Brake Page #2
- You sound
a little agitated, son.
What seems to be the problem?
- Look, this is gonna sound
nuts, all right?
Somebody locked me
in the trunk of a car.
'cause you can read my signal.
- Okay, hang on a second.
before,
but do you want
to run that by me again?
the trunk of a car, all right?
I'm serious, man.
I need some help here.
Please, where are you?
- Southbound in a big rig
on the I-95.
- I-95, okay, all right.
All right, well,
I'm in a car, moving.
We must be heading
in the same direction.
- You have any clue
what kind of car?
- I don't.
I don't Know.
I woke up in here.
- Have you been drinkin'?
Because if this is a joke,
it's not funny.
- No!
Listen to me.
This is not a joke.
I swear on my life
I'm in real trouble here.
- okay, okay,
what do you need me to do?
- Okay, I need you to blast
your horn three times.
That's it.
I need to know
how close you are to me.
- Okay, all right.
Here goes.
- Okay.
I can hear you, man!
F***, yes.
I hear you, all right?
Sounds like you're behind me.
You need to speed up
and catch up.
- Copy that.
Movin' out of the slow lane
now, headin' your way.
- Yes!
Okay, all right.
What kind of cars
are in front of you?
I'm in something with a large
trunk, a big-cylinder engine.
You gotta get down the plates.
You gotta write down the plates,
please.
- I'm drivin' a truck, son.
I can't write down sh*t.
- Okay, well,
what are you seeing?
What's on the road?
a ways up, I got a red Hyundai.
Let's see, a green Saab.
- No, no.
Wait a minute.
I hear something.
I hear a Harley, man.
I hear a bike
right on top of us.
You see anything like that?
- Yeah, yeah.
There it is.
About 100 yards ahead.
- Get to that bike!
That's us, man!
Come on, hurry up!
Speed the f*** up, please!
Sounds like we're taking
an exit, man.
They're trying to lose you.
Please.
- I'm trying, kid.
I'm trying!
Can you hear me?
Hello?
- Hello?
Bob, what's happening?
Are you getting closer?
- Hello?
- Bob?
- Are you there?
- Oh, come on.
Please hear me, man.
Bob?
Bob!
You're stopping now?
- Hello?
- Hello?
- Jeremy?
Is that you?
- Molly?
Molly!
- Ooh, you've got to be
kidding me.
Now you call me?
I-I don't have time for this.
- Molly.
- I'm gonna be late for work.
I'm hanging up.
Good-bye, Jeremy.
- No, no, no!
No, no, don't hang up, please.
Look, I'm in the trunk
of a car, okay?
I'm-I'm trapped.
I'm in a box.
I need your help.
- Why am I not surprised
the first time we talk
in three months,
you drunk-dial me?
- No, I'm not-I'm not drunk.
I swear to you, okay?
Somebody dialed your number.
I'm in this f***ing box.
You're on a speakerphone, okay?
- Why do I keep getting
caught up in your sh*t, Jeremy?
This is right where
we left off.
The gambling, Morgan-
- No, this is not Morgan.
Trust me;
he would not go this far.
Look, listen to me, please.
You remember the number?
Remember the number I gave you
in case of an emergency?
- What-what number?
Ben's cell number?
- Yes.
Yes.
You need to find it, babe.
You need to find it.
- Okay, wha-I don't know
what I'm looking for.
What-what does it start with?
- I don't Know the number
by heart.
It was-it's programmed
into my phone.
- Where is your phone?
Jeremy, what's going on?
- That's what I'm trying
to figure out, okay?
Here's the deal.
Find the number.
Call Ben, please.
Tell him what's happened to me,
and then tell him
they need to secure POTUS.
Can you do that for me, please?
- Yeah, yeah.
Okay, where is it?
- Uh, my computer.
The desk.
The top drawer, in a folder.
- I emptied the desk drawers
when you moved out.
I-I don't know, Jeremy.
- Look, I don't Know
how much time I have.
Please just find the number.
- okay.
- Molly, did you get it?
- Uh...
- Molly?
Molly, where are you?
Come on, babe.
- There's-there's someone
at my window.
- What?
What?
Oh, no.
No, please.
Oh, f***, no.
No!
Molly?
Molly!
No!
Hey!
Let me out of here!
You'd better not
f***ing touch her!
You got to f***ing calm down.
- Do we have your attention now?
This can all be over
very quickly.
- F*** you.
- Or we can just leave you
in there.
- Okay.
Yeah, I'm here.
You want to talk?
I'm listening.
- Tell us what we want to know.
- So are you the guy
sending me postcards?
- You know what we want.
- Yeah, I may Know
what you want, yeah, sure.
I can't even breathe.
I got an idea.
Why don't we pull over
and we make a deal?
You want information.
And I want out of here, okay?
So let's pull over and deal.
You're not in control
of this situation.
I am.
Now, tell us
what we want to know,
or Molly suffers
for your lack of cooperation.
- No, no, no.
No, listen to me, okay?
You don't want to do this,
all right?
You want to stop right now,
and I'll forget the whole thing.
- I want the location
of Roulette!
- Look, just pull over the car,
and I'll talk to you, all right?
I said let's communicate!
Please!
Hello?
Hel-
F***.
Oh, f***.
All right, all right.
Okay.
Jesus Christ.
You gotta be
f***ing kidding me.
Help!
Stop, please!
Somebody help me!
Help, somebody!
- Jeremy, are you okay?
- Henry!
They put bees in my trunk, man.
- I know; they told me
what they were going to do.
They said that I'm next.
- I need help.
I'm going to go
into anaphylactic shock.
I'm allergic.
If I don't get a shot soon, man,
I'm done.
- Jeremy, I can help.
I think I know the answer
to the question they asked you.
- What are you talking about?
You don't Know anything.
- They have my wife, Jeremy.
They have my kids!
- Give them nothing.
There's nothing to give.
There's not-
What the f***?
- 38-45.
3-8-4-5, 14.
- Center, 98.
- 98, Center.
Go ahead.
- Center recon, tag the RP,
and ascertain that she still
has a visual on the suspects.
Area check north and south ends
of the alley at this time.
- 10-4, 98.
Stand by.
- Center, 98.
Disregard.
We have a visual.
2945, male, southbound
from the alley on foot.
- Hey!
Hey, man, let go.
Let go of my arm!
F***!
You f-what is this?
- What?
- We saved your life.
You're welcome.
- Why give me the shot, huh?
Why keep me alive?
Why all of this?
- Agent Reins.
Current assignment:
the national security advisor's
protection detail.
Nice job.
- I don't Know
who you're talking about, man.
- Don't play dumb.
We Know who you are.
We Know who you work for.
We couldn't afford to lose you.
You're a valuable asset, Jeremy.
Well, if you Know me so well,
then you Know I'm not going
to tell you anything.
- No, Agent Reins.
You will give us the location
of Roulette.
How much you suffer before that
is ultimately up to you.
- Look, man, I can't help you,
all right?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Brake" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/brake_4600>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In