Brazil Page #26
- R
- Year:
- 1985
- 132 min
- 1,232 Views
HELPMANN goes. A GUARD helps him out and then returns with
ANOTHER to help put the restraining bag over SAM.
GUARD:
Don't fight it, son .... confess
quickly ... Before they get into the
expensive procedures. If you hold out
too long you could jeopardise your
credit rating.
The bag blacks everything out.
133 INT. INFORMATION RETRIEVAL ROOM 133
The bag comes off. SAM finds himself strapped into an
Information Retrieval chair. The CAMERA tracks back
frighteningly fast revealing that he chair stands in an
unbelievably vast room. The walls curve up and out of
sight.
The floor doesn't seem to be a floor at all - strange
light undulates beneath. The whole effect is one of total
disorientation and overwhelming size. SAM is desperately
trying to take it in. Next to the chair is a porcelain
tray of evil and frighteningly ambiguous instruments.
Worrysome electrical connections and meters are near at
hand. As the GUARDS leave SAM to take up their positions
near the distant door they hand over documents to the
white-coated INFORMATION RETRIEVAL OFFICER.
GUARD:
11/AFT/607, sir.
They all sign the document which the I.R. OFFICER retains
after giving carbon copies to the GUARDS. The GUARDS then
proceed to the door and take up positions on either side
of it. The I.R. OFFICER heads toward SAM. We can now see
he wears a mask. It is the face of the FORCES OF DARKNESS.
A smiling baby doll face. SAM sits, mesmerized, watching
him approach. Within fifteen or twenty yards of SAM the
I.R. OFFICER comes to an abrupt halt. He seems to sway.
After a moment he turns slightly, hesitantly, giving the
impression that he may return to the door. He looks at the
GUARDS, pauses, straightens himself up, takes a deep
breath and continues again towards SAM, rather more
briskly than before. SAM watches, terrified and
fascinated. The I.R. OFFICER goes to the table which is
covered with evil-looking surgical-type instruments - he
blunders clumsily into it, knocking a couple of them onto
the floor. He picks then up quickly and replaces them.
SAM:
Jack?
The I.R. OFFICER reacts to this as if he's been hit in the
solar plexus, and he tries to disguise it by simulating a
coughing fit. He then picks up a nasty looking implement
and advances on SAM.
SAM:
Jack?... Jack?
JACK:
(hysterically from behind
mask)
Shut up!
SAM:
Jack, I'm innocent! Help me.
JACK:
Bastard!!!
SAM:
This is all a mistake. Jack, please
take that mask off.
JACK is very close to SAM, he is shaking. He lifts up his
mask to reveal sweaty face, contorted with fear and anger.
JACK:
You stupid bastard!
SAM:
What?
JACK:
How could you do this to me?
SAM:
Help me, Jack! I'm frightened!
JACK:
How do you think I feel? You sh*t!
SAM:
Jack ...
JACK:
(pulling down mask)
Shut up! This is a professional
relationship!
JACK comes at SAM with the horrifying implement.
SAM:
JACK!! ... You can't ... No, don't!
SAM's eyes widen in terror. From his POV we look up at
JACK approaching. The ceiling above and behind JACK is
suddenly and. loudly penetrated by the Ceiling Hole
Machine, and in an instant without benefit of "fireman's
pole", the commando-like figure of MR TUTTLE gun in hand,
leaps through the hole.
TUTTLE is immediately followed by similar looking MEN with
balaclavas, guerilla-type clothing, and very efficient
guns. JACK is cut down. So are the TWO GUARDS who have
opened the door from the corridor and are shooting into
the room.
TUTTLE raps out into a walkie-talkie
TUTTLE:
Detonate!
From somewhere near at hand there is a large explosion
which rocks the room. TUTTLE is already unstrapping SAM.
TUTTLE:
Let's go!
