Braveheart Page #31
- R
- Year:
- 1995
- 178 min
- 4,870 Views
INSIDE THE BARN:
are the assassins, killing knives ready.
CHIEF ASSASSIN:
It's William Wallace, sure! And...
he's given up his sword! Be ready!
They position themselves at every entrance.
OUTSIDE THE BARN
Wallace reaches the barn, dismounts, and moves toward the
door. But suddenly, instead of entering, he grabs the heavy
bar and seals the door! At this motion, Scots spring from
the woods in all directions. The assassins inside realize
the ambush is being turned on them, but it's too late; they
hear the entrance being sealed from the outside.
More Scots, led by Stephen, scramble up from hiding, place
tinder-dry brush and pitch against the barn, and set it on
fire. In moments the entire barn is blazing. The Scots stand
back and watch the barn burn, their faces lit by the flames.
After awhile, there are no more screams from inside.
EXT. CASTLE - NIGHT
The Princess sees the burning off in the distance, like a
bonfire. She stands on the wall, looking out at it. And then
she sees, on a hillside, silhouetted against the night and
the fire, a rider, just sitting there on his horse, looking
at the castle. She runs into the castle, up the stairs, and
stands on the pinnacle of the castle, so that she too is
silhouetted, and he can see her.
The lone rider is William Wallace.
CLOSE - A CANDLE
being placed in a window of the stable cottage, built into
the outer wall of the castle. AT A DISTANCE, the candle burns
like a tiny beacon. And William sees it.
INSIDE THE STABLE COTTAGE, THE PRINCESS
sits alone, wondering if her signal is going to work.
OUTSIDE THE CASTLE
Wallace climbs the castle wall, hand over hand up the mortared
stones, to the window twenty feet above the ground.
He reaches the safety of the window cove and kneels on the
ledge. He looks through the window, and sees her inside.
INSIDE THE ROOM, she looks up, and sees him there. The first
glance frightens her, and yet she expected him, prayed for
him to come. Now, for a long, long moment the two of them
look at each other through the glass, each realizing the
implications of this moment.
She moves to the window and opens it. The wind rushing through
extinguishes the candle, and he slips inside. They face each
other in the darkness. Then she strikes a match and relights
the candle, and they look at each other.
WALLACE:
A meeting in a barn. It had to be a
trap. And only you would know I would
be aware of it.
PRINCESS:
It does me good to see you.
WILLIAM:
I am much diminished since we met.
She wants to say something -- but instead she says something
else.
PRINCESS:
There will be a new shipment of
supplies coming north next month.
Food and weapons. They will trav --
WILLIAM:
No. Stop. I didn't come here for
that.
PRINCESS:
Then why did you come?
WALLACE:
Why did you?
PRINCESS:
Because of the way you're looking at
me now. The same way... as when we
met.
He turns his face away. Gently, she pulls it back.
PRINCESS:
I know. You looked at me... and saw
her.
He twists back toward the window.
PRINCESS:
You must forgive me what I feel. No
man has ever looked at me as you
did.
Surprised, he looks at her now.
WALLACE:
You have... you have a husband.
PRINCESS:
I have taken vows. More than one.
I've vowed faithfulness to my husband,
and sworn to give him a son. And I
cannot keep both promises.
Slowly, it starts to dawn on him what she's asking, and an
unexpected smile plays at his lips. Her smile lights too.
PRINCESS:
You understand. Consider, before you
laugh and say no. You will never own
a throne, though you deserve one.
But just as the sun will rise
tomorrow, some man will rule England.
And what if his veins ran not with
the blood of Longshanks, but with
that of a true king?
WALLACE:
I cannot love you for the sake of
revenge.
PRINCESS:
No. But can you love me for the sake
of all you loved and lost? Or simply
love me... because I love you?
Slowly, he reaches to the candle flame, and pinches it out.
IN THE SHADOWS OF THE COTTAGE BED
we see the surging, pent-up passion... and
DISSOLVE TO:
THE LOVERS:
Their bodies limp, they lie asleep, entwined. The first rays
of morning spread yellow light through the room and across
their faces.
Wallace wakes suddenly; sunlight! He grabs for his clothes,
as she wakes, covers herself in the blanket and jumps out of
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Braveheart" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/braveheart_418>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In