on his pants, Caesar shakes hands with
each of them.
CAESAR:
I'm Caesar and this here is my Violet.
They smile at Violet as Caesar puts his arm around her.
CAESAR:
Violet said something about gunshots?
Violet sees the gun wedged in the back of his belt.
COP #2
Yes, sir, a neighbor in the building
called in.
COP #1
I think we know what happened.
COP #2
It was probably just the television.
CAESAR:
The television?
He looks at Violet.
CAESAR:
Honey, why didn't you say something?
Turn it off.
Violet walks across the rug and turns off the TV.
CAESAR:
F***, this happened before. It's
this shitty ear. Born with it. The
batteries wore out in my aid. I'm
sorry.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Bound" Scripts.com. STANDS4 LLC, 2025. Web. 25 Feb. 2025. <https://www.scripts.com/script/bound_638>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In