Brooklyn Page #13
Eilis puts fresh bowls and spoons down on the table. Mrs
Kehoe comes to the table with a large pie on a plate.
MRS KEHOE:
I think this is the first time that
any girl of mine has passed an exam
while living here, so I bought us a
treat.
There are murmurs of appreciation. Mrs Kehoe sits down at the
table and starts cutting the pie into slices and putting the
slices into bowls.
PATTY:
Have you told Tony, Eilis?
EILIS:
Of course.
SHEILA:
And is he taking you out to
celebrate?
EILIS:
We’re going to Coney Island at the
weekend.
DIANA:
(drily)
Oh, boy.
EILIS:
What does that mean?
DIANA:
You have a bathing costume?
EILIS:
No. I was going to get one at...
PATTY:
Do you have sunglasses?
EILIS:
(increasingly alarmed)
No.
SHEILA:
You need sunglasses. I read that if
you don’t have them on the beach
this year people will talk about
you.
MRS KEHOE:
(witheringly)
And what will they say, exactly,
Sheila?
(CONTINUED)
'Brooklyn' YELLOW Script Dated 24th April 2014 62.
79 CONTINUED:
79Sheila blushes.
DOLORES:
(seriously)
That’s the thing, Mrs Kehoe. You’d
never know, because they’d never
say it to your face.
Mrs Kehoe rolls her eyes.
MRS KEHOE:
Diana’s right, though, Eilis. You
need to think carefully about your
costume. It’s the most Tony will
ever have seen of you. You don’t
want to put him off.
80 INT. BARTOCCI’S. DAY 80
Eilis in her lunch hour, choosing a one-piece bathing suit
from the racks in front of her. She picks out a black one and
a pink one, and goes off towards the dressing-rooms. As if
from nowhere, Miss Fortini appears.
MISS FORTINI:
Are you going to the beach?
EILIS:
Yes, Miss Fortini. To Coney Island.
With Tony.
MISS FORTINI:
Well, I know he’s a saint, this
Tony, but every Italian man cares
about how his girlfriend looks in
her bathing suit. I’d better help
you.
EILIS:
Thank you.
Eilis walks into one of the cubicles, but before she can pull
the curtain across, Miss Fortini is in the cubicle with her.
There’s hardly room for the two of them. Eilis starts to get
undressed, as modestly as she can in the peculiar
circumstances. Miss Fortini watches her, matter-of-factly.
Later. Eilis is wearing the black suit. Miss Fortini looks at
her thoughtfully, and then reaches forward to pull down the
fabric at the top of Eilis’s thigh.
(CONTINUED)
'Brooklyn' YELLOW Script Dated 24th April 2014 63.
81 CONTINUED:
81MISS FORTINI:
You’ll have to shave down here.
I’ll give you a razor that will do
the trick.
She then reaches round to cup Eilis’s bottom. Eilis is too
shocked to say anything.
MISS FORTINI:
You’re all right there for the
moment. And most Italian men
appreciate the fuller figure. But
watch yourself, over the summer.
She steps back as far as she can and looks at her.
MISS FORTINI:
The black’s too dark, for your pale
skin. Let’s see you in the green.
Eilis hesitates.
MISS FORTINI:
Quickly now.
82 OMITTED 82
83 OMITTED 83
84 EXT. CONEY ISLAND. DAY 84
Tony and Eilis on the boardwalk at Coney Island. It’s a
bright, beautiful day; Eilis is, after all, wearing
fashionable sunglasses and a headscarf. They’re both eating
cotton candy. They stop and look for a space on the packed
beach.
TONY:
I can see a spot down there that’s
probably big enough for one. If we
can wedge ourselves in, maybe we
can eventually create enough space
for two.
(CONTINUED)
84
85
86
87
'Brooklyn' YELLOW Script Dated 24th April 2014 64.
CONTINUED:
84We watch as Tony and Eilis make their way down onto the beach
to become a small and anonymous part of the New York summer.
EXT. BEACH. DAY 85
Tony is holding a towel round Eilis as she struggles in to
her bathing costume. He’s looking away, presumably at her
request.
EILIS:
Why didn’t you tell me to put my
costume on underneath my clothes?
TONY:
I thought you’d know.
She’s finished struggling.
EILIS:
I’m ready.
He drops the towel. Eilis stands there in her costume, a
little embarrassed. Tony gives a loud and lascivious wolf-
whistle. Eilis giggles with embarrassment and pleasure.
EXT. SEA. DAY 86
Eilis and Tony in the sea. Eilis swims away from Tony - she’s
a good swimmer - but he swims after her, catches her and
draws him to her. He picks her up as she tries to wriggle
away, laughing. He pulls her to him and kisses her. She
freezes a little and pushes him away.
TONY:
(smiling)
I’m sorry. What’s a guy supposed to
do?
She looks at him, and then kisses him deeply.
FADE OUT.
INT. BARTOCCI’S. DAY 87
Eilis at her counter, serving a customer. Music, something
ominously melancholic that undercuts the banal pleasantries
of Eilis’s letter.
EILIS (V.O.)
Dear Rose. Thanks for your letter.
I was happy to hear about your golf
tournament. You must have been
really pleased.
'Brooklyn' YELLOW Script Dated 24th April 2014 65.
88 INT. EILIS’S HOME IN IRELAND. DAY 88
We see Mary knocking on the door of Rose’s bedroom anxiously.
EILIS (V.O.)
I still miss you and mother, and I
think about you every day.
89 INT. ROSE’S BEDROOM. DAY 89
Mary enters the bedroom. Rose is sprawled half out of the
bed, her head nearly touching the floor; Mary rushes over to
her, touches her cheek, starts to weep.
EILIS (V.O.)
But I think I can say that for the
first time since I’ve been in
America, I’m really happy.
90 EXT. EILIS’S HOME. STREET. DAY 90
Mary, consoled by a neighbour, watches as Rose’s body,
covered by a shroud, is taken to a waiting ambulance.
EILIS (V.O.)
This is a lot to do with Tony. He’s
kind and seems to care about me.
And we have fun, too.
91 INT. DINING ROOM, EILIS’S HOME. DAY 91
Mary sitting on an armchair in her parlour, gripping a
handkerchief tightly. The room is filling up with sombre,
concerned people who are queuing up to speak to her.
EILIS (V.O.)
At the weekend he took me to see
the Brooklyn Dodgers, the baseball
team he loves. They lost, so he was
annoyed.
92 INT. CHURCH. EVENING 92
Mary on her knees in church, while she prays at mass.
EILIS (V.O.)
But I’ve also started to look for
office work, too. I had an
interview this week at a textile
firm here in Brooklyn.
'Brooklyn' YELLOW Script Dated 24th April 2014 66.
93 INT. BARTOCCI’S. DAY 93
Eilis looks up, startled, as Miss Fortini and Father Flood
approach her counter.
EILIS (V.O.)
Who’d have thought that there would
be two book-keepers in the family?
I’ll soon be able to afford to...
Her voice trails off. We can’t hear what Father Flood is
saying to her, but she looks stricken. The music fades.
Father Flood and Eilis are sitting on two chairs in the
middle, knees almost touching. Eilis is staring at the floor,
in shock; Father Flood is watching her with enormous
tenderness and concern.
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"Brooklyn" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/brooklyn_1030>.
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