Bruce Lee, the Legend

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More ancient than the earliest records

of Chinese civilization...

are legends--

legends of great warriors,

of knights and wizards...

and mysterious monks

who can perform wondrous feats.

In these fabulous beings

was embodied...

the essence of good and evil.

They had the power to fly...

and the strength

to defeat whole armies.

These fables thrived

until about 1 00 years ago.

Then a new legend was born.

According to the Chinese

astrological calendar,

1 940 was the Year of the Dragon.

Bruce Lee was born on the 27 th

of November of that year.

The place was San Francisco.

His father, Lee Hoi Chuen,

a leading comic actor in Hong Kong,

was appearing in a touring

Cantonese opera troupe,

something like the Chinese equivalent

of a vaudeville show.

His wife, Grace, who was half German,

was accompanying him.

The tour over, the Lee family

returned to Hong Kong...

when Bruce was 3 months old.

A family portrait

in their Nathan Road flat...

shows Bruce at the center.

Bruce considered his first film role

was in The Beginning Of A Boy,

which he made when he was 6.

Two years later, he played

a leading role in My Son Ah Cheung.

Much of the material written

about Bruce Lee states...

he never appeared in films

with his father.

These rare scenes from My Son Ah Cheung

prove the opposite.

Interestingly, this was

the first of their films together...

in which Bruce had a more important role

than his father.

The theme of this film

was fairly typical...

of many of the more than 20

he appeared in...

before returning

to San Francisco in 1 958.

In Ah Cheung,

Bruce Lee is an orphan...

whose only education is what

he can find on the street.

You little brat!

Put that down, you!

Uncle.

In what is almost a preview in miniature

of a scene in Enter The Dragon...

Bruce picks up a broomstick

and attacks.

- What'd you hit me for?

- Why did you steal?

It's not your business.

You're a thief.

I'll get you, you pig!

Tell me the truth.

Where were you last night?

You scheming against me, eh?

You little devil, you!

Well, are you going to

tell me the truth, are you?

Come along. Speak up, I say.

Tell me the truth, you little devil.

You've been nothing but trouble

ever since you came here.

I'll see that you

get a good hiding. Ohh!

Ohh! Ohh!

You've beaten up my brother.

I'll chop off your head.

Ohh! Ohh!

Why, you devil!

I'll kill you!

How much of his own character

did Bruce bring to these roles?

And how much were

his screen characters...

beginning to infuse

into his own personality?

As time went on, Bruce would play

more and more the kind of role...

that could be described

as a problem youth.

Many of these reflected

the themes of films...

popular in the United States

at the time,

films like Blackboardjungle.

One of Bruce's films is

called Boys On The Street.

If we watch him closely

in the many street brawls

with which these films abound,

we can already see the beginnings of the

trademarks of expression and gesture...

which he would later make

so very much his own.

Yes, I got a big mouth,

but I can back it up with my fists.

- You want to pick a fight?

- You said it, you asked for it.

- A paper tiger after all.

- Stop it, will you.

You kids shouldn't fight here.

This is my place. Get out of here.

I dare you to follow me.

- He took my box.

- Get him!

Come on!

Hey, you!

- Yay!

- Yay!

- Yay!

- Yay!

- Yay!

- Yay!

Those kids really have guts.

You want some more?

I took your shoe shine box

to get you here for a square off.

Now you know

I mean business.

Come on, kids.

Come on, kids. Let's go.

Come on. Let's go.

Snapshots from the Lee

family photo album...

show Bruce growing to be

a handsome young man...

with a normal interest

in girls and motorbikes.

Although he was bright,

Bruce was not a good student,

at least not in the scholastic sense.

He was more interested

in learning martial arts.

Bruce always maintained that

his first teacher was his father...

who was a devotee of the fighting forms

known as Tai Chi.

But his first real teacher

was Yip Man,

a master of

the Wing Chun style.

The roots of Wing Chun

reach back to the famed Shaolin Temple.

As this demonstration from

the film Warriors Two shows,

it emphasizes

lightness and quickness...

rather than power and strength.

Stretch out two fingers.

You must try to catch it

when I let it go.

Pick it up. Do you realize why

you can't catch it?

Because when your eyes

see it fall,

your brain signals

your hand nerves to react,

but there's a delay.

So we're aiming

to minimize that delay.

That's why Wing Chun concentrates

on touch and speed.

Practice.

There's no other way.

The wooden man is

a Wing Chun training aid...

used to develop quickness

and flexibility in attack.

Your enemy will not

stand still.

Your reactions must be

one step ahead of his.

Otherwise, you're dead. Therefore,

your fists have got to strike...

with the speed of light.

Try again.

But Gung Fu was not Bruce's only

interest outside movies at that time.

He was quite a snappy dancer...

and in 1 958 won a Hong Kong

cha-cha championship.

But somehow, even his achievements

on the dance floor led back to Gung Fu.

This is Siu Hon Sung, another of

Bruce Lee's Gung Fu teachers.

He explains how Bruce

negotiated a deal with him.

One day...

Bruce took me to a coffee shop.

He said,

''You're a master of Gung Fu.

''I'm a pretty good cha-cha dancer.

Why don't we do a deal? Teach me

Gung Fu, and I'll teach you cha-cha.''

Now, an average person...

would take three to four weeks

to learn my basic moves.

But Bruce took only three nights

to master the moves.

So much for

my cha-cha lessons.

Bruce didn't even give me time

to learn the basic beat.

The Orphan

was the second-last film...

Bruce would make

before leaving for America.

In it, he played the most extreme

of his delinquent loner roles.

His final film in Hong Kong was

a complete contrast to The Orphan...

and to any role

before or after.

The Thunderstorm is

probably the only film...

in which he doesn't have

one single fight scene.

Although there are confrontations

in the film...

all the emphasis

in The Thunderstorm...

is on the character's refusal to be

drawn to fight under any provocation.

This reluctance, at least initially,

was a character device...

that would feature heavily

in all of Bruce's later films.

Mary.

Can I help you, Mr. Chan?

Mom knows you're leaving us.

It's hard to find jobs these days.

She wants me to give you $1 00.

Thank her for me, please,

but I just can't take her money.

I'm really sorry about today.

My brother didn't mean it.

He's sorry.

I promise he won't

do it again.

That's what he told me

to tell you.

Don't apologize, Mr. Chan.

Well, anyway,

I'm not your maid anymore.

Mary, I've never

treated you like a maid.

- I'm your friend, Mary.

- Leave her alone!

Mr. Wong.

Sorry about today.

Just leave my sister alone.

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