134 INT. CORRIDORSNIGHT134
CUT to RESCUERS, with SAM in the middle, fighting their
way in the terrific battle with GUARDS, until they get to
a door leading to the stairs.
135 INT. ENDLESS STAIRWAYS NIGHT135
CUT to RESCUERS, their members thinning, and SAM, fighting
down flight after flight of stairs with lots of neat-oh
violence and blood and, gunshots and ... falling and
bleeding and -
136 INT. INFORMATION RETRIEVAL LOBBY NIGHT136
CUT to the RESCUERS fighting their way to the entrance.
Another group of RESCUERS at the door are providing cover
fire The PORTER sits behind his desk watching the battle
on his bank of monitors.
2ND GROUP
Quick! We've only got thirty seconds
to get clear!
TUTTLE tosses SAM a dark overcoat to cover his light grey
detainee outfit. Together, the TWO GROUPS burst out
through the door into the large empty forecourt.
137 EXT. FORECOURTNIGHT137
The forecourt is suddenly illuminated by huge arc lights.
Machine gun installations open fire. The RESCUERS are
totally exposed.
They are cut down left and right.
Desperately they battle their way across the open space.
Time running out. SAM, knowing the way, leads TUTTLE
towards a shielded spot. Will they make it? As the last
RESCUER is cut down SAM and TUTTLE dive for cover.
KOWBLAMMPOW! A massive explosion. Then another. And
another. SECURITY TROOPS caught unprotected are decimated.
SAM looks up. Christ! The building is being blown to bits.
Certain windows are lit. They spell out MERRY XMAS. With a
final massive haemorrhage the building erupts in a geyser
of masonry, steel, paper and dozens of T.V. consoles and
visual aid apparatus including, in large chunks, MR
HELPMANN's masterpiece. But also tons and tons of paper.
Every file in the building has burst its seams and ejected
its load skywards. The night sky is full of white
rectangular wisps. Ashlike they flutter down over the
city. SAM looks around and can't see TUTTLE anywhere. He
shouts for him. But the remaining TROOPS have spotted SAM
and SAM runs.
138 EXT. CITY PASSAGES NIGHT138
SAM runs madly through paper-littered passages
139 EXT. SHOPPING PRECINCTNIGHT139
Eluding his pursuers, SAM dives into a crowded, garishly
lit, shopping centre. Once among the protective company of
he mindlessly shopping MOB, SAM slows down and proceeds
casually. The SHOPPERS go about their programmed business
paying no attention to the paperwork swirling about them.
Searching the CROWD, SAM spots TUTTLE making his way
towards him. TUTTLE is having a bit of trouble walking
against the steadily increasing wind. As he proceeds
across an open area a blown piece of paper. catches on his
foot. He tries shaking it off.
It remains firmly stuck. While he is struggling with the
piece of paper another, larger piece catches his other
leg. He begins to lose his temper trying to dislodge the
flying debris. Another hits him and twists around his arm.
Still more paper blows against him. He is having
difficulty staying upright. Twisting this way and that he
tries to free himself, but more and more paper covers him.
He is practically obscured from view. SAM can't believe
what he is seeing. SHOPPERS continue about their business,
apparently unaware of TUTTLE'S terrible plight. Apart from
ONE SHOPPER who loses control of her shopping trolley -
and watches it career down the steps of the shopping
precinct. By now TUTTLE is totally encased in this cocoon
of litter. He is now just a ball of paper writhing about
on the ground. SAM has to do something. He rushes out from
his hiding place and tries to pull the litter off TUTTLE.
The pieces come loose with surprising ease. The wind
carries them away as SAM frantically tears at the pile.
But there is no sign of TUTTLE. Nothing. The last few
pieces of paper flutter away leaving SAM standing there
with a couple of posters in his hands. He realises that he
is suddenly very visible. All the shopping bustle has
stopped. They are all staring at him. SAM spots TROOPS
shouldering their way towards him. He turns tail and
dashes off.
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"Brazil" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/brazil_634>.
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