Brazil Page #22
- R
- Year:
- 1985
- 132 min
- 1,230 Views
Good God! ... queries from Security,
searches from Central Banking about a
cheque, clarification notices from
Accounting concerning unreturned
receipts, another demand from the
Motor Pool.
SAM:
Mr Warren ... I have to find out
about ...
WARREN:
Shut up! I don't know what's going on
here, Lowry, but don't think you can
intimidate us with your friends and
relatives in high places! Now shape
up!
He dumps the papers and folders onto SAM's desk and storms
off with his ENTOURAGE, leaving a gleeful LIME in the
doorway.
SAM:
(grabbing Lime as he starts
to slip away)
Lime, I need to use your computer
LIME:
Sorry, a bit busy at the moment.
(he indicates Sam's
smothered desk)
You seem to have quite a lot to do
yourself.
(he disappears into his
office)
112a INT.30TH FLOOR
CORRIDOR DAY 112a
SAM rushes out of his office after LIME. But, LIME has
locked his door. SAM bangs on the door.
SAM:
Sh*t!
112b INT.SAM'S OFFICE DAY112b
SAM storms back into his office. Reaching a peak of
frustration, he stuffs all his paperwork into the
pneumatic tube and sends it off into oblivion. Within
seconds it returns. SAM sends it off a second time. It
doesn't return a second time, periodically something
passes through the tubes causing them to move. SAM's
pneumatic tubes continue to pulsate, pressure building up.
At this point SAM's desk begins, as before, to creep
through the wall. He grabs it violently. He pulls it.
There is a scream from the other side of the wall. SAM
smiles. Th pneumatic tubes give a final convulsion and
then there appears to be a muffled explosion outside SAM's
office door. It shakes the whole building. SAM goes to his
door and opens it.
113 INT. SAM'S CORRIDORCONTINUATION 113
Every door in the corridor has been opened by the
occupants of the room. All the occupants stick their heads
into the corridor, all gazing with SAM at the variously
coloured blizzard of paper which has errupted through the
whole length of the corridor ceiling, from which protrudes
the intestines of the pneumatic system.
114 INT. JACK'S OFFICE CORRIDOR & INFORMATIONEVENING114
RETRIEVAL CORRIDORS
It is the end of the working day. JACK is leaving for
home. He is putting on his executive-styled bullet-proof
vest and packing his "Secret Connection" briefcase. As the
scene progresses SAM and JACK proceed out of the door and
down he corridor, passing other I.R. OFFICIALS. SAM is
dishevelled and causing acute sartorial embarrassment to
JACK to is trying to distance himself from him.
SAM:
Come off it, Jack! Of course you can
check to see if she's been arrested.
JACK:
I'm sorry, Sam, I'm afraid this whole
case has become much more complicated
since last we talked.
SAM:
(exasperated)
She's innocent, Jack --- she's done
nothing wrong.
JACK:
Tell that to the wives of the
Security men she blew up this
afternoon. Listen, we've also had a
report just in from Central Services
that Tuttle has wrecked an entire
flat and sabotaged adjacent Central
Services systems - as a matter of
fact, in your block. I'd keep my eyes
open if I were you, Sam. Bye.
SAM:
(catching up with Jack)
You don't really think Tuttle and the
girl are in league?
JACK:
I do. Goodbye.
(steps into lift)
115 INT. LIFTEVENING 115
SAM:
It could all be coincidental.
JACK:
There are no coincidences, Sam.
Everything's connected, all along the
line. Cause and effect. That's the
beauty of it. Our job is to trace the
connections and reveal them.
(whispers)
This whole Buttle/Tuttle confusion
was obviously planned from the
inside. Bye bye.
116 INT. INFORMATION RETRIEVAL LOBBYEVENING 116
JACK and SAM have just emerged from the lift. The lift
doors close. SAM agitatedly speaks.
SAM:
Jack, she's innocent!
JACK:
Sam - we've always been close,
haven't we?
SAM:
(eagerly)
Yes we have, Jack!
JACK:
Well, could you stay away from me
117 EXT. MINISTRY OF INFORMATION RETRIEVAL NIGHT117
BUILDING:
SAM is leaving the Ministry of Information Retrieval. The
lights in the foyer are blazing behind him, the street
lamps are lit. He is exhausted and depressed and anxious
about the safety and whereabouts of Jill. He begins to
retrace their first journey together, down the Ministry
front steps and around the corner to where Jill's truck
was parked.
117a EXT.JUST AROUND THE
CORNERNIGHT117a
SAM stands in the passageway where JILL's lorry was first
parked. The only hint of its once-upon-a-time presence is
a small splodge of oil by the kerb. SAM stands lost and
beaten under a street light. He slumps down to the
pavement unsure his next move. The street light is
reflected in the pool of oil. As he stares at the
reflected light it expands and becomes a patch of blue
cloud-filled sky. SAM turns to look at the actual street
light. It has become a crack of blazing light coming thru
the inner wall of the great stone ship.
117b INT.STONE SHIPANTI-DAY117b
DREAM GIRL'S VOICE
I'm here Sam. Don't give up.
SAM is pushing thru the GREY PRISONERS. The light from the
crack shafts across the space in which they find
themselves imprisoned, striking the opposite wall. There
in the bright pool of light are SAM's wings - beautiful,
shimmering silver... But, nailed to a large stone
cruciform - like a crucified eagle. SAM rushes towards
them and begins to pull them loose, But before he can, a
great cracking noise reverberates thru the ship and a
black shadow falls across SAM and the wings. Looking round
he saees the inner wall has split open to the level of the
floor - but, blocking the opening is the GIANT SAMURAI
WARRIOR. SAM draws his sword and rushes toward the GIANT.
The GIANT stands ominously still. Then very slowly he
raises his spear in front of himself in an almost
religious gesture. Poof! He vanishes! SAM is confused.
Suddenly a PRISONER shouts a warning and SAM spins round
just in time to avoid a slash of the spear by the gigantic
WARRIOR who is now standing directly behind him. SAM
parries a couple more thrusts of the spear and then
strikes with his sword. At thin air! The GIANT has
vanished again. SAM can't figure it out. But he hears
something whoosh and instinctively dodges as the GIANT who
is once again behind him brings the spear crashing down.
Again SAM manages a few parries as he is forced backwards.
He trips and falls to the ground. The spear goes into the
ground.
Before the GIANT can wrench the spear loose, SAM slashes
at him with his sword. But again the GIANT disappears. SAM
spins around. The GIANT is a short distance from him. SAM
rushes him. Again he vanishes. This time he reappears next
to the spear and tries to free it. But SAM attacks again
and the GIANT is forced to do his vanishing act before he
can recover the spear. SAM is becoming exasperated with
his behaviour, and as the GIANT reappears he shouts at him
to hold still, at the same time throwing his sword at the
big fellow. The sword pins the GIANT's foot to the ground
before he can disappear. Instead of blood pouring from the
wound, fire issues forth. SAM takes advantage of the
situation and manages to wrench the spear from the ground.
The GIANT is unable to escape as SAM charges, but manages
to dodge a bit. However the spear catches his arm and
opens a gash. Again fire pours out. As the big GUY tries
to stop the fire, SAM charges again. This time he succeeds
in striking dead centre. The GIANT gasps as fire gushes
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"Brazil" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/brazil_634>.
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