Breakdown Page #15
- R
- Year:
- 1997
- 93 min
- 1,369 Views
DEKE:
Cool!
(CONTINUED)
85.
CONTINUED:
Deke takes the knife and runs off. Red goes to the rear
of the trailer, unlocks it and raises the slatted door.
He hops up inside. His FOOTSTEPS ECHO in the metal
trailer. We hear him SHIFTING BOXES.
EXT. BARN -NIGHT
Jeff seizes his chance. He crawls out from under the
windfoil and hoists himself onto the overhanging eave.
The STRUCTURE CREAKS under his weight.
INSIDE TRAILER:
Red sticks his head out of the trailer, puzzled.
RED:
Deke? Deke, you back there?
Jeff crouches in the shadows. He can see Red poking his
head out from the trailer, peering up at the roof.
INSIDE TRAILER:
Red shrugs, lets it go. He resumes unloading boxes,
tosses down a full set of Louis Vuitton luggage. He lugs
the items into the barn.
Jeff goes to a second-story window. A board has been
nailed over the window. He pulls it away, steps into...
INT. BARN HAYLOFT -NIGHT
and looks around, amazed. Everywhere around him there
are stolen goods.
Matching luggage sets... a rack of women’s coats... a
table piled with cameras... a crate filled with car
phones...
A stack of windshields... two sets of golf clubs... three
child safety seats... a ten-speed bicycle...
(CONTINUED)
86.
CONTINUED:
Several dozen "COMMERCIAL VEHICLE" license plates are
scattered about --Arkansas, Oregon, Texas, Iowa, South
Dakota...
As Jeff stares, reeling, there is a RUMBLE outside.
EXT. BARN -NIGHT
Red looks up from toting a box of car stereos and snarled
wiring as the moving van and Pontiac Firebird arrive at
the barn.
He beckons for the vehicles to pull forward into...
INT. BARN -NIGHT
Al dismounts from the moving truck. Billy climbs out of
the Firebird. They are travel-sore, stretching. Red
shuts the door behind them.
AL:
Man, if I never see another couple
from Massachusetts it’ll be too
soon.
RED:
Tell me about it. You get any
word on Earl?
BILLY:
(shakes head)
There’s reports of an accident up
Five Mile, but that’s about it.
Red grunts, unlatches the door to the moving van, lowers
a ramp. The three men begin unloading boxes.
INT. BARN HAYLOFT -NIGHT
Jeff lies on his belly peering through a knothole.
JEFF’S POV THROUGH KNOTHOLE
The men unload Jeff and Amy’s belongings --luggage,
photography equipment, miscellaneous items. Inside the
moving van, the battered Jeep Cherokee is visible,
partially covered with a tarp.
(CONTINUED)
87.
CONTINUED:
BILLY:
I told you we shoulda gotten rid
of ’em like that couple up in
Utah. Nice and clean.
RED:
So it got a little f***ed up --so
what? We stay out of the area for
a while, things will cool off.
There is a HAMMERING noise, O.S. Red looks over,
irritated.
RED:
Dammit, Al, what the hell you
doing?
Al sits at a workbench hammering precious stones out of
Amy’s jewelry. He looks over at Red.
AL:
Figured I’d get started on the
jewelry.
RED:
F*** that, you can work on it
later. Help us with the girl.
INT. BARN HAYLOFT -NIGHT
Jeff breathes in sharply, presses his eye against the
knothole.
Red unlatches a hidden compartment under the chassis of
the moving truck. He and Billy slide out a long metal
box, similar to a drawer in a morgue.
They lift the metal lid, revealing -
CANVAS SACK:
The sack is stained and ripped. Red pokes at it. The
sack doesn’t move. Red shrugs.
RED:
Must’ve died from the exhaust.
88.
INT. BARN HAYLOFT KNOTHOLE -NIGHT
Jeff stares, paralyzed, his universe exploded. Moisture
forms in his eyes.
Billy and Al reach into the compartment, start to lift
out the sack.
RED:
I’ll get some plastic. We’ll bury
Suddenly the sack drives its legs into Al’s belly.
AL:
(startled)
Aagh!
Al falls backward, drops the sack on the floor. It tears
open revealing Amy --gagged with duct tape, her wrists
and ankles taped. She squirms and kicks wildly, her
screams muffled.
INT. BARN HAYLOFT KNOTHOLE -NIGHT
We see Jeff’s eye in the knothole. It’s all we need to
see to gauge the effect on him of seeing Amy alive.
Al gets to his feet, furious.
AL:
Goddamn. Scared me half to death.
BILLY:
(chuckles)
Gotcha good, huh, Al? Oughta be
more careful next time.
AL:
Shut up.
(glaring at Amy)
Lemme do her, Red. I’ll cut her
head off right now.
ARLEEN (O.S.)
(muffled)
Warren? You in there?
Red reacts.
(CONTINUED)
89.
CONTINUED:
RED:
Sh*t, it’s my wife. Help me get
her in the freezer.
(calling out)
Just a second, Arleen.
Red walks to a corner, moves aside a section of false
flooring. He pulls up a hidden trap door, revealing a
root cellar.
AMY:
squirms on the hay-strewn floor. Her clothes are ripped,
face bruised. She looks up, reacting: Jeff’s eye is
visible in the knothole.
Their gaze meets... and holds...
RED:
returns and takes Amy by the legs. Al and Billy lift her
by the arms. As they carry her to the root cellar, Red
peers into her terrified face.
RED:
Don’t worry, honey. It’s not as
bad as it sounds. It’ll take you
about 10 minutes to suck the air
out. Probably won’t even feel it.
Amy reacts, writhing even more violently, but she’sno
match for the three men.
BARN HAYLOFT:
Jeff watches helplessly as...
BARN GROUND FLOOR
The men disappear with Amy into the cellar. We hear a
METALLIC THUD, then a few moments later, the men reappear
without her. Red closes the trap door, secures it with a
heavy padlock, then slides the panel of false flooring
over it.
RED:
C’mon, let’s go.
They turn, walk toward the door. Red opens it. Arleen
is standing there. Al and Billy greet her politely:
(CONTINUED)
90.
CONTINUED:
AL:
Howdy, Arleen.
BILLY:
Hey, Missus C.
ARLEEN:
Well finally. Are you coming to
breakfast? I’ve been calling you.
RED:
Sure thing, honey.
The barn goes dark as the men leave. The barn door rolls
shut. A LOCK CLICKS.
INT. BARN HAYLOFT -NIGHT
Jeff quickly climbs down a ladder in the pitch darkness.
He crosses the room, bumping into a workbench. He
swears, makes his way toward the...
INT. REAR OF BARN -NIGHT
Jeff drops to his hands and knees, feeling for the
padlocked trap door. He finds it, speaks in an urgent
whisper.
JEFF:
Amy? Amy, can you hear me?
No reply. Jeff cups his hands, presses his mouth to the
floor.
JEFF:
(louder)
Amy?
Still no reply.
Jeff swears, glances around the dark room. There is a
tool bench across the room.
JEFF:
Hang on, baby. They’re in the
house; I can’t use the lights.
I’m gonna get you out.
He goes to the tool bench, fumbling in the darkness. He
knocks over a cardboard box --a pile of car keys spill
across the table. His hands run over an assortment of
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Breakdown" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/breakdown_333>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